sun 24/08/2025

tv

The Story of Variety, BBC Four

Veronica Lee Michael Grade: A good audience for the old troupers in his documentary

For those whose only knowledge of the form is the Royal Variety Performance, this programme (part of BBC Four’s variety season) gave a nice, if all too brief, overview. The first of a two-parter was presented by Michael Grade, whose family is variety royalty - generations of Grades were performers and agents, and latterly television executives.

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How To Live With Women, BBC Three

alexandra Coghlan I think there's something between us: the BBC's latest not-at-all-gratuitous spin on gender relations

Meet Tom. He’s an Essex geezer with all the charm of a used toothpick, whose idea of romance is a cheeseburger on a bench in the Sainsbury’s car park. He can’t hold down a job, spends all girlfriend Cherelle’s money down the bookies, and expects her to cook, clean and run his bath – once she’s finished working two jobs of course. Enter the gum-chewing, ratings-chasing BBC Three guardian angel, ready to solve the problem in the most dramatic, exploitative and tabloid way possible. With the...

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Wild at Heart, ITV1/ McQueen and I, More4

Adam Sweeting

Now nearing the end of its sixth series, Wild at Heart has quietly parked itself in the middle of the Sunday-evening schedules, where it goes about its task of hoovering up ratings with single-minded efficiency. Last week's debut of South Riding on BBC One was considered a triumph with 6.6 million viewers, but Wild at Heart pipped it with 6.8 million. The week before it scored over seven million.

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Friday Night Dinner, Channel 4

Veronica Lee

For those not of Jewish heritage and who may not know the significance of the title, Friday-night dinner is the hub of a Jewish family’s week, when they gather together for a special dinner and prayers. It’s a (very) rough cultural equivalent of a Sunday roast or the Thanksgiving meal, and even for many non-religious Jews who dispense with the traditional menu and prayers, there’s a three-line whip on attendance.

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The Model Agency, Channel 4

howard Male

Why on earth did I volunteer to review this? I suppose it was because it would show me a world I had little knowledge of and therefore would be able to offer a fresh, objective perspective on. But 15 minutes in and I’m feeling like Malcolm McDowell in A Clockwork Orange being subjected to images of sex and violence, his eyes clamped open and his head held fast so there’s no escape.

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Silk, BBC One

Jasper Rees Spot the Harrovian: Rupert Penry-Jones and Maxine Peake play rival barristers in Silk

There was a moment in last night’s Silk when a young solicitor turned up late for a trial. He was also an actor, he explained to his client’s counsel, and had to attend an audition. For a Head & Shoulders ad. The USP of Peter Moffat’s courtroom dramas is that, more than any writer since John Mortimer, he knows whereof he speaks. Having once been a barrister himself, the serpentine ins and outs of chambers, the politicking and skulduggery etc etc are his area of expertise....

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Ross Kemp: Extreme World, Sky 1

Fisun Güner Ross Kemp in a 'chop house' where women cut heroin naked so they can't stash the drug about their person

Ross Kemp won a Bafta for his documentary about being on the frontline in Afghanistan, so perhaps I should begin by saying all due respect, and all that, but how much can you ratchet up the hardman image before it threatens to dissolve into self-parody? And with a title like Ross Kemp: Extreme World showing on Sky 1, well, where else could...

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South Riding, BBC One

Adam Sweeting

You can see why the BBC's drama gurus wanted to have a go at remaking South Riding, which last came around in 1974's hit version from Yorkshire Television. It has drama, romance, social conflict, lofty ideals and looks a bit like a parable for our cash-strapped times.

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Treme, Sky Atlantic

Adam Sweeting

When Treme debuted on HBO in the States, some excitable critics watched the pilot episode and instantly proclaimed it a masterpiece superior even to The Wire. David Simon, who created both shows, may have been delighted. Or on the other hand, he might have wondered how anybody could assess a complex, long-term portrayal of New Orleans in the aftermath of Hurricane Katrina so categorically on so brief an acquaintance.

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Masterchef, BBC One

graeme Thomson

There is little danger of our nation wasting away for the lack of culinary-themed televisual roughage: hairy bikers, domestic goddesses, campaigning wide boys, chicken-liberating poshos, alpha-male bully boys, Michelin-starred French fusspots. Channel hopping some nights feels more like flicking through the world's least coherent cook book.

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