Classical Reviews
Trpčeski, CBSO, Măcelaru, Symphony Hall BirminghamFriday, 25 September 2015
Cards on the table: the City of Birmingham Symphony Orchestra is looking for a new music director. Having filled its new season with emerging talents – Andrew Gourlay, Daniele Rustioni, Ryan Wigglesworth and Ben Gernon, to name just four – it’s an open secret that any concert directed by a youngish, more-or-less unattached conductor in Birmingham for the foreseeable future is effectively an audition for the job. And don’t let anyone tell you otherwise. Read more... |
LPO, Jurowski, Royal Festival HallThursday, 24 September 2015
Nothing will ever test the depth, breadth and sheer virtuosity of a large orchestra more than Mahler’s symphonies. Read more... |
theartsdesk Q&A: Conductor Mark WigglesworthWednesday, 23 September 2015
Mark Wigglesworth and I go back quite a long way in terms of meetings – namely to 1996, when I interviewed him for Gramophone about the launch of his Shostakovich symphonies cycle on BIS. He completed it a decade later, though that release hung fire until last year. Read more... |
Accentus, Insula, Equilbey, BarbicanTuesday, 22 September 2015
The frail bridge between Baroque and Classical aesthetics was the theme for this debut UK appearance by Insula, the period-orchestra extension to Laurence Equilbey’s superb vocal ensemble accentus. Read more... |
Baroque Alehouse, Eike, Sam Wanamaker PlayhouseTuesday, 22 September 2015
Sunday evening may have been all about melancholy at the Sam Wanamaker Playhouse, but last night Bjarte Eike and his uproariously talented Barokksolistene traded wails for ales and one of their legendary alehouse sessions at the Globe’s Sam Wanamaker Playhouse. There was music, certainly, but also dancing, storytelling, drinking (yes, really) and more joy than it’s possible to imagine from this tight-knit bunch of musical mavericks. Read more... |
Perahia, Richter, LSO, Haitink, BarbicanMonday, 21 September 2015
Last night's perfectly-judged, superbly communicated performance of Mahler's Fourth Symphony served as a reminder that the passion, experience and astonishing musicality of 86-year-old conductor Bernard Haitink are things to be cherished and never taken for granted. The symphony, first performed in 1901, was the main work in this second of Haitink's three concerts with the LSO before they leave together for Japan. Read more... |
The Image of Melancholy, Eike, Sam Wanamaker PlayhouseMonday, 21 September 2015
“Sounds a bit depressing,” said several friends when I urged them to attend the theatrical incarnation of The Image of Melancholy, inspirational violinist Bjarte Eike’s award-winning CD with his stunning Norwegian-based group Barokksolistene. Creative melancholy, though, is not the same as stuck depression, and the sequence on the disc was well-balanced with songs and dances as well as superbly engineered sound. Read more... |
theartsdesk at the Lammermuir FestivalMonday, 21 September 2015
It’s hard to believe that East Lothian’s Lammermuir Festival has only been around for six years. In that short time, it’s become a cherished fixture in Scotland’s musical calendar. For regular concert-goers, it’s a calmer antidote to the August festival mayhem of Edinburgh, just half an hour away, and just a couple of weeks after the capital’s wall-to-wall chaos ends. Read more... |
Classical CDs Weekly: Bernstein, Fučík, Wartime ConsolationsSaturday, 19 September 2015
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Hofmann, Royal Danish Orchestra, Boder, Symphony Hall, BirminghamThursday, 17 September 2015
There’s just something about an opera orchestra when it’s let out of the pit. The Royal Danish Orchestra is more than that, of course – it makes much of its six centuries of history, and since its past members included John Dowland, Heinrich Schütz and Carl Nielsen, why wouldn’t it? Read more... |
Bernstein: Symphony No. 3 'Kaddish' Baltimore Symphony Orchestra/Marin Alsop (Naxos)Pages
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