wed 28/05/2025

Jenny Gilbert

Articles By Jenny Gilbert

Ballet to Broadway: Wheeldon Works, Royal Ballet review - the impressive range and reach of Christopher Wheeldon's craft

Read more...

The Forsythe Programme, English National Ballet review - brains, beauty and bravura

Read more...

Sad Book, Hackney Empire review - What we feel, what we show, and the many ways we deal with sadness

Read more...

Romeo and Juliet, Royal Ballet review - Shakespeare without the words, with music to die for

Read more...

Phaedra + Minotaur, Royal Ballet and Opera, Linbury Theatre review - a double dose of Greek myth

Read more...

Onegin, Royal Ballet review - a poignant lesson about the perils of youth

Read more...

Best of 2024: Dance

Read more...

Nutcracker, English National Ballet, Coliseum review - Tchaikovsky and his sweet tooth rule supreme

Read more...

Akram Khan, GIGENIS, Sadler’s Wells review - now 50, Khan returns to his roots

Read more...

Pina Bausch’s The Rite of Spring/common ground[s], Sadler’s Wells review - raw and devastating

Read more...

Legacy, Linbury Theatre review - an exceptional display of black dance prowess

Read more...

National Ballet of Canada, Sadler's Wells review - see this, and know what dance can do

Read more...

Alice's Adventures in Wonderland, Royal Ballet review - big, bold and ultimately brash

Read more...

Resurgence, London City Ballet, Sadler’s Wells review - the phoenix rises yet again

Read more...

The Mad Hatter's Tea Party, ZooNation, Linbury Theatre review - a joyous celebration of differentness

Read more...

Ballet Nights #006, Cadogan Hall review - a mixed bag of excellence

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Album: Sally Shapiro - Ready to Live a Lie

Ready to Live a Lie is so sonically vaporous it almost isn’t there. While the album’s 11 tracks draw from continental European musical...

Il Trittico, Opéra de Paris review - reordered Puccini works...

So here in Paris, as at Salzburg in 2022, it’s no longer “Puccini’s Trittico” but “the Asmik Grigorian Trittico”. Which would be...

When the Light Breaks review - only lovers left alive

Grief takes unexpected turns over the course of a long Icelandic...

Marwood, Crabb, Wigmore Hall review - tangos, laments and an...

James Crabb is a musical magician, taking the ever-unfashionable accordion into new and unlikely places, through bespoke arrangements of a...

Dennis, RSNO, Dunedin Consort, Søndergård, Usher Hall, Edinb...

"How long is Wagner’s Ring Cycle?" That’s not the opening to a joke, it’s a genuine question asked by a friend who I’d met up with before heading...

Dara Ó Briain, Soho Theatre Walthamstow review - master stor...

Dara Ó Briain’s  has described his previous show So… Where Were We? – in which he describes his search for his birth...

Album: Anna Lapwood - Firedove

This album Firedove (Sony Classical), surely, has to be seen as part of a bigger story: that of organist, choir director and...