Classical Reviews
Classical CDs Weekly: Nielsen, Terry Riley, Will ToddSaturday, 08 August 2015
Nielsen: Complete Symphonies BBC Philharmonic/John Storgårds (Chandos) Read more... |
Prom 24: BBCSSO, RunniclesTuesday, 04 August 2015
You never quite know whether a new work by James MacMillan is going to veer towards the masterly or the overblown. His magnificent chain of concertos has arguably yielded masterpieces, but the Third Symphony at the Proms in 2003 sounded like an unwieldy impersonation of the monumental. Twelve years have passed, and he’s shied off writing a Fourth until he felt he had something to say. Read more... |
Prom 23: Verdi's Requiem, BBCSSO, RunniclesMonday, 03 August 2015
A weekend of extremes at the Proms took us from stark solo Bach on Saturday to the massed forces of the BBC Scottish Symphony Orchestra and the chorus of the Deutsche Oper Berlin, gathered under Donald Runnicles for Verdi’s Requiem. As a showcase for the kinds of repertoire the awkward Royal Albert Hall really does do well, it was pretty nigh perfect. Read more... |
Southrepps Sinfonia and Soloists, Southrepps FestivalMonday, 03 August 2015
It only takes one outstanding musician with links to an out-of-the-way place to gather his or her top-notch friends and give a mini-festival of international quality. They’re springing up all over the UK: guiding lights that come to mind are violinist Anthony Marwood in Peasmarsh and tenor Toby Spence at Wardsbrook Farm. Read more... |
Prom 22: Piemontesi, Aurora Orchestra, CollonSunday, 02 August 2015
What would you expect of an ensemble performance played from memory? That the odd lapse, entirely understandable over the span of a 40-minute symphony, would be more than offset, perhaps, by gains in intimacy and flexibility as the players could look around and phrase together, respond to a conductor’s nudge and turn on a sixpence. Read more... |
Prom 21: Alina Ibragimova plays Bach (II)Sunday, 02 August 2015
While Friday night’s triptych of solo Bach began and ended in a sombre, contemplative place, the arc created for the second sequence by pairing the final sonata for solo violin with the second and third partitas is altogether more dramatic. In Ibragimova’s ordering we opened with the monolithic D minor Partita, warming through the C major Sonata before ending joyfully with the E major Partita. Read more... |
Prom 19: Alina Ibragimova plays BachSaturday, 01 August 2015
I can’t be alone in often leaving a Proms violin concerto convinced that the Bach encore was the best bit. The Royal Albert Hall is a chameleon space, capable of dwarfing the largest orchestra and muting the weightiest of Wagnerian singers, but also of amplifying solo performances, lending them a clarity, an intimacy, unique to this unlikely venue. Read more... |
Prom 17: Hallé, ElderFriday, 31 July 2015
Roger Wright may be gone from the BBC Proms, replaced for now by a committee, but his legacy lives on. His zeal to recover areas of English musical culture that may be considered the festival’s birthright resulted last night in a first Proms performance of Sancta Civitas, which Vaughan Williams late in life accounted the favourite of his choral works. Read more... |
Prom 14: Prokofiev Piano ConcertosWednesday, 29 July 2015
Gergiev’s programme for this concert raised eyebrows when the Proms were announced: all five Prokofiev piano concertos, presented in chronological order, over the course of a long evening. As it turned out, he had some good reasons for his plan. The three Russian pianists he lined up – Daniil Trifonov (Concertos 1 and 3), Sergei Babayan (2 and 5), and Alexei Volodin (4) – had between them the talent to carry any programme. Read more... |
Philharmonia, Davis, Three Choirs FestivalWednesday, 29 July 2015
In his memoir As I Remember Arthur Bliss is reticent about his experiences on the Western Front. He describes his “purely automatic” impulse to enlist in August 1914, and later recounts the nightmares that troubled his sleep for a decade after the Armistice. Read more... |
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