tv
Glee, E4Monday, 10 January 2011
As with pornographic films, what those who watch Glee really want is the money shot. There may be far fewer naked people – although the first episode of the second season did have lascivious shots of two shirtless (allegedly) teenage boys – but you still don’t really care about the bits in between the songs, which are all trite teen drama with a smart-mouth twist. Read more...
|
Episodes, BBC TwoMonday, 10 January 2011
Episodes may prove to be the zenith of television’s obsession with making television about making television. It was certainly a handy primer for anyone who fell asleep around 2000 (perhaps during My Hero; you are forgiven) and missed all the dominant strands of TV comedy emerging over the next decade. We hadn't simply been here before; Episodes was incubated in the post-ironic, multilayered comedic landscape in which we all now live. Read more... |
Lark Rise to Candleford, BBC OneSunday, 09 January 2011
Few would dispute the supremacy of Cranford and Lark Rise to Candleford among the BBC’s current fleet of costume dramas. Measured, domestic and infinitely gentle, there are no Machiavellian footmen or illicit trysts here, just wholesome country adventures championing those unfashionable values of honesty, neighbourliness and hard work. The lamentable histrionics of the recent Upstairs Downstairs could have done well to note these successes, adapting material free... Read more... |
The Good Wife, More4Friday, 07 January 2011
What better to brighten our morbid January nights than the return of this superior Chicago-based legal drama? The Good Wife has never attracted lurid publicity or been afflicted with cutting-edge trendiness, but instead relies on the somewhat Germanic characteristics of being fastidiously designed and impeccably constructed. Read more... |
Come Fly With Me, BBC OneThursday, 06 January 2011
There was always going to come a time when Little Britain had to stop. For a couple of years the heavily milked franchise seemed to be on a tape loop on BBC Three. Its international expansion - to the Greek islands one Christmas, to America for an entire series – suggested that its stars were getting itchy feet. Read more... |
True Stories: Rwanda After Genocide, More4Wednesday, 05 January 2011
In 1994 half a million Rwandan Tutsis were slaughtered over a period of six weeks. Among them were the four brothers and two sisters of Jean-Pierre Sagahutu. His mother was raped before she too was killed. His father, a doctor, was intercepted on the way to the hospital and, when he was unable to pay a fine at a roadblock, was pulled from his car, hit over the head with a blunt hoe and taken to a ditch where his body was dumped. Read more... |
Above Suspicion: Deadly Intent, ITV1Tuesday, 04 January 2011
What’s with the two titles? A crime drama so good that they had to name it twice? Or couldn’t anyone in production decide which one to ditch? Why not swap them around, or maybe call it "Prime Suspect", or "Prime Suspect: Deadly Intent", or variations thereof? (OK, perhaps not "Prime Suspect: Above Suspicion", which would kind of cancel the other one out, but you get my drift.) Indeed, Lynda La Plante’s titles are so irritatingly, meaninglessly generic that they’d fit just about any old plot... Read more... |
Zen, BBC OneSunday, 02 January 2011
There must be good reasons why the fine crime novels of Michael Dibdin have been absent from screens large and small. They're probably to do with Dibdin's deadpan satirical tone and the anti-heroic nature of his protagonist, the Venetian detective Aurelio Zen. Also, his shrewd observations of the hidden undercurrents of Italian society are almost bound to get lost in screen translation. Read more... |
Toast, BBC OneThursday, 30 December 2010
All the time I was watching Toast last night, based on Nigel Slater’s memoir of his early years, I was wondering whether it was filmed for the benefit of the audience or of Slater himself. The final scene (no spoiler – we know how this story ends) where the young Slater ran away to join the kitchen at the Savoy was revealing: the head chef who gave him a job was played by Nigel Slater,... Read more... |
Year Out/Year In: Television on DemandWednesday, 29 December 2010
“Television is pretty awful at the moment,” said Eileen Atkins the other week. “Is that because I'm getting old?” Age wouldn’t dare to wither Dame Eileen, of course, who has just bounced back in fine sparky fettle in the BBC's remake of Upstairs Downstairs. Read more... |
Pages
latest in today
The Band Back Together, Arcola Theatre review - three is a d...
We meet Joe first at the keys, singing a pretty good song, but we can hear the pain in the voice – but is that...
Music Reissues Weekly: Sean Buckley & The Breadcrumbs
Although Dagenham’s Sean Buckley & The Breadcrumbs are less than a footnote in the story of beat boom-era Britain, appearances on archive...
The Critic review - beware the acid-tipped pen
The setting is the lively 1930s London theatre world, but any sense that The Critic will be a lighthearted thriller should soon be...
Van Gogh: Poets & Lovers, National Gallery review - pass...
Van Gogh: Poets & Lovers includes many of his best known pictures and, amazingly, it is the first exhibition the...
Kim's Convenience, Riverside Studios review - KC and th...
One wonders what sitcom writers will do when supermarkets finally sweep the last corner shops away with nobody left old enough to buy...
The Real Ones, Bush Theatre review - engrossing, enjoyable a...
Platonic love should be simple – basically you’re best mates. And without the complications of sex, what could go wrong? Waleed...
Prom 71, Seong-Jin Cho review - refined Romantic journeys
Out of emergencies may come revelations. Sir András Schiff has broken his leg, and we wish him a super-speedy recovery. At the Proms, his promised...
Frang, LSO, Pappano, Barbican review - a concerto performanc...
Hauntings, memories, echoes: Antonio Pappano has started his official tenure as chief conductor of the London Symphony Orchestra by looking back...