Film Reviews
TempestMonday, 28 February 2011
Shakespeare’s The Tempest is apparently a gift for the big screen. It's full of tricks, illusions, two half-humans and of course kicks off with a stonker of a storm: any film-maker might, particularly in this hi-tech epoch, give his or her eye teeth to unleash wildest imaginings on this magical text for grabbiest effect. “The isle is full of noises,/ Sounds and sweet airs, that give delight and hurt not”, says Caliban. Read more... |
HowlFriday, 25 February 2011
Over here we had our own obscenity trial in 1960. Before Lady Chatterley’s Lover made it into the dock, it’s always said that sex in the UK didn’t exist while no sooner had the judge pronounced it not guilty of obscenity than everyone was at it very promptly. Thus does the collective memory simplify. As is usually the case, America got there first. Read more... |
West Is WestWednesday, 23 February 2011
Ayub Khan Din’s belated sequel to 1999’s East is East moves the story on by five years as we revisit the Khan family in Salford in 1976. East is East (directed by Damien O’Donnell) concerned chip-shop owner George Khan’s determined attempts to marry off his sons to Pakistani girls, while West is West (directed by Andy DeEmmony) centres on Sajid, the youngest brother whom we previously saw permanently in a hooded Parka. Read more... |
Animal KingdomWednesday, 23 February 2011
The animals 17-year-old Josh Cody has to survive are his own criminal family. The Codys are hardly the Corleones. Led by sweetly smiling, grandmotherly matriarch Smurf (Jacki Weaver) as they fume and feud in Melbourne’s suburbs, this motley gang of five’s only outstanding quality is their ruthlessness. Deposited with them when his mum overdoses on drugs, the shy teenager navigates between armed robber Uncle Pope (Ben Mendelsohn) and wired drug dealer Uncle Craig (Sullivan Stapleton). Read more... |
No Strings AttachedSunday, 20 February 2011
There's nobody who plays Ashton Kutcher quite like Ashton Kutcher and, in this pleasant and undemanding romcom, he plays another cute guy whom all the girls (and boys of course) swoon over. This time he’s Adam, the sweet and rather vulnerable twentysomething son of Kevin Kline’s rascally-old-devil father, who's three-times divorced, still doing drugs, and chasing young women as his 60th birthday looms. Read more... |
Inside JobWednesday, 16 February 2011
Inside Inside Job is an interesting film struggling to get out. Sadly, one has to sit through two hours of Financial Meltdown 101 to see it. Narrated by Matt Damon in his serious voice (and if you're anything like me, you'll always be thinking of his Team America caricature), the film starts with the perfect glaciers of Iceland being ravaged as the free market takes its toll. Read more... |
ConfessionsTuesday, 15 February 2011
Based on a novel by Kanae Minato, Tetsuya Nakashima’s provocative, serenely sinister thriller is fuelled by the murderous desire of its teens and the righteous anger of their teacher. Best known for the inebriated mania of Kamikaze Girls and Memories of Matsuko, in Confessions Nakashima trades his outrageous rainbow hues for a distinctly funereal aesthetic. It’s as if a dark veil has been drawn across his signature style, with the film bowed in sombre recognition... Read more... |
PAULSunday, 13 February 2011
Simon Pegg and Nick Frost have come a long way from Spaced, the Channel 4 sitcom Pegg created with Jessica Hynes (then Stevenson). When it was canned after two series in 1999 and 2001, Spaced - a very funny and edgy comedy about a group of assorted idlers and oddballs - assumed cult status; now More4 are unashamedly cashing in on Pegg and Frost’s Hollywood debut, PAUL, by repeating Spaced on Sunday nights, which is good news all round. Read more... |
The 2011 Baftas, BBC One: The Twitter ReviewSunday, 13 February 2011
@Wossy seems to have been cast as second baddie in #PiratesduCaribbean 4 This intro is entirely about namechecking the films so they can cut away to the US stars who've jetted in from #Tinseltown Lame string of Little Fockers jokes. These clips montages always make films look like the complete Shakespeare. Then you go and see them... Read more... |
Nixon in China, Metropolitan Opera HD LiveSunday, 13 February 2011
Metcentric New Yorkers tend to think an opera hasn’t achieved classic status until it arrives at their vast inner sanctum. Whereas other cities worldwide know that the inimitable Peter Sellars production of grand opera’s last masterpiece (to date) has become a virtual brand since its 1987 Houston premiere. John Adams's first, and biggest, opera was an obvious here-to-stay triumph at the Edinburgh Festival the following year, and its strengths become more apparent with the passing of time. Read more... |
Never Let Me GoThursday, 10 February 2011
“The problem is that you’ve been told and not told.” While Ishiguro and his discerning fans would never indulge in anything so crass as hype, there have been whisperings in North London wine bars, over the coffee-morning brews of Home Counties ladies, on terraces of rented villas on the Amalfi Coast. Yes, Never Let Me Go is the one about human cloning, whose characters are living organ farms, existing solely for harvest. Read more... |
Son of BabylonWednesday, 09 February 2011
We’ve heard a lot about the American experience of Iraq: the internecine politicking in Green Zone, the deadly combat of The Hurt Locker, the tedium of camp life in Jarhead. In the cinematic reproduction of tumult in Iraq, one thing you never see a lot of is Iraqis. Read more... |
True GritTuesday, 08 February 2011
Henry Hathaway's 1969 version of True Grit famously won John Wayne his solitary Oscar for Best Actor. Read more... |
NénetteSaturday, 05 February 2011
This is not the first starring role in cinema history for an orang-utan. That honour belongs to King Louie, the banana-clad jungle VIP in Disney’s 1967 version of Kipling’s The Jungle Book. It’s not actually the second either, or even the third. Read more... |
The FighterSaturday, 05 February 2011
A paean to working-class bellicosity set (and shot) in the rundown industrial town of Lowell, Massachusetts, David O’Russell’s boxing film The Fighter relishes its brawls. In one inspired scene, a character is unceremoniously slammed to the ground and punched repeatedly in the face. Not Queensberry Rules? Read more... |
Rabbit HoleFriday, 04 February 2011
So many stage shows (musicals, mostly) are these days fashioned from films that the arrival of Rabbit Hole reminds us of the time-honored habit of plundering yesteryear's Broadway hit for this movie season's trophy-minded bait. Read more... |
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