thu 19/09/2024

tv

Inside Man, BBC One review - strong cast trapped on a sinking ship

Adam Sweeting

Screenwriter and showrunner Steven Moffat is renowned for some of his work, especially Sherlock, but other stuff not so much (I direct you towards Dracula or The Time Traveler’s Wife). When the history is written, Inside Man is liable to languish at the dog’s-breakfast end of the Moffat canon.

Read more...

This England, Sky Atlantic review - how Boris's No 10 got Covid wrong

Helen Hawkins

From underneath the messy ash-white thatch of hair, a strange mooing suddenly issues: Sir Kenneth Branagh is wrestling with Boris Johnson’s odd way of saying the “oo” sound. It’s a brave attempt but ultimately a bit wayward, rather like the drama series Branagh is starring in, This England, Michael Winterbottom’s six-part reconstruction of Boris’s early days as PM, Covid, lockdown and all. 

Read more...

Am I Being Unreasonable?, BBC One review - comedy thriller delivers the gags

Veronica Lee

In case you're not au fait with Mumsnet, the title of Daisy May Cooper's follow-up creation to the stupendous This Country is a nod to the parenting website's readers' questions corner, where the responses boil down to “Yes, you are” and “No, you're not” in equally judgmental proportions. (Although, it has to be said, sometimes the replies are far from that and can be funny or helpful.)

Read more...

Crossfire, BBC One review - pacy and nail-biting, the holiday from hell

Helen Hawkins

A sun-baked island resort; Keeley Hawes taking a leisurely dip in an infinity pool as we hear her in voiceover musing on how events happen unchosen, with you in them; then we are up in her room, where she is texting somebody. The sounds of gunshots and mass panic jolt her into action. She rushes for her trainers – not flipflops, she admonishes herself, you are going to need to run.

Read more...

The Capture, Series 2 finale, BBC One review - gripping ride to a barnstorming conclusion

Helen Hawkins

[Here be spoilers.] If you have been glued to the second season of The Capture, just ended, does it bother you that its content is borderline science fiction? Probably not. Writer Ben Chanan’s depiction of artificial intelligence may outstrip the reality of what it can currently achieve, but he can sure spin a gripping TV series around AI's potential for creating chaos in the wrong hands. 

Read more...

Munich Games, Sky Atlantic review - superbly crafted thriller races to prevent a terrorist attack

Helen Hawkins

A black box with a red blinking light is being stashed in a cabinet under the seating of the Olympic stadium in Munich. Then a hoodie-ed man is seen in silhouette, the stadium in the background. We are about to be plunged into the darker corners of the prosperous Bavarian city where, 50 years earlier, as the footage in the opening credits recalls, the infamous massacre of 11 members of the Israeli Olympic team by PLO gunmen took place.

Read more...

The Capture, Series 2, BBC One review - caught up in the China syndrome

Adam Sweeting

When the first series of The Capture arrived three years ago, theartsdesk liked it so much that we reviewed it three times. Writer-director Ben Chanan had successfully, and addictively, tapped into a secret dystopia of blanket digital surveillance and so-called “correction”, in which anyone might be manipulated by shadowy state agencies to serve their own hidden agendas.

Read more...

Van der Valk, Series 2 Finale, ITV review - sleaze, corruption and skulduggery in Amsterdam

Adam Sweeting

Despite the jarring effect of having British actors speaking colloquial English while purporting to be Dutch policemen working in Amsterdam, the second series of ITV’s Van der Valk arrived at its third and final episode feeling as if it had reached its comfort zone.

Read more...

Better Call Saul, Season 6 Finale, Netflix review - end of the line for TV's most celebrated con artist

Adam Sweeting

It was the end of an era, as Vince Gilligan and Peter Gould’s bittersweet epic of the brilliantly devious Saul Goodman wound to a close. Hints of redemption were in the air, signalled by Saul reverting at last to his real name, James McGill.

Read more...

Marriage, BBC One review - a brilliantly executed drama series with a big heart

Helen Hawkins

The gifted writer-director Stefan Golaszewski (Him and Her, Mum) has surpassed himself with his latest drama series, Marriage. Given hour-long episodes to play with, rather than the usual half-hour, he has created an unfeasibly rich four-parter out of the simplest of means.

Read more...

Pages

 

latest in today

The law's sick voyeurism - director Cédric Kahn on...

The trial of the left-wing intellectual Pierre Goldman, who was charged in April 1970 with four armed robberies, one of which led to the death of...

Zoë Coombs Marr, Soho Theatre review - stock checks and spre...

You have to admire the ambition of a show called Every Single Thing in My Whole Entire Life, the latest from Zoe Coombs Marr, which she...

The Lightest Element, Hampstead Theatre review - engrossing,...

British theatre has a proud heritage of science plays. From 1990s classics such as Tom Stoppard’s Arcadia (1993) and Michael Frayn’s ...

Resurgence, London City Ballet, Sadler’s Wells review - the...

You need to be fairly long in the tooth to feel nostalgia for the heyday of London City Ballet. The group was set up in 1978 by the late Harold...

Album: Jamie xx - In Waves

There’s been a lot of early 90s rave aesthetics in popular culture lately, but an awful lot of it has been at the level of signifiers. Fila,...

Here comes the flood: Bob Dylan's 1974 Live Recordings

Lighters at the ready, because here comes the flood. Drawn from 16-track tape, 1/4in reels and lo-fi sound board cassettes that are now a half...

Album: The Waeve - City Lights

Real-life couple Graham Coxon and Rose-Elinor Dougall are both musicians of some profile in their own rights. The former, especially, for his work...

Donohoe, Roscoe, Stoller Hall, Manchester review - two great...

A little piece of musical history was made last night at Manchester Chamber Concerts Society’s season-opening concert. Two of the greatest...

Wang, Lapwood, LSO, Pappano, Barbican review - grace and pow...

It takes stiff competition to outshine Yuja Wang, who last night at the Barbican complemented her spangled silver sheath with a disconcerting pair...

My Favourite Cake review - woman, love, and freedom

The taxi cab has become a recurring motif in modern Iranian cinema, perhaps because it approximates to a kind of dissident bubble within the...