Marianka Swain
Bio
Marianka Swain is a London-based writer and editor. She is the UK Editor-in-Chief of BroadwayWorld, and also covers the arts for outlets such as the Ham & High and Islington Gazette newspapers, Dancing Times and MoveTo Town & Country magazines, and TodayTix. You can find further work on www.mkmswain.com or follow her on Twitter @mkmswain
Articles By Marianka Swain
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Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Connolly, BBC Philharmonic, Paterson, Bridgewater Hall, Manc...
The BBC Philharmonic took its Saturday night audience on a journey into French sonic luxuriance – in reverse order of historical formation,...
This City is Ours, BBC One review - civil war rocks family c...
The dramatic allure of families neck-deep in organised crime never seems to falter, and Stephen Butchard’s new series continues that great...
Tales of Apollo and Hercules, Guthrie, London Handel Festiva...
Over the last three years of the London Handel Festival, two experimental productions have...
Album: Erlend Apneseth - Song Over Støv
A pizzicato violin opens Song Over Støv. Gradually, other instruments arrive: bowed violin, a fluttering flute, pattering percussion, an...
Music Reissues Weekly: Yeah Man, It's Bloody Heavy
The sticker on the front cover says “The heaviest proto-metal compilation ever released.” And considering the label behind Yeah Man,...
Album: Bryan Ferry and Amelia Barratt - Loose Talk
On the spoken word LP Loose Talk, Amelia Barratt reflects on her or other...
Biss, National Symphony Orchestra, Kuokman, NCH Dublin revie...
On paper, it was a standard programme with no stars to explain how this came to be a sellout concert. But packed it was, an audience of all ages...
Alfred Hitchcock Presents: The Musical, Theatre Royal Bath r...
In Italy, they did it differently. Their pulp fiction tales of suburban transgression appeared between yellow covers on new stands...
Album: Will Smith - Based on a True Story
Will Smith’s new album, Based on a True Story, is a prime example of why some comebacks should remain hypothetical. After two decades...