Classical Reviews

Yevgeny Sudbin, Wigmore Hall

David Nice Friday, 19 July 2013

A second visit to hear this already great young Russian pianist in six months was meant for private pleasure only. Yet no-one in the Wigmore Hall audience last night, I’ll hazard a guess, will ever have heard Liszt playing like Sudbin’s in a first half which itself merited a standing ovation, so the world needs to know about it.

Prom 8: BBC Symphony Orchestra, Adès

alexandra Coghlan Thursday, 18 July 2013

Anniversary years are essential to classical music, shaking up our regular rhythms of programming and listening every year with new emphasis and new discoveries. While Britten, Wagner and Verdi have all had their moments in 2013, it is Witold Lutosławski who may yet emerge as the unlikely hero.

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Prom 4: Les Siècles, Roth

David Nice Monday, 15 July 2013

You can get away with playing ballet music of the Ancien Régime on Bastille Day so long as you end with a revolution. That was how live wire François-Xavier Roth and his mostly French musicians angled it, covering nearly 250 years of Parisian dance premieres on their way to the Proms centenary performance of Stravinsky’s The Rite of Spring.

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First Night of the 2013 Proms

alexandra Coghlan Saturday, 13 July 2013

What a way to open. Vaughan Williams’s A Sea Symphony is exactly the kind of work that the BBC Proms and the Royal Albert Hall were made for, and as the surging, over-generous music and Walt Whitman’s ecstatic poetry ring out across the space it’s hard not to feel just a little bit of heart-swell. Add to that conductor Sakari Oramo making his debut as Chief Conductor of the BBC Symphony Orchestra and you have a First Night to rival the excitement of the Last Night.

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Martha Argerich, Bridgewater Hall, Manchester

philip Radcliffe Saturday, 13 July 2013

It is nearly 50 years since Martha Argerich played in Manchester. She performed with the Hallé Orchestra and the conductor was Claudio Abbado, making his UK debut. That was in 1965 and a year later they repeated their double act. Thanks to the Manchester International Festival and her special working relationship with conductor Gábor Takács-Nagy, music director of the Manchester Camerata, she bridged that gap last night.

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Britten: The Canticles, Linbury Studio Theatre

David Nice Thursday, 11 July 2013

As good old Catullus put it, I hate and love, you may ask why. No doubt it's my job as a critic to probe such difficult responses to Britten's Canticles. Why am I so repelled by the sickly-sweet lullaby Isaac sings just before daddy's about to put him to the sword in Canticle II, then so haunted by the sombre war requiem of Britten's Edith Sitwell setting, Canticle III?

Britten and Poulenc at the Cheltenham Music Festival

David Nice Thursday, 11 July 2013

"Britten or Poulenc?" The question may seem a fatuous one, geared to the 100th anniversary of the Englishman's birth and 50 years since the Frenchman's death. Yet it certainly livens up what would otherwise be the usual dreary artists' biographies, presented with typical elan in this year's Cheltenham Music Festival programme book. "Has anyone said Poulenc in response to this?" asks pianist James Rhodes.

East Neuk Festival, Cambo Estate/Crail Church

alexandra Coghlan Tuesday, 09 July 2013

Scotland’s East Neuk is a little like Hardy’s Wessex – less a geographical specific and more an idea, a resonance. Tucked up into the crook of the Firth of Forth, directly below St Andrews, the region encompasses the tiny coastal towns of Crail, Pittenweem, Anstruther and St Monans, where stern stone cottages and still sterner churches have done battle with the elements since at least the 9^th century.

John Tavener, Bridgewater Hall, Manchester

philip Radcliffe Monday, 08 July 2013

It was an inspired Manchester International Festival initiative to devote a concert to the work of Sir John Tavener as he approaches his 70th birthday. Not only that, but the programme featured three world premieres, including a choral piece specially commissioned for the MIF Sacred Voices, made up of 70 women from all faiths and none. Leading it all with the BBC Philharmonic was conductor Tecwyn Evans.