Classical Reviews
Man Overboard, Aurora Orchestra, Collon, LSO St Luke'sTuesday, 22 July 2014
If the 15-word limit of a succinct listings blurb ever taught you a lesson let it be immediate suspicion of any performer or musician termed "jazzy". This wariness could extend to anything generically suffixed by "y" or "ish", simply because it suggests either pretence or a lack of original or strong identity. Read more...
|
Prom 4: World Orchestra for Peace, GergievMonday, 21 July 2014
This was a rare outing by the World Orchestra for Peace, which has performed fewer than 20 concerts since the death of its founder Sir Georg Solti in 1997. UNESCO had designated this BBC Prom as "The 2014 Concert for Peace", the definite article implying a uniqueness which - according to rumour - is because concerts planned for Munich and Aix failed to get beyond the planning stage. It drew a respectable house to the Royal Albert Hall, which looked about three-quarters full. Read more... |
Simon Trpčeski, Wigmore HallSunday, 20 July 2014
No man is a prophet in his own land – except possibly the Macedonian pianist Simon Trpčeski. In the UK he shot to fame upon winning the London International Piano Competition in 2001 and at home he has become a national hero, his efforts rebooting the country’s classical music scene and inspiring the building of a new full-scale concert hall in Skopje – even though he is still a mere 35. He is also celebrated there as a popular songwriter. Read more... |
First Night of the Proms, BBCSO, Davis, Royal Albert HallSaturday, 19 July 2014
“And suddenly there came from heaven a sound as of the rushing of a mighty wind, and it filled all the house where they were sitting.” To fill the Albert Hall – where a sizeable number of participants are standing, of course, in the best place – as handsomely as this, and as clearly, takes some work. Read more... |
Classical CDs Weekly: Hartmann, Mahler, Vaughan WilliamsFriday, 18 July 2014
Read more... |
Classical CDs Weekly: Per Nørgård, Stephen Hough, The Society of Strange and Ancient InstrumentsFriday, 11 July 2014
Read more... |
Daneman, Bostridge, Drake, Middle Temple HallThursday, 10 July 2014
Temple Music's enterprising song series, directed by pianist Julius Drake, brought a welcome rarity to Middle Temple Hall last night. Schumann's Myrthen, the garland of twenty-six songs dedicated to his intended bride Clara Wieck, are seldom heard in a complete performance. Even with an interval in the middle, they serve as a reminder of the power and sheer emotional range of Schumann's music. Read more... |
Pinnock's Passions, Handel's Garden, Sam Wanamaker PlayhouseTuesday, 08 July 2014
The latest in a series of "Pinnock’s Passions" concerts at the Sam Wanamaker Playhouse saw the doyen of period instrument performance lead a delightful exploration of Handel the musical borrower, entitled "Handel’s Garden". As Trevor Pinnock writes in the programme notes, "throughout his life as a composer he had the habit of taking cuttings, transplanting and grafting from works old and new". Read more... |
Classical CDs Weekly: Turina, Rorem, Rhos Male Voice ChoirFriday, 04 July 2014
Read more... |
Jordi Savall, Sam Wanamaker PlayhouseTuesday, 24 June 2014
Jordi Savall has spent half a century combining instrumental performance on the viola da gamba with being the leader of ensembles of pioneering scholarship. Now in his early 70s, he has certainly had the recognition he deserves: a Grammy (he has made over a hundred albums), an honorary professorship (he has taught since 1974), and the Légion d'Honneur. These days he is also a prominent public figure supporting the “Catalunya should have the right to vote” campaign. Read more... |
Pages
inside classical music
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Stiletto, Charing Cross Theatre review - new musical excess
That friend you have who hates musicals – probably male, probably straight, probably not seen one since The Sound of...
Apex Predator, Hampstead Theatre review - poor writing turns...
Motherhood is a high stress job. Ask any woman and they will tell you the same: sleepless nights, feeding problems and worry. Lots of worry. Lots...
Album: Elton John and Brandi Carlile - Who Believes in Angel...
Spring may have sprung, but there’s little in life to truly raise the sprits, so this week’s release of Who Believes in Angels? ...
Balanchine: Three Signature Works, Royal Ballet review - exu...
Is the Royal Ballet a “Balanchine company”? The question was posed at a recent Insight evening to Patricia Neary, the tireless dancer...
theartsdesk Q&A: filmmaker Joshua Oppenheimer on his apo...
Joshua Oppenheimer made his name directing two disturbing documentaries, The Act of Killing (2012) and The Look of Silence (2014...
Howard Amos: Russia Starts Here review - East meets West, vi...
Russia Starts Here: Real Lives in the Ruin of Empire, the journalist Howard Amos’ first book, is a prescient and fascinating examination...
DVD/Blu-ray: The Substance
“I knew I wanted all the effects practical and made for real. The movie is about flesh and bones, about women’s bodies.”
Coralie Fargeat,...
A Working Man - Jason Statham deconstructs villains again
The typical Jason Statham movie character – muscular, resourceful, drily humorous – could probably carve an army into mincemeat using a few odds...
Connolly, BBC Philharmonic, Paterson, Bridgewater Hall, Manc...
The BBC Philharmonic took its Saturday night audience on a journey into French sonic luxuriance – in reverse order of historical formation,...