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Carole Woddis

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Bio
Carole Woddis has been a theatre journalist for more than 20 years. She was London theatre critic for The Herald (Glasgow) for over a decade and has written for many national and arts based publications. She has also published three books on theatre and taught Journalism to adults at both Goldsmiths and City Universities.

Articles By Carole Woddis

The Amen Corner, National Theatre

Friday, 14 June 2013 Read more...

Blair's Children, Cockpit Theatre

Monday, 10 June 2013 Read more...

The Match Box, Tricycle Theatre

Monday, 13 May 2013 Read more...

My Perfect Mind, Young Vic Theatre

Wednesday, 10 April 2013 Read more...

God's Property, Soho Theatre

Thursday, 28 February 2013 Read more...

London Wall, Finborough Theatre

Saturday, 02 February 2013 Read more...

Mare Rider, Arcola Theatre

Monday, 28 January 2013 Read more...

Midnight's Pumpkin, Battersea Arts Centre

Friday, 21 December 2012 Read more...

Arab Nights, Soho Theatre

Sunday, 25 November 2012 Read more...

Constellations, Duke of York's Theatre

Saturday, 17 November 2012 Read more...

You Can Still Make a Killing, Southwark Playhouse

Monday, 15 October 2012 Read more...

Our Country's Good: Director Max Stafford-Clark opens up

Wednesday, 22 August 2012 Read more...

Julius Caesar, Noël Coward Theatre

Thursday, 16 August 2012 Read more...

Mottled Lines, Orange Tree Theatre

Wednesday, 11 July 2012 Read more...

A Midsummer Night's Dream, Lyric Hammersmith

Monday, 20 February 2012 Read more...

The Sea Plays, Old Vic Tunnels

Thursday, 26 January 2012 Read more...

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As producer Jerry Bruckheimer cautioned a preview audience, “Remember, this is not a documentary. It’s a movie.” Bruckheimer teamed up with...

Album: Bruce Springsteen – Tracks II: The Lost Albums

It’s somewhat surprising to read that The Boss wasn’t happy with the Born in the USA. After all, it was – remains – his most iconic...

Brad Mehldau Trio, St George's Bristol review - exquisi...

There's something luminous about the Brad Mehldau Trio. The music they create with such joy shines with a special clarity, in which ever-changing...

Dangerous Matter, RNCM, Manchester review - opera meets scie...

Opera can take many forms and fulfil many purposes: this chamber opera by Zakiya Leeming and Sam Redway is about vaccination. Based on history, it...

Ian Leslie: John and Paul - A Love Story in Songs review - h...

Do we need any more Beatles books? The answer is: that’s the wrong question. What we need is more Beatles books that are worth reading. As the...

Album: BC Camplight - A Sober Conversation

A Sober Conversation is the work of a master songwriter, one who knows how to achieve their goals. As the album’s nine tracks pour from...

Schubertiade 3 at the Ragged Music Festival, Mile End review...

Aldeburgh offered strong competition for the three evenings of Schubert at the discreetly restored Ragged School Museum, but I knew I had to...

Showmanism, Hampstead Theatre review - lip-synced investigat...

I think my problem is that when I should have been listening in school assemblies or RE lessons, I had the Tom Tom Club’s joyous “...

Immersive Night Music Show, Makita, Londinium Ensemble, Worl...

To mark this year’s summer solstice, a small audience gathered at London’s newest concert venue, the World Heart Beat Embassy Gardens, a small and...