wed 11/06/2025

David Kettle

Articles By David Kettle

Edinburgh Fringe 2024 reviews: L'Addition / Long Distance / The Sun, the Mountain and Me

Read more...

Edinburgh Fringe 2024 reviews: REVENGE: After the Levoyah / Puddles and Amazons

Read more...

Edinburgh Fringe 2024 reviews: Òran / This Town

Read more...

Edinburgh Fringe 2024 reviews: Ni Mi Madre / Bi-Curious George: Queer Planet

Read more...

Edinburgh Fringe 2024 reviews: Bellringers / Suitcase Show

Read more...

Edinburgh Fringe 2024 reviews: The Sound Inside / So Young

Read more...

Edinburgh Fringe 2024 reviews: In Two Minds / My English Persian Kitchen

Read more...

Edinburgh Fringe 2024 reviews: The Mosinee Project / Gwyneth Goes Skiing

Read more...

Edinburgh Fringe 2024 reviews: Heartbreak Hotel / The Gummy Bears' Great War / The Ceremony

Read more...

Ragnarok, Traverse Theatre, Edinburgh review - moving miniature apocalypse

Read more...

Many Good Men, Tynecastle Stadium, Edinburgh review - daring but flawed provocation

Read more...

Jekyll and Hyde, Lyceum Theatre Edinburgh review - audacious contemporary resonances

Read more...

Same Team, Traverse Theatre Edinburgh review - shamelessly unseasonal Christmas cheer

Read more...

FLIP!, Summerhall Edinburgh review - sassy, satirical parable

Read more...

Dracula: Mina's Reckoning, Festival Theatre Edinburgh review - audacious and entirely convincing

Read more...

Group Portrait in a Summer Landscape, Lyceum Theatre, Edinburgh review - a maze of ideas

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Samuel Arbesman: The Magic of Code review - the spark ages

The slightly overwrought subtitle, "How Digital Language Created and Connects Our World and Shapes Our Future", gives a...

Album: Mary Halvorson - About Ghosts

Although Mary Halvorson leads the sextet Amaryllis on About Ghosts, instrumentally, she does not place her guitar to the fore. The first...

A Midsummer Night's Dream, Bridge Theatre review - Nick...

It’s a sign of the inroads that the term “immersive” has made in theatreland that it now gets jokily namedropped at the...

Saul, Glyndebourne review - playful, visually ravishing desc...

This thrilling production of Saul takes Handel’s dramatisation of the Bible’s first Book of Samuel and paints it in...

theartsdesk at the Dublin International Chamber Music Festiv...

If, like me, chamber music isn’t your most frequent home, there are bound to be revelations of what for many are known masterpieces. Mine in...

Album: Marina - Princess of Power

Marina Diamandis is a proper pop star, brilliantly full-on...

The Gold, Series 2, BBC One review - back on the trail of th...

The first series of The Gold in 2023 was received rapturously, though apparently it only told one half of the story of the 1983 Brink’s-...

Eva Quartet, St Cyprian's review - polyphonic bliss

Eva Quartet are four outstanding Bulgarian voices of polyphonic purity and depth, drawn from the legendary choir Le Mystere des Voix Bulgares, who...

Album: Mary Chapin Carpenter - Personal History

In those seemingly long-ago times of loneliness and lockdown, artists around the world invited us into their kitchens and living rooms as they...