tue 08/07/2025

Classical Reviews

Stile Antico, Cadogan Hall

alexandra Coghlan

Earlier this year early music ensemble Stile Antico released a really fabulous disc. The Phoenix Rising is a collage of the Tudor church-music classics that all gained their status and familiarity thanks to the work of the Carnegie Trust and their Tudor Church Music edition. The recording has – very deservedly – won or been nominated for a handful of awards, and if this were a CD review I’d be able to leave it at that.

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Dame Felicity Lott, Graham Johnson, Wigmore Hall

Mark Valencia

As farewell galas go it was less an obituary, more a celebration of an artist who has earned every whoop of the rock-star welcome she received from an adoring crowd. Dame Felicity Lott – "Flott" to her friends (i.e. pretty well everyone present) – was cheered to the echo by her fans and eulogised at either end of the evening by Wigmore Hall director John Gilhooly.

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Classical CDs Weekly: Brahms, Janáček, John Harle

graham Rickson

 

Brahms: The Symphonies, Orchestral works Gewandhausorchester /Riccardo Chailly (Decca)

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Boris Giltburg, Queen Elizabeth Hall

David Nice

Among the diaspora of younger-generation Russian or Russian-trained pianists, there are at least four whose intellect and poetry match their technique. Three whose craft was honed at the Moscow or St Petersburg Conservatories – Yevgeny Sudbin, Alexander Melnikov and the inexplicably less well-feted Rustem Hayroudinoff – have made England their home.

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Schools' Prom, Royal Albert Hall

alexandra Coghlan

This year I’ve sat through Carrie Cracknell’s Wozzeck dry-eyed, seen a handful of Mimis take their last consumptive breath without so much as a tremor, even heard Shostakovich’s shattering Symphony No. 13 without obvious emotional distress. I was beginning to think I was getting irretrievably jaded, hardened; then a bunch of Welsh kids with ukuleles and a folk trio from the Highlands came along and everything changed.

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Jerusalem Quartet, Elisabeth Leonskaja, Wigmore Hall

alexandra Coghlan

A previous visit to the Wigmore Hall saw the Jerusalem Quartet make headlines for all the wrong reasons, after political protestors disrupted the live-broadcast concert. Last night however all was mercifully calm and music-focused for the start of the first three-concert sequence in the quartet’s Shostakovich cycle, though audience members did have to brave the rather incongruous bouncers, lined up in their casual-with-just-a-hint-of-don’t-even-think-about-it chic outside the hall doors.

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Philip Glass/Steve Reich, Royal Festival Hall

Igor Toronyi-Lalic

The Southbank’s artistic director Jude Kelly was out in force at this penultimate weekend of The Rest is Noise festival, delivering little triumphalist, Ryan Air-like fanfares, reminding us how pioneering they had been to programme composers such as Igor Stravinsky, Richard Strauss, Benjamin Britten and Philip Glass - composers who no one had ever heard of before they'd bravely decided to put them on.

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War Requiem, BBCSO, Bychkov, Royal Albert Hall

David Nice

How many reviews of War Requiem do you want to read in Britten centenary year? This is theartsdesk’s fourth, and my second – simply because though I reckon one live performance every five years is enough, Rattle’s much-anticipated Berlin Philharmonic interpretation fell almost entirely flat, and I wanted to hear at least one good enough to move me to tears.

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Classical CDs Weekly: Dvořák, Xiayin Wang, Simon Thacker's Svara Kanti

graham Rickson

 

Dvořák: Cello Concertos Steven Isserlis (cello), Mahler Chamber Orchestra/Daniel Harding (Hyperion)

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Marc-André Hamelin, Wigmore Hall

David Nice

French-Canadian pianist Hamelin has the technique and the stamina to play anything, which is why the note-crazy, obsessive “Night Wind” Sonata of Nikolay Medtner buzzed around at the heart of his recital. But between the proud resonance of its many climaxes and the distant voices he showcased so effectively in his own Barcarolle – three movements rather than one, unexplained in a note which simply ignored it – there’s little delicacy in the middle ground.

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