sun 13/10/2024

Theatre Reviews

Nachtland, Young Vic review - German black comedy brings uneasy humour and discomfiting relevance

Gary Naylor

If Mark Twain thought that a German joke was no laughing matter, what would he make of a German comedy? 

Read more...

Cable Street, Southwark Playhouse review - engaging new musical in an impressive staging

Helen Hawkins

Hot on the heels of Brigid Larmour’s updating of The Merchant of Venice to the East End in 1936, a spirited new musical across town at Southwark Playhouse is tackling the same topic: the impact of rising British fascism in the same era, culminating in the clash between locals with Oswald Mosley’s British Union of Fascists (BUF) on the streets of Bethnal Green.

Read more...

Out of Season, Hampstead Theatre review - banter as bullying

aleks Sierz

One island off the coast of Spain has more cultural oomph than all the rest put together. I’m talking about Ibiza, the sun-soaked, music-happy and drug-friendly paradise for anyone in their roaring luved-up twenties who wants a break that will fry their minds – and imprinting them with memories of sun, sex and ecstasy for years to come.

Read more...

Shifters, Bush Theatre review - love will tear us apart again

aleks Sierz

For the past ten years, Black-British playwrights have been in the vanguard of innovation in the form and content of new writing. I’m thinking not only of writers with longer careers such as Roy Williams and debbie tucker green, but also of Inua Ellams, Arinzé Kene, Nathaniel Martello-White, Matilda Feyiṣayọ Ibini and Tyrell Williams.

Read more...

The Merchant of Venice 1936, Criterion Theatre review - radical revamp with a passionate agenda

Helen Hawkins

It’s an unhappy time to be staging Shakespeare’s problematic play, given its antisemitic content, so hats off to adaptor-director Brigid Larmour and actor Tracy-Ann Oberman for persevering with this updated version, now in the West End. Their ambition to make Shylock a female anti-fascist has been hard won, though.

Read more...

The Big Life, Stratford East review - musical brings the joy and honours the past

Gary Naylor

Is there a healthier sound than that of laughter ringing round a theatre? 

Read more...

Hir, Park Theatre review - incendiary production for Taylor Mac's rich absurdist family drama

Helen Hawkins

In 2017, two years after Hir premiered, Taylor Mac was awarded a “Genius Grant” and nominated for a Pulitzer Prize for drama. The new production of Hir at the Park demonstrates why. It’s a rich, provocative piece about the ideas that drive us now, thrown into a blender and blitzed.

Read more...

Samuel Takes a Break... in Male Dungeon No. 5 after a long but generally successful day of tours, The Yard Theatre review - funny and thought-provoking

Gary Naylor

You do not need to be Einstein to feel it. If the only dimension missing is time, 75% of a place’s identity can invade your very being, hollow you out, replace your soul with a void. It happened to me at Auschwitz and it’s happening to Samuel at Cape Coast Castle, Ghana.

Read more...

King Lear, Almeida Theatre review - Danny Sapani dazzles in this spartan tragedy

Mert Dilek

Less than three years after her magnificent Macbeth, Yaël Farber returns to the Almeida with another Shakespeare tragedy. Her take on King Lear (main picture) offers a full-bodied, slow-burn version of this devastating drama, where Danny Sapani’s masterful performance as Lear sears the stage.

Read more...

Hadestown, Lyric Theatre review - soul-stirring musical gloriously revamps classical myths

Mert Dilek

Doom and gloom, we are told, may have abounded in the classical underworld, but Hadestown suggests otherwise. Returning to London five years after its run at the National Theatre, this time with a slew of Tony Awards, this bracing musical proves its mettle as a heart-warming and atmospheric feast of deeply soulful tunes.

Read more...

Pages

Advertising feature

★★★★★

A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.
The Observer, Kate Kellaway

 

Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.

 

★★★★★

This final part of Florian Zeller’s trilogy is the most powerful of all.
The Times, Ann Treneman

 

Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.

 

Book by 30 September and get tickets from £15*
with no booking fee.


latest in today

Music Reissues Weekly: Arvo Pärt - Tabula Rasa

In 2022, Spritualized’s Jason Pierce described his musical goal as "trying to find somewhere between Arvo Pärt and The Stooges.” Amongst the most...

The Turn of the Screw, English National Opera review - James...

At first, you wonder if the peculiar voice of Henry James’s maybe unreliable narrator can be preserved in this production. Surely the outcome is...

London Film Festival 2024 - the Vatican, the Blitz, a trip t...

Conclave

Director Edward Berger won an...

The Last of the Sea Women review - a moving tale of feisty t...

“The ocean is our home… Even in my next life I will dive again,” says Geum Ok, one of a band of female divers from Jeju, a volcanic island 60...

Trouble in Tahiti/A Quiet Place, Linbury Theatre review - to...

Most of us have been there: an impasse in a marriage, a bereavement in a dysfunctional family. Leonard Bernstein certainly had when he composed...

Album: Justin Adams & Mauro Durante - Sweet Release

Sweet Release opens up a landscape of redemption by riding the rails of a classic ...

First Person: Lindsey Ferrentino on the play that has led Ad...

I turn 36 this year, while living in London and rehearsing my new play The Fear of 13 at the Donmar Warehouse. The cast places a cake on...

Timestalker review – she's lost control again

Unlike the controversial Netflix show Baby Reindeer, which challenges many of the same attitudes towards sexual harassment, self-delusion...

Kanga, Manchester Collective, Singh, RNCM Manchester review...

Of all the inventive and enterprising things Manchester Collective do, it’s most often been the playing of a string ensemble led from first desk...