thu 25/04/2024

tv

Time Shift: Dear Censor, BBC Four

Josh Spero

I hadn't thought this one through very well. As someone who was put off horror films by a window crashing onto a hand in one of the Amityville movies at least two decades ago, watching Time Shift: Dear Censor last night, which promised to show some of cinema's most notorious scenes, was probably unwise. Happily, standards of gore, violence and sex have dropped so fast in the past 20 years that what was censorable in 1991 is PG now.

Read more...

Rex Appeal, BBC Four

howard Male

Dinosaurs. Even just seeing that word takes me back to a letter my seven-year-old self wrote to Blue Peter humbly begging them for “More dinosaws pleez”. Back then, a sighting of these lumbering beasts on TV or at the movies was a rare and thrilling thing. But ever since Jurassic Park (and the fact they can be conjured up with relative CGI ease) we’ve been overrun by the things.

Read more...

Cinema Verite, Sky Atlantic

Adam Sweeting

The 1973 series An American Family is often referred to as television's first reality show, though comparing it to Big Brother or the Kardashians would be like slotting Ingmar Bergman alongside the CBeebies. Its 12 episodes were boiled down from 300-odd hours of observational footage of the Loud family, of Santa Barbara, California, at work, rest and play.

Read more...

This is Jinsy, Sky Atlantic

Kieron Tyler

Excepting the cows, Guernsey’s most famous resident was probably Oliver Reed, who lived there as a tax exile. The barmy This is Jinsy, the creation of Guernsey natives Chris Bran and Justin Chubb, probably isn’t a faithful depiction of the island’s life, but it’s got to be its most notable cultural export. If not that, then its most curious.

Read more...

Fry's Planet Word, BBC Two

ASH Smyth

Language is, the sages tell us, intrinsic to being human. Or to what humans call “being human”, anyway. And yet, notwithstanding the 70-odd muscles and half a billion brain cells deployed every time we open our mouths, we hardly give the matter a second thought.

Read more...

Educating Essex, Channel 4

graeme Thomson

Education, education, education. Have we ever worried so much about how, and what, and why, and where our children are being taught? We’re so desperate, it seems, for some guidance on the matter that we barely raise an eyebrow about turning their trials and tribulations into fodder for reality television. Never mind the dubious ethics, we might learn something.

Read more...

Fresh Meat, Channel 4

Veronica Lee

How could you not immediately warm to a new comedy series that has almost as its first line, “Maybe you should tuck your cock away while I make us a nice cup of tea”?

Read more...

The Great British Bake Off, BBC Two

Josh Spero

Baking and competition are two of my favourite things, thus when BBC Two unveiled The Great British Bake Off last year, it seemed my gluttonous, pugnacious prayers had been fulfilled. Amateurs had every possible skill challenged by the good-cop-bad-cop combination of master bakers Mary Berry and Paul Hollywood, leavened (or leadened) by ever-quirky presenters Mel and Sue. (I will avoid all recipe-related puns henceforth, I promise.)

Read more...

Spooks, Series 10, BBC One

ASH Smyth

Am I being paranoid, or are there spies everywhere these days? A quick squiz at the telly guide recently, and you'd have been forgiven for thinking that everyone in London is either employed in the security services or in making films about them. According to last night's re-opening of the Spooks case-file, anyway, there are plenty around the red-brick side-streets of Hammersmith.

Read more...

Downton Abbey, Series 2, ITV1

Jasper Rees

And now for that difficult second album. Downton Abbey’s stately progress last autumn revived in television audiences a taste thought long dead: for populist drama offering a sepia-tinted vision of the English class system in which the well-to-do are dressed for dinner by bowing/curtsying feudal underlings. With social mobility back roughly where it was a century ago. it could almost have been a snapshot of modern UK plc.

Read more...

Pages

 

latest in today

Eye to Eye: Homage to Ernst Scheidegger, MASI Lugano review...

With a troubled gaze and a lived-in face, the portrait of artist Alberto Giacometti on a withdrawn...

Christian Pierre La Marca, Yaman Okur, St Martin-in-The-Fiel...

The French cellist Christian-Pierre La Marca confesses that – like so many classical musicians...

Album: Pet Shop Boys - Nonetheless

This album came with an absolutely enormous promo campaign. As well as actual advertising there were “Audience With…” events, and specials on BBC...

That They May Face The Rising Sun review - lyrical adaptatio...

In director Pat Collins’s lyrical adaptation of John McGahern’s last novel, with cinematography by Richard Kendrick, the landscape is perhaps the...

Ridout, Włoszczowska, Crawford, Lai, Posner, Wigmore Hall re...

Advice to young musicians, as given at several “how to market your career” seminars: don’t begin a biography with “one of the finest xxxs of his/...

Stephen review - a breathtakingly good first feature by a mu...

Stephen is the first feature film by multi-media artist Melanie Manchot and it’s the best debut film I’ve seen since Steve McQueen’s ...

Album: Mdou Moctar - Funeral for Justice

Despite its title, Mdou Moctar’s new album is no slow-paced mournful dirge. In fact, it is louder, faster and more overtly political than any of...

Blue Lights Series 2, BBC One review - still our best cop sh...

The first season of Blue Nights was so close to ...

Sabine Devieilhe, Mathieu Pordoy, Wigmore Hall review - ench...

Sabine Devieilhe, as with many other great sopranos, elicits much fan worship, with no less than three encores at her recent Wigmore Hall recital...

Jonn Elledge: A History of the World in 47 Borders review -...

In A History of the World in 47 Borders, Jonn Elledge takes an ostensibly dry subject – how maps and boundaries have shaped our world –...