Classical Reviews
Prom 66: St Matthew Passion, Berlin Philharmonic, RattleSunday, 07 September 2014
Peter Sellars’ work used to be about making a statement. He would dislocate texts from contexts, subvert musical suggestion and ignore written statement for the sheer joy of the artistic friction it would generate. The beauty of his St Matthew Passion staging however, first seen in 2010, is that it does nothing of the sort. Read more...
|
A Season at the Juilliard School, Sky Arts 2Sunday, 07 September 2014![]()
“You feel like you’re walking into Fame, the movie,“ says one of three third-year drama students towards the beginning of this six-part documentary. That’s what we might have hoped of what, at least in the first episode, turns out to be a mere infomercial for New York’s prestigious academy of performing arts. Read more... |
DiDonato, Pappano, Wigmore HallSunday, 07 September 2014![]()
For the first night of its 114th season, the dear old Wiggy welcomed back its regulars after the summer break. A starry occasion like this recital by Joyce DiDonato and Sir Antonio Pappano gets booked out virtually exclusively by those patrons and members, so it was an evening with a lot of air-kissing and greeting across the familiar rows of red seats. Read more... |
Prom 64: Berlin Philharmonic, RattleSaturday, 06 September 2014
After Monday’s Respighi extravaganza at the Proms, it was back on the rainbow express for more wonders of orchestral colour last night. In the young Stravinsky’s large-scale signing-in and poor depressed old Rachmaninov’s signing-off, you could trust Sir Simon Rattle’s Berlin army of generals to turn in any amount of subtle colours. Read more... |
Classical CDs Weekly: Grieg, Mahler, Choir of Gonville & Caius CollegeSaturday, 06 September 2014![]()
Read more... |
Façade/Eight Songs for a Mad King, Grimeborn Opera, Arcola TheatreFriday, 05 September 2014![]()
Walton’s Façade is not performed very often in London, but this weekend there is the opportunity to hear it four days in a row: on Monday at a chamber Prom, but before that in this enterprising staging, paired with Peter Maxwell Davies’ Eight Songs for a Mad King. Read more... |
Prom 63: McAllister, BBCSO, AlsopFriday, 05 September 2014
Conductor Marin Alsop was welcomed like Britannia herself at last night’s concert, an astute partnership of John Adams’ vivacious hybridism and Gustav Mahler’s colourful patchwork quilt of a symphony. Read more... |
Proms Chamber Music 7: Benjamin Grosvenor/Prom 60: Driver, RPO, DutoitTuesday, 02 September 2014![]()
After the enervating excesses of Salome and Elektra at the weekend, the abundance of notes at the Proms continued in a piano recital and an orchestral showstopper, but this time with built-in air conditioning. After all, both 22-year-old Benjamin Grosvenor and septuagenarian Charles Dutoit are absolutely in control of the colours they make, very occasionally too much so. Read more... |
BBC Scottish Symphony Orchestra, Volkov, Usher Hall, EdinburghSunday, 31 August 2014
It is the fate of Edinburgh Festival directors to programme their music in the considerable shadow cast by the Proms in London. The undeniable economics of large scale touring means that few orchestras will visit Edinburgh alone, so to attract all-important critical attention the Festival must somehow manipulate a limited touring repertoire to create a unique Scottish event. Read more... |
Prom 53: Brahms Symphonies, Budapest Festival Orchestra, FischerWednesday, 27 August 2014![]()
About 10 minutes into the Brahms Third Symphony I wanted to check a name in the Budapest Festival Orchestra’s programme. I dared to turn a page. Bad idea. Such preternatural stillness had settled over the sold-out Royal Albert Hall that the gesture could probably have been spotted from the balcony. Read more... |
Pages
inside classical music
latest in today

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...

That friend you have who hates musicals – probably male, probably straight, probably not seen one since The Sound of...
Motherhood is a high stress job. Ask any woman and they will tell you the same: sleepless nights, feeding problems and worry. Lots of worry. Lots...

Spring may have sprung, but there’s little in life to truly raise the sprits, so this week’s release of Who Believes in Angels? ...

Is the Royal Ballet a “Balanchine company”? The question was posed at a recent Insight evening to Patricia Neary, the tireless dancer...

Joshua Oppenheimer made his name directing two disturbing documentaries, The Act of Killing (2012) and The Look of Silence (2014...

Russia Starts Here: Real Lives in the Ruin of Empire, the journalist Howard Amos’ first book, is a prescient and fascinating examination...

“I knew I wanted all the effects practical and made for real. The movie is about flesh and bones, about women’s bodies.”
Coralie Fargeat,...

The typical Jason Statham movie character – muscular, resourceful, drily humorous – could probably carve an army into mincemeat using a few odds...

The BBC Philharmonic took its Saturday night audience on a journey into French sonic luxuriance – in reverse order of historical formation,...