Classical Reviews
Prom 45: The Midsummer Marriage, BBC Symphony Orchestra, DavisSaturday, 17 August 2013
Jeremy Paxman’s beard may have been a wonder and a talking point for five days, but Michael Tippett’s opera The Midsummer Marriage beats it by almost 60 years. Ecstatic, visionary, energetic music, yes indeed. But, oh, the composer’s libretto! The Magic Flute, T. S. Read more...
|
Prom 39: Khan, BBC National Orchestra of Wales, AthertonTuesday, 13 August 2013
The fascination of the East has been a constant in classical music’s history, from the jangling sounds of the Janissary bands to Mozart’s Seraglio, Sheherazade’s dreamy tales to Britten’s seductive gamelan. Last night’s Prom gave the East a chance to answer back, setting Nishat Khan’s new Sitar Concerto in dialogue with Vaughan Williams’s London Symphony – a musical portrait of a landscape rather closer to home. Read more... |
Prom 38: Beethoven's Ninth Symphony, National Youth Orchestra, National Youth Choirs, PetrenkoMonday, 12 August 2013
It makes a lot of sense for the National Youth Orchestra to give the first ever free Prom. Both, one assumes, economically but also in terms of ethos and atmosphere. New and tentative concert goers would have had very little cause to be intimidated by the fresh faces on the Albert Hall stage last night. That’s thing about youthful energy – you can’t fake it. The same goes for musical quality, or course, and thankfully the NYO has bags of that too. Read more... |
Prom 35: Mahler's 'Resurrection' Symphony, Jansons/Prom 36: Bach Oratorios, GardinerSaturday, 10 August 2013
Mahler, who like most of us thought Bach was “the greatest of them all” and studied in depth the edition of his complete works, would have been delighted by last night’s extravaganza – a true celebration of what makes the Proms the much quoted “biggest music festival in the world”. Only two Bach oratorios – cantatas in all but name – could possibly follow, after a sizeable break for supper, the Mahler symphony, his Second, which ends in such a blazing resurrection. Read more... |
Prom 33: Uchida, Bavarian Radio Symphony Orchestra, JansonsSaturday, 10 August 2013
Precious few musicians can instill such a sense of intimacy into their playing as to have us believing that the Royal Albert Hall is the Wigmore Hall and that their performance is for an audience of one and not six thousand. Mitsuko Uchida is among the select few. Read more... |
Prom 34: Nigel Kennedy, Palestine Strings, the Orchestra of LifeFriday, 09 August 2013
There had been a buzz of anticipation about this late-night Prom by Nigel Kennedy, the Palestine Strings and his Orchestra of Life, and it was completely sold out. After a long association with Vivaldi's Four Seasons, and 2.4 million sales of the 1989 album, Nigel Kennedy doesn't seek or need either forgiveness or permission to open the doors of this music to other tendencies. Read more... |
Prom 31: Frang, BBC Philharmonic, StorgårdsWednesday, 07 August 2013
It’s hard to find an overarching theme to last night’s Prom from John Storgårds and the BBC Philharmonic. We veered from a solidly patriotic opening (Walton, Rubbra) through the high romance of Bruch’s Violin Concerto to the murkier stylistic no man’s land of Korngold’s Symphony in F sharp. Musical emotions were running universally high however, and the cumulative effect was dramatic in the moment, but oddly unsatisfying on reflection. Read more... |
Prom 30: Bavouzet, BBC Philharmonic, NosedaTuesday, 06 August 2013
It was mostly Russian night at the Proms, and mostly music you could dance to, as a hand jiving Arena Prommer rather distractingly proved in the finale of Tchaikovsky’s Second Symphony. Even Prokofiev’s elephantine Second Piano Concerto was transformed into the ballet music Serge Diaghilev thought it might become in 1914. Much of this was thanks to the fleet feet and mobile shoulders of febrile BBC Philharmonic conductor Gianandrea Noseda. Read more... |
Prom 29: Tannhäuser, BBC Scottish Symphony Orchestra, RunniclesMonday, 05 August 2013
On the one occasion I went to Bayreuth, I made the mistake of seeing The Flying Dutchman and Lohengrin after the best of Ring cycles. At the Proms we’ve had a week of serious Wagnerian withdrawal symptoms, so Tannhäuser was never going to feel like too much or too little of a good thing. Read more... |
theartsdesk in Verbier: Festival scales new heightsSunday, 04 August 2013
The moment when Alfred Brendel shuffled on stage during the Verbier Festival’s 20th Anniversary Concert not to play, but to turn pages for long-time colleague Emmanuel Ax, expressed everything that is so special, so extraordinary about this festival. Walking off together, arms around each other’s shoulders, these were not just international soloists, they were two great old men and two even greater musicians. Read more... |
Pages
inside classical music
latest in today
'We are bowled over!' Thank you for your messages...
