sat 23/03/2019

tv

Dr Michael Scott: How to make the most of globalisation

Michael Scott

The Guardian called Brexit “a rejection of globalisation.” That’s as may be, but the reality is we cannot, however much we might want to, check out of the globalised world in which we live. Globalisation has defined the 20th and 21st century and while the future is uncertain, one thing we can sure about is that it will continue to become ever more inter-connected.

Read more...

John Hurt: 'If I’ve been anything I’ve been adventurous'

Jasper Rees

John Hurt, who has died at the age of 77, belonged to that great generation of British thespians who started in the 1960s and eventually, one by one, ended up knighted: Michael Gambon, Albert Finney, Ian McKellen, Anthony Hopkins, Ian Holm, Nigel Hawthorne, Derek Jacobi. Of them all, Hurt was the outsider. It’s impossible to imagine an alien springing from any midriff but his.

Read more...

Interview: Claire Foy, Netflix queen

Jasper Rees

It was a good night for British thespians at the 2016 Golden Globes. The stars of The Night Manager – Tom Hiddleston, Hugh Laurie and Olivia Colman – all visited the podium to collect awards.

Read more...

The wisdom and wit of Carla Lane

Jasper Rees

Carla Lane, who has died at the age of 87, was the first from Liverpool. Before Alan Bleasdale and Willy Russell, long before Jimmy McGovern, hers was the loudest Liverpudlian voice on television portraying ordinary working people's lives. From The Liver Birds to Bread, from Butterflies to Solo, her comedies covered the waterfront of womanhood: husband-hunters, divorcees, matriarchal grandmothers, unhappy wives, mistresses.

Read more...

Antonia Bird: 'I get lumped together with Ken Loach'

Jasper Rees

Antonia Bird died in 2013 at the age of 62. The last television drama with her name on it was the first series of The Village, but the career which is celebrated in the BBC Four documentary Antonia Bird: From EastEnders to Hollywood were from a golden age of single drama. You always knew you were watching a film by Bird. She made a name with single-issue films with single-syllable titles.

Read more...

Victoria Wood: 'Please could you repeat the question?'

Jasper Rees

Victoria Wood was a very private national treasure. Not for her the tawdry catwalk of Twitter nor the klaxon of the confessional memoir. She wasn't comfortable talking to journalists and when she found one whom she could just about trust, she stuck with them.

Read more...

Peter Bowker on making 'The A Word'

Saskia Baron

Films, TV and books about autism often send me down memory lane; my older brother Timothy was one of the first children in the UK to be diagnosed with autism in the early 1960s, and I’ve kept a wary eye on how autism is portrayed ever since I can remember. But I wasn’t expecting the new BBC One drama, The A Word, to inspire a wave of nostalgia for Peter Perrett and The Only Ones, last seen at some grungy punk venue back in the late Seventies.

Read more...

First Person: The Estate We're In

Fran Robertson

Situated next to the beautiful Welsh Harp reservoir in North London, the West Hendon council estate was built in the 1960s to provide 680 homes to low income families. I first went there in November 2014. I had been following various housing stories around London and had heard about an estate where residents were fighting a multi-million pound regeneration which was forcing them out of their homes and where land valued at £12 million had been sold to developers for just £3.

Read more...

First Person: 'It's all about deception'

David Farr

I’ve been working on two projects over the last four years and like buses they’ve arrived on British screens at the same time. On the surface they seem very different. My adaptation of John Le Carré’s The Night Manager is a huge epic sprawling espionage drama that spans six episodes and several years, moving from the Egypt of the Arab Spring to London, Spain, Turkey and beyond.

Read more...

Rock History Revisited in HBO's Vinyl

Adam Sweeting

It was 20 years ago that Mick Jagger suggested to Martin Scorsese that they should make a film "that spanned four decades of the world of music in New York City". The idea has finally come to fruition as Vinyl, HBO's new 10-part series that kicks off on Sky Atlantic on Monday 15 February.

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 10,000 pieces, we're asking for £3.95 per month or £30 per year. We feel it's a very good deal, and hope you do too.

To take an annual subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

latest in today

Blood Knot, Orange Tree Theatre review - defining apartheid-...

London's impromptu mini-season devoted to the work of Athol Fugard picks up real steam with Blood Knot, Matthew Xia's transfixing take on...

Vasari Singers, Backhouse, St Bride’s Fleet Street review -...

London performances of Alfred Schnittke’s Concerto for Choir are like Meaningful Votes: you wait a long time for one, then they come in...

The Best Films Out Now

There are films to meet every taste in theartsdesk's guide to the best movies currently on release. In our considered opinion, any of the titles...

CD: Edwyn Collins - Badbea

Edwyn Collins is in a good mood. Perhaps it’s his 2014 move back to his native...

Pose, BBC Two review - transgender goes mainstream

NYC, 1987. AIDS is ravaging the city, Reagan’s in power,...

Emilia, Vaudeville Theatre review - shouting for change

Emilia Bassano Lanier is not a household name. But maybe she should be. Born in 1569, she was one of the first women in England to publish a book...

Minding the Gap review – profound musings on life

Where would you go for a devastating study on the human condition? The home ...

DVD/Blu-Ray: La Vérité

For admirers of Henri-Georges Clouzot or Brigitte Bardot, this Criterion restoration of their rarely seen 1960 collaboration is a must have. ...