theartsdesk com, first with arts reviews, news and interviews
Matt Wolf
Tuesday, 28 November 2023
Familiarity has bred something quite fantastic with the Old Vic Christmas Carol, which is back for a seventh season and merits ringing all available bells - those and a lost love...
Adam Sweeting
Tuesday, 28 November 2023
It was as long ago as January last year that the prolific Williams brothers, Jack and Harry, delivered their absorbing Australian Outback thriller The Tourist. Hitherto, product...
Robert Beale
Tuesday, 28 November 2023
John Storgårds found himself literally facing both ways for the third item on the BBC Philharmonic’s programme on Saturday: towards the audience, with one music stand in front of...
Mark Kidel
Tuesday, 28 November 2023
The vast and various spaces of Frank Gehry’s monumental Fondation Louis Vuitton in Paris suit the needs of the thrilling Mark Rothko exhibition now inhabiting its labyrinthine...
David Nice
Monday, 27 November 2023
Singular in its variousness, this is a three-act ballet that need some unpicking. No wonder those hooked on first acquaintance in 2021, like theartsdesk’s dance critic Jenny...
Jonathan Geddes
Monday, 27 November 2023
There was a moment towards the end of this exuberant evening when Ciara Mary-Alice Thompson compared the show to a pantomime. This was an extremely apt comparison, in a good way,...
Christopher Lambton
Monday, 27 November 2023
It is not every day that a new choral work by a living composer can confidently be labelled a masterpiece. Yet this is what...
Gary Naylor
Monday, 27 November 2023
In Annus Mirabilis, Philip Larkin wrote,"So life was never better than In nineteen sixty-three (Though just too...
David Nice
Monday, 27 November 2023
Sometimes all the stars align in musical performance. There’s no soprano more alive to the expression of musical joy and...
Kieron Tyler
Monday, 27 November 2023
After leaving Midlake while recording their fourth album, Tim Smith said he was pursuing music under the name Harp. That was...
India Lewis
Sunday, 26 November 2023
Coming at the end of a long year’s gigging, This Is The Kit’s performance at the Barbican on Saturday night was an excellent...
Rachel Halliburton
Sunday, 26 November 2023
The Icelandic composer Anna Thorvaldsdottír found her work put under a strangely unforgiving lens when it was featured in...
Kieron Tyler
Sunday, 26 November 2023
"Both of us have always enjoyed listening to dance music, and we wanted to interpret disco in our own way. We wanted to make...
Boyd Tonkin
Saturday, 25 November 2023
The German composer Detlev Glanert, taught by Hans Werner Henze and a past collaborator with Oliver Knussen, received a...
Helen Hawkins
Saturday, 25 November 2023
The O2 has to be the K2 of comedy peaks: a vast ovoid drum of a place where those right at the back have to be content with...
David Nice
Saturday, 25 November 2023
Fascinating for the history of opera, less so for opera. The most interesting thing about Gazzaniga’s take on the libertine...
Graham Rickson
Saturday, 25 November 2023
Beethoven: Piano Concertos 1-5 Garrick Ohlsson (piano), Grand Teton Music Festival Orchestra/Sir Donald Runnicles (...
Tim Cumming
Saturday, 25 November 2023
Two weeks ago, Welsh harpist Catrin Finch and Irish fiddler, violinist and Hardanger fiddle player Aoife Ni Bhriain...
Simon Thompson
Friday, 24 November 2023
Nobody would describe Felix Mendelssohn as a fringe composer, but his piano concertos aren’t exactly central classical...
tv
Boat Story, BBC One review - once upon a time in Yorkshire
New Williams brothers thriller is violent, far-fetched and extremely watchable
The Crown, Season 6, Netflix review - royal epic in a vain search for authenticity
It looks like news photos coming to life, but the dialogue and concept still jar
Brawn: The Impossible Formula 1 Story, Disney+ review - classic underdog tale of the little team that could
Inside story of Jenson Button's amazing championship year
film
The Eternal Daughter review - tricksy ghost story with a poignant emotional core
Tilda Swinton (and her dog) excel in Joanna Hogg's latest
Maestro review - the infinite variety of Leonard Bernstein
The music's well chosen, but Carey Mulligan shines brightest as Bernstein's wife Felicia
Lost in the Night review - hunting a mother's killer
Avengers and not many angels in this grim Mexican mystery
new music
CMAT, Barrowland Ballroom, Glasgow review - an evening of exuberance
The Dublin singer's tales of a toxic relationship were transformed into a party
classical
Dariescu, BBC Philharmonic, Storgårds, Bridgewater Hall, Manchester review - sounds of unquenchable optimism
Conductor is his own violin soloist in one of two UK premieres
MacMillan's Christmas Oratorio, Lois, Williams, RSNO, MacMillan, Usher Hall, Edinburgh – a great composer at the top of his game
Scottish premiere of a recent masterwork
Louise Alder & Friends, Wigmore Hall review - magic carpet rides with soprano, strings and woodwind
Levitational joy in an all-French programme, with modified rapture over two arrangements
opera
Gazzaniga's Don Giovanni, Royal College of Music review - a modest one-acter overloaded
Good young singers get more opportunities than the actual work offers
Jephtha, Royal Opera review - uncomfortable sacrifice oratorio not seismic enough
Sobriety and darkness eclipse Handel's dramatic vividness, despite strong performances
theartsdesk at Wexford Festival Opera - four operas and a recital in one crazy day
Youth takes the comedy award in fringe delights alongside a well-done schlocky rarity
theatre
A Christmas Carol, The Old Vic review - older, wiser, and yet more moving
Christopher Eccleston is a Scrooge for the ages
Oh What A Lovely War, Southwark Playhouse review - 60 years on, the old warhorse can still bare its teeth
Blackeyed Theatre's touring production has its pros and cons, but is never less than entertaining
Ghosts, Sam Wanamaker Playhouse review - a claustrophobic descent into purgatory
Hattie Morahan returns to Ibsen, for another round of unhappy families
dance
The Dante Project, Royal Ballet review - brave but flawed take on the Divine Comedy returns
Hell and Purgatory get vivid if diffuse music from Thomas Adès, but Heaven is pallid
The Limit, Linbury Theatre review - a dance-theatre romcom that lacks both rom and com
An attempt to amplify a playscript with dance suggests the play should be left to speak for itself
Anemoi / The Cellist, Royal Ballet review - a feast of music in a neat double bill
Rachmaninov and Elgar take the laurels in a brace of prize-winning one-act ballets
comedy
Trevor Noah: Off the Record, O2 review - welcome return to standup for the polyglot motormouth
Back on tour, the former TV host has lost none of his charisma and charm
Michael McIntyre, Brighton Centre review - observational everyman
Jovial comic's first tour in five years
Books
Anne Michaels: Held review - one story across time
Fragments span the genration gap in this daring family saga of inheritance and trauma
Ishion Hutchinson: School of Instructions review - learning against estrangement
A vivid eulogy for the Jamaican soldiers of the British West Indies Regiment
Jesse Darling: Virgins review - going straight
A Turner Prize-nominee turns their hand to poetry with this visceral first collection
visual arts
Mark Rothko, Fondation Louis Vuitton, Paris review - a show well worth the trip across the Channel
Abstraction with emotion and soul in a landmark retrospective
Women in Revolt!, Tate Britain review - a super important if overwhelming show
Women protesting with all their might in both art and life
A World in Common: Contemporary African Photography, Tate Modern review - pulling out the stops to address issues around cultural identity
Thirty-six African artists reconnect with their heritage in dramatic and moving images
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