Theatre Reviews
The Birthday Party, Ustinov Studio, Theatre Royal Bath review - Pinter still packs a punchSaturday, 17 August 2024
Before a word is spoken, a pause held, we hear the seagulls squawking outside, see the (let’s say brown) walls that remind you of the H-Block protests of the 1980s, witness the pitifully small portions for breakfast. If you were in any doubt that we were anywhere other than submerged beneath the fag end of the post-war years of austerity, the clothes confirm it. And a thought surfaces and will jab throughout the two hours runtime: “How different are things today in, say, Clacton?” Read more... |
Peanut Butter & Blueberries, Kiln Theatre review - rom-com in a time of IslamophobiaFriday, 16 August 2024
At one point, in John Fowles’s 1977 novel The Magus, the guru character in the story compares sexuality before and after the 1960s. He says that although “young people can lend your bodies now, play with them, give them as we could not”, there is also a loss – “a world rich in mystery and delicate emotion”. Read more... |
Death of England: Michael / Death of England: Delroy, Soho Place review - thrilling portraits, brilliantly performed, of rebels without a causeThursday, 15 August 2024
Two boys in east London, one Black, one white, grow up together, play pranks at school, then decades later have a tempestuous falling out. That’s the main narrative arc of these twin plays, but it accounts for none of their extraordinary richness and the superlative acting they entail. Read more... |
Edinburgh Fringe 2024 reviews: Adam Riches: Jimmy / TERFThursday, 15 August 2024
Adam Riches: Jimmy, Summerhall ★★★ Read more... |
Edinburgh Fringe 2024 reviews: The Sound Inside / So YoungTuesday, 13 August 2024
The Sound Inside, Traverse Theatre ★★★★★ |
Edinburgh Fringe 2024 reviews: In Two Minds / My English Persian KitchenSaturday, 10 August 2024
In Two Minds, Traverse Theatre ★★★★ Read more... |
The Grapes of Wrath, NT Lyttelton review - a bleak journey into migrant purgatoryFriday, 09 August 2024
It’s a brave company that embarks on a staging of John Steinbeck’s award-winning 1939 novel The Grapes of Wrath. A grim study of human goodness in an unrelentingly cruel universe, it’s a long slog for both cast and audience. Read more... |
The Years, Almeida Theatre review - matchless acting quintet makes for a must-seeThursday, 08 August 2024
The title sounds as if we ought to be in for an evening of Virginia Woolf, and, indeed, one of the astonishing women on view (Deborah Findlay) was in fact a co-star of the recent West End version of Orlando. In fact, this late-summer offering is a scorching reminder of the power of European theatre at a venue, the Almeida, that has of late focused its attentions (often very well) on the American repertoire, from Tennessee Williams to Branden Jacobs-Jenkins, amongst others. Read more... |
Fiddler on the Roof, Regent's Park Open Air Theatre review - dazzling gem of a production marks its diamond anniversaryThursday, 08 August 2024
If I were a rich man, I'd be inclined to put together a touring production of Fiddler on the Roof and send it around the world, a week here, a week there, to educate and entertain. But, like Tevye, I also have to sell a little milk to put food on the table, so I’ll just revel in the delights of this marvellous show in the theatrical village nestling within Regent’s Park. Read more... |
A Chorus Line, Sadler's Wells review - high-kicking fun that's low on pathosTuesday, 06 August 2024
A Chorus Line reigned supreme on Broadway from 1975 to 1990, a bold, bare-bones piece that for once put musical theatre’s hoofers in the spotlight. “As welcome as a rainbow after a thunderstorm” was Clive Barnes’s summation in the New York Times. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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