sun 19/10/2025

tv

Father Figure, BBC One

Lisa-Marie Ferla

Coming to it fresh, it’s hard to imagine Father Figure as the Radio 2 serial it apparently began life as. The first episode of the six-part series is driven by what some would call "visual gags" or "physical comedy", as if writer and star Jason Byrne was so excited by the new medium that he decided to throw everything he could at the camera to see what stuck.

Read more...

What Remains, Series Finale, BBC One

Jasper Rees

A mouldered corpse, forgotten for years in a tottering Victorian house that teems with secrets? What Remains was only ever heading in one direction. Gothic from the off, episode by episode it got gothicker and gothicker. By the climax there was a messy Jenga of bodies, which was perhaps not unexpected, but did anyone guess quite how many characters would end up with blood on their hands?

Read more...

Peaky Blinders, BBC Two

Adam Sweeting

Much hype has been whipped up around this tale of a gang of thuggish, racketeering bookies in Birmingham just after World War One. It's a pretty good cast, with Helen McCrory's Aunt Polly laying down the law within the criminal Shelby family, Cillian Murphy playing her ambitious nephew Tommy and Sam Neill as sinister Belfast copper Inspector Campbell. But this opener still felt a little wobbly on its feet.

Read more...

Sound of Cinema: The Music that Made the Movies, BBC Four

David Benedict

BBC Four’s new series Sound of Cinema: The Music that Made the Movies is shocking. The overwhelming majority of arts-based TV consists of programmes consigning specialist knowledge/presenters to the sidelines in favour of dumbed-down, easily digestible generalisations mouthed by all-purpose TV-friendly faces. But this three-part series is fronted by, gasp, a composer who uses insider knowledge to hook and hold the viewers.

Read more...

Who Do You Think You Are? - Sarah Millican, BBC One

Veronica Lee

It's a testament to how good an idea Who Do You Think You Are? is that well into its tenth series (and several others worldwide) it still provides great entertainment – and not a little emotion. Its secret, I suspect, lies in the fact that every family has its stories and dramas and last night's subject, comic Sarah Millican, uncovered some interesting tales buried several generations back, long lost from current family folklore.

Read more...

The Wipers Times, BBC Two

Tom Birchenough

The last time we saw soldiers going over the top at the Somme with comic baggage attached was the tragic finale of Blackadder.

Read more...

Top Boy, Series 2 Finale, Channel 4

Tom Birchenough

Ronan Bennett doesn’t do protracted. The writer of Top Boy has whipped us through another series, in the course of which an awful lot of water has flowed under the proverbial bridge. Except that it’s blood rather than water that tends to flow in Summerhouse, and the first we saw of a bridge in that neck of East London was in the last seconds of episode four, with Dushane hiding underneath one. He looked more than a bit cornered – not how we’re used to seeing him.

Read more...

Blackout, Channel 4

Lisa-Marie Ferla

If the UK’s entire power supply were to fail, how long do you reckon it would take for society to regress to the point that people would begin eating cold chips they had rescued from a bin? According to Blackout, a feature-length docu-drama directed by Bafta-award winning Ben Chanan, the answer is a mere two days.

Read more...

The Guilty, ITV

Jasper Rees

Scientists may have found a cure for insomnia. It’s thinking up names for television detectives. Have you noticed how elephant-tranquilisingly dull they are? Alec Hardy and Ellie Miller. Len Harper. Denise Woods. Tony Gates, Steve Arnott and Kate Fleming. Sergeant Geoff Plank. DS Fiona Photofit. Oh go on then, couple of ringers in there, but the rest have lately been busting crime on a mainstream channel near you (see sidebar to ID them all).

Read more...

Whitechapel, Series Four, ITV1

Lisa-Marie Ferla

I can’t have been alone in my struggle to keep the two of them straight in my head: there’s the one set in the east end of London, in which a former BBC Spook tries to track down Jack the Ripper; and then there’s the one set in the east end of London, in which a former BBC Spook tries to track down a modern-day killer inspired by Jack the Ripper.

Read more...

Pages

 

latest in today

'We are bowled over!' Thank you for your messages... ...
Music Reissues Weekly: Evie Sands - I Can’t Let Go

Over 1965 to 1968 Brooklyn's Evie Sands issued a string of singles with classic top sides. Amongst them were “Take Me For a Little While,” “I Can'...

First Person: clarinettist Oliver Pashley on the new horizon...

“Why the name?” and “Why the instruments?” are the two most common things we get asked about our group. As a member of The Hermes...

'Deadbeat': Tame Impala's downbeat rave-inspi...

Anxiety and self-doubt have been constant themes for Kevin Parker, the Australian musician who now finds himself among the highest echelons of...

After the Hunt review - muddled #MeToo provocation

The last few years have seen the much-needed positivity of the #MeToo movement...

Cockerham, Manchester Camerata, Sheen, Martin Harris Centre,...

Manchester Camerata have had a ten-year association with composer-conductor Jack Sheen. For this short programme, one of the free Walter...

Ballad of a Small Player review - Colin Farrell's all i...

Whether it’s the trenches of the First World War, or the halls and chambers of Vatican City, we’re becoming used to director Edward Berger...