Film Reviews
SocialismeFriday, 08 July 2011
Jean-Luc Godard has lived in self-exile for most of his film-making life, a now 80-year-old enfant terrible. After the seismic ruptures to film grammar in his self-aware, playful Sixties work, he largely abandoned narrative and popularity at the start of the Seventies. Read more... |
Holy RollersThursday, 07 July 2011
Great idea. Geeky Hasidic kid from Brooklyn's claustrophobic Jewish community finds his attention wandering during his rabbinical studies, and falls under the raffish spell of the older and wilder Yosef Zimmerman. He finds the slope is slippery indeed, and with head-spinning speed he's enmeshed in a transatlantic drug-mule racket. He's making big piles of wedge, but losing his immortal soul in the process. Read more... |
The Tree of LifeThursday, 07 July 2011
At the end of last week it was reported that a Connecticut cinema, besieged with requests for refunds, had posted up a sign warning punters that The Tree of Life “does not follow a traditional, linear narrative approach to storytelling”. And so what? Terrence Malick’s Palme d’Or winner is certainly elliptical and impressionistic, but it’s also spellbinding, and as lofty and luminous as the stars in the sky. Read more... |
SuperMonday, 04 July 2011
If you had a quid for every time a nerdy character in a contemporary comedy made reference to Star Wars, in particular to the gnomic wisdomous utterances of Yoda, you’d be richer. Maybe not as rich as George Lucas. But it happens. It happens a lot. A country short on mythology sources its gods and heroes in kiddie lit and stores them in the toy box. Over here we’ve got Homer. Read more... |
TrustSunday, 03 July 2011
Do you know where your teenagers are? If they're smart, they'll be somewhere watching Trust, the sophomore directorial effort from actor David Schwimmer that turns out to be as deftly compelling as it is unnerving. Read more... |
As If I Am Not ThereThursday, 30 June 2011
The capture and arraignment of Ratko Mladic has brought atrocities committed in Bosnia back onto the front page. As Martin Bell used to argue, the Bosnian war struggled to hold the world’s attention even when it was going on. Two much more major conflicts, in which we have been doing the bombing rather than the peacekeeping, have since sent Bosnia plummeting down the squash ladder of important contemporary conflicts. Read more... |
Larry CrowneWednesday, 29 June 2011
What is it with Hollywood and education? Hot on the heels (shamelessly come-hither pumps, in fact) of Cameron Diaz in the lamentable Bad Teacher, we now get Julia Roberts as a disaffected babe who, we're told, is a teacher even though she spends precious little time in actor-director Tom Hanks's new film doing anything of the sort. Read more... |
The ConspiratorTuesday, 28 June 2011
Some directors are just grateful that their movies get funded and released, but Robert Redford has loftier aspirations. Scornful of the routine popcorn-spattered multiplex-filler, he thinks we should be prodded to improve our lot by learning the lessons of history, and says he wants to tell stories about "ordinary people that are affected by larger forces out of their control". This lofty blueprint has brought us Bob's latest behind-the-camera odyssey, The Conspirator. Read more... |
Transformers: Dark of the MoonTuesday, 28 June 2011
When the infantilisation of Hollywood started in 1977 with Star Wars, as a 10-year-old I was all in favour. The hugely successful Transformers franchise based on a series of clever 1980s toys - they’re a car; some Origami-style fiddling later, they’re a robot! - probably isn’t where that trend bottoms out. Read more... |
A SeparationMonday, 27 June 2011
Asghar Farhadi’s new film unostentatiously suggests that Iran has many of the same things we have: cars, cash machines, schools, sex, divorce, Alzheimer’s. It doesn’t, we gather, have modern law. Before howls of protest erupt over so banal and Western-slanted a generalisation, I stress that this is the film’s contention: the madness of law the film proposes is not necessarily fact. Read more... |
Cutter's WayFriday, 24 June 2011
Of all the curdled classics made during the neo-noir wave of the Seventies and early Eighties - including Klute, The Long Goodbye, Mean Streets, Chinatown, The Conversation, Night Moves, Farewell My Lovely, Taxi Driver, American Gigolo and The Postman Always Rings Twice - Ivan Passer’s Cutter’s Way is the most neglected. Read more... |
IncendiesWednesday, 22 June 2011
Denis Villeneuve’s impassioned, decorous adaptation of Wajdi Mouawad’s award-winning stage play sees a dead woman bequeath her children a mystery, which in turn unlocks the secrets of her past and ultimately theirs. The Oscar-nominated Incendies is an arresting and satisfying fusion of political thriller and family drama. Handsomely shot and mesmerising throughout, it’s a film told most memorably in the sensitive and resonant performances of its lead actresses. Read more... |
BridesmaidsWednesday, 22 June 2011
If you have begun to tire of blokey-jokey films such as Wedding Crashers, The 40-Year-Old Virgin and The Hangover, then try this female-oriented movie that covers some of the same territory but from the distaff side. Read more... |
Love's KitchenMonday, 20 June 2011
Foodies will have a good laugh at Love's Kitchen, the British rom-com that casts Simon Callow as a bibulous restaurant critic and Gordon Ramsay as, well, himself. Read more... |
The First GraderSunday, 19 June 2011
The adult craving for education isn't a well that film-makers visit often. Educating Rita gave Willy Russell his finest cinematic hour. Say what you like about Kate Winslet’s concentration camp guard in The Reader, but such was her love of a good book at least she learned to read. Read more... |
The BeaverThursday, 16 June 2011
It doesn’t augur well when the first comment you hear as the credits roll is, “Well, it wasn’t as bad as I was expecting.” That’s really not a great place to begin a review either, but let’s anyway. Or rather with a fnar, fnar moment - did nobody point out the other meaning of "beaver" to the film's makers? Read more... |
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