thu 03/04/2025

Classical Reviews

Classical CDs Weekly: Messiaen, The Knights, Jim Rattigan

graham Rickson


Messiaen: Des canyons aux étoiles London Philharmonic Orchestra/Christoph Eschenbach (LPO)

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Tawadros, AAM, Tognetti, Milton Court

David Nice

Fusion between Christian Venice and the Ottoman east started up at least as early as the 15th century, accompanied by a superb portrait of Sultan Mehmet II attributed to Gentile Bellini (pictured below). So what Egyptian-born oud (read oriental lute) player Joseph Tawadros and that febrile Australian Richard Tognetti with members of the Academy of Ancient Music in cheerful tow were trying to do last night had honourable precedents.

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Betrayal, I Fagiolini, The Village Underground

alexandra Coghlan

It’s not often in classical music that you find yourself queuing under a railway bridge in Shoreditch at 9pm (and still less often that the artistic experience inside merits the endeavour). But get past the door staff and the effortful East London cool of it all, and I Fagiolini’s Betrayal (subtitled “A Polyphonic Crime Drama”) offers some pretty persuasive reasons to slough off the comforts of the concert hall and get gritty.

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Yevgeny Sudbin, QEH

David Nice

Mahler once wrote that his symphonies were edifices built from the same stones, gathered in childhood. In each of the four recitals I’ve heard from Yevgeny Sudbin, he’s moved several of his repertoire cornerstones around to different effect in the piano-programme equivalents of a very large symphony orchestra playing a Mahler symphony: massive sonorities, total structural grasp, huge intelligence.

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Classical CDs Weekly: Brahms, Schubert, Sibelius, Wagner

graham Rickson


Brahms: Complete Waltzes for Four Hands Fiametta Tarli & Ivo Varbanov (ICSM Records)

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Röschmann, Uchida, Wigmore Hall

David Nice

If you were one of the world’s most famous pianists, you’d surely want to explore the masterpieces among Lieder with the great singers.

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Antonacci, ROHO, Pappano, Royal Opera House

David Nice

Few conductors would think of putting Bernstein’s comic-sexy Fancy Free ballet and the orgasmatron of Scriabin’s The Poem of Ecstasy together in a concert's second half. In fact I’ll wager, without research, that it’s never been done before.

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Hannigan, Britten Sinfonia, WRCH Cambridge

Sebastian Scotney

“Songs of Vienna” by the Britten Sinfonia turned out to be a concert of chamber works, with never more than six performers on the stage at any time. It was built around two appearances by the Canadian soprano Barbara Hannigan, who performed pieces with voice by Chausson and Schoenberg. They are clearly part of her core repertoire, and she sings them with passion and from memory.

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Classical CDs Weekly: Lutosławski, Szymanowski, Jórunn Viðar, The Revolutionary Drawing Room

graham Rickson


Lutosławski: Concerto for Orchestra, Szymanowski: Three Fragments from Poems by Jan Kasprowicz Polish National Radio Symphony Orchestra/Alexander Liebreich, with Ewa Podleś (contralto) (Accentus Music)

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SCO, Swensen, Queen's Hall, Edinburgh

Christopher Lambton

It was as a violin soloist with the Scottish Chamber Orchestra that Joseph Swensen first appeared, in the mid-1980s, on the Scottish musical scene. He went on to become the orchestra’s principal conductor – a long and fruitful collaboration that lasted from 1996 to 2005.

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