Austrian filmmaker Jessica Hausner’s disquieting fifth feature, and her first English language one, Little Joe is a sci-fi drama that ponders the tangled choices faced by many modern women – Kubrickian though it is in its immaculate production design and cold, affectless tone.

Jack London’s original novel was a brutal and Darwinian account of a dog's life in the Klondike during the gold rush at the end of the 19th century.

Steve Coogan’s long partnership with director Michael Winterbottom is probably best known for The Trip and its spin-offs, involving Coogan’s comic culinary excursions alongside Rob Brydon. But for its serious undercurrents and disreputable subject matter, their new film is more akin to The Look of Love, in which Coogan played the sleazy Soho entrepreneur Paul Raymond. Here he is again, playing a real heel.  

He's one of Japan's foremost directors, and if you’ve witnessed one of his films before, you know what to expect from a Takashi Miike yakuza film. High-octane, boundary pushing fun from first frame to last. And that’s exactly what First Love is.

An early trailer for this adaptation of the ‘90s games franchise caused Cats­-like horror at its overly humanoid Hedgehog. Rather than the former film’s risky freak-show, though, this diligently redesigned Sonic is the most safely saccharine family movie imaginable.

The decade is kicking off with the revisiting of old classics. That’s not a bad pursuit, with new audiences in mind, though these days there’s a reasonable expectation of a shot in the arm, a  contemporary spin, a fresh perspective. Greta Gerwig certainly achieved that with Little Women, as did Armando Iannucci with The Personal History of David Copperfield.

“I knew I shouldn’t have let monkeys read the contract,” Dolittle (Robert Downey Jr.) mutters. The star should have read the script of his first post-Marvel vehicle more closely, too, before taking on the role which previously sank Rex Harrison’s career.

While the horrors of Hitler’s rule are well documented, Joseph Stalin’s crimes are less renowned, so much so that in a recent poll in Russia he was voted their greatest ever leader. This chilling fact made acclaimed director Agnieszka Holland feel compelled to remedy such a legacy. She’s long turned her light onto Europe’s darkest hours, including Academy Award-nominated Holocaust dramas Europa, Europa and In Darkness, and now comes Mr Jones.

With the Oscars approaching, one film building momentum in the fight for best picture – and whose victory would delight all but the most blinkered – is the Korean Bong Joon Ho’s deliriously dark and entertaining black comedy, Parasite. 

Back in 2016, David Ayer’s infantile Suicide Squad burst upon us in a wash of lurid greens and purples. Ayer’s film had a myriad of problems, not least the hyper-sexualisation of Harley Quinn, played by Margot Robbie. While controversy abounded, Robbie’s performance remained a highlight. A manic mix of Betty Boop and Fatal Attraction’s Alex Forrest, she stole the film.