Classical Reviews
Yevgeny Sudbin, QEHThursday, 14 May 2015
Mahler once wrote that his symphonies were edifices built from the same stones, gathered in childhood. In each of the four recitals I’ve heard from Yevgeny Sudbin, he’s moved several of his repertoire cornerstones around to different effect in the piano-programme equivalents of a very large symphony orchestra playing a Mahler symphony: massive sonorities, total structural grasp, huge intelligence. Read more... |
Classical CDs Weekly: Brahms, Schubert, Sibelius, WagnerSaturday, 09 May 2015
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Röschmann, Uchida, Wigmore HallWednesday, 06 May 2015
If you were one of the world’s most famous pianists, you’d surely want to explore the masterpieces among Lieder with the great singers. Read more... |
Antonacci, ROHO, Pappano, Royal Opera HouseTuesday, 05 May 2015
Few conductors would think of putting Bernstein’s comic-sexy Fancy Free ballet and the orgasmatron of Scriabin’s The Poem of Ecstasy together in a concert's second half. In fact I’ll wager, without research, that it’s never been done before. Read more... |
Hannigan, Britten Sinfonia, WRCH CambridgeMonday, 04 May 2015
“Songs of Vienna” by the Britten Sinfonia turned out to be a concert of chamber works, with never more than six performers on the stage at any time. It was built around two appearances by the Canadian soprano Barbara Hannigan, who performed pieces with voice by Chausson and Schoenberg. They are clearly part of her core repertoire, and she sings them with passion and from memory. Read more... |
Classical CDs Weekly: Lutosławski, Szymanowski, Jórunn Viðar, The Revolutionary Drawing RoomSaturday, 02 May 2015
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SCO, Swensen, Queen's Hall, EdinburghFriday, 01 May 2015
It was as a violin soloist with the Scottish Chamber Orchestra that Joseph Swensen first appeared, in the mid-1980s, on the Scottish musical scene. He went on to become the orchestra’s principal conductor – a long and fruitful collaboration that lasted from 1996 to 2005. Read more... |
Grivnov, LPO, Jurowski, RFHThursday, 30 April 2015
Deep pain and sadness expressed through intense creative discipline aren’t qualities noted often enough in the music of Sergey Rachmaninov. Yet they’ve been consistently underlined, with rigour to match, in Vladimir Jurowski’s season-long “Inside Out” festival with his London Philharmonic Orchestra playing at a consistent white heat. Read more... |
Ensemble InterContemporain, Pintscher, BarbicanWednesday, 29 April 2015
Be a soloist: take responsibility for yourself. These are not maxims often encountered in musical ensembles where unity of purpose and execution is valued, but they lie behind the philosophy and sheer style of Ensemble InterContemporain, which Pierre Boulez founded in his own image to show confidence in the necessity and vitality of a Modernism always under threat when an easy life and easy listening are so easily bought. Read more... |
Stephen Hough, RFHWednesday, 29 April 2015
It took just two bars of Debussy's La plus que lente for Stephen Hough to transport the entire Royal Festival Hall to Paris. The nearest thing the French composer ever wrote to a café waltz – inspired by a gypsy band in a local hotel – this bewitching, louche yet elusive little piece might in other hands make a more suitable encore than opener. Read more... |
Brahms: Complete Waltzes for Four Hands Fiametta Tarli & Ivo Varbanov (ICSM Records)
Lutosławski: Concerto for Orchestra, Szymanowski: Three Fragments from Poems by Jan Kasprowicz Polish National Radio Symphony Orchestra/Alexander Liebreich, with Ewa Podleś (contralto) (Accentus Music)Pages
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