New Music Features
Larkin's Jazz, Proper RecordsTuesday, 27 July 2010
“A E Housman said he could recognise poetry because it made his throat tighten and his eyes water. I can recognise jazz because it makes me tap my foot, grunt affirmative exhortations, or even get up and caper round the room.” For those curious to discover the kind of music that made poet Philip Larkin leap around shouting “Yeah, man”, help is at hand. Read more... |
Interview: Os MutantesFriday, 16 July 2010
Arnaldo Baptista of Os Mutantes is telling me why South American music can be so compelling: "It's the historical mix, Incas, black Africans, Europeans, beings from Outer Space." I beg his pardon. "Oh, yes, I have seen many flying saucers". Arnaldo is being perfectly serious and launches into his theory of Time (he has formulas and diagrams) which state that once humans go faster than the speed of light, we will be able to travel back to the past. He thinks will freeze himself cryogenically and... Read more... |
The Seckerson Tapes: Sting InterviewMonday, 12 July 2010
The location is Sting's beachside house in Malibu the morning after the night before: another night, another venue - the Hollywood Bowl - another three-hour Concert of his songs. That's concert with a capital "C" because this time Sting has brought along more than just a few of his favourite musicians to join him, he's brought along the 50-strong Royal Philharmonic Concert Orchestra, "the biggest band I've ever worked with". |
theartsdesk in Copenhagen: The Copenhagen Jazz FestivalSunday, 11 July 2010
It's Friday afternoon, the sun's beating down, and I'm kicking back with a cold one in Kongens Have, Copenhagen's oldest and most idyllic park. From the bandstand, the music of Duke Ellington falls mellifluously on my ears, the languorously swinging, behind-the-beat groove of the specially assembled Band Leader Session perfectly suiting the sultry atmosphere. We can't know for sure what heaven will be like, but I'm hoping it'll be something like this. Read more... |
theartsdesk at the Gnawa Festival, EssaouiraTuesday, 06 July 2010
Come the end of June in Essaouira on Morocco’s Atlantic coast, up to half a million festival-goers team the narrow, traffic-free streets of the medina, its two huge open squares, and numerous courtyards and riyads around town, for what must be the world’s biggest free festival. It is dedicated to Gnawa, the trance and healing music of African Moroccans who had been inveigled into slavery in centuries past – there was a slave market in Essaouria until the early part of the 20th century – and... Read more... |
UK Festivals 2010 Round-UpTuesday, 06 July 2010
Get your tent and ice-box and plan your summer's entertainment with theartsdesk's definitive clickable festival guide - listings and links for all the UK festivals this summer, from heavy rock by Scottish lochs to Morris-dancing in the south west, and taking on opera, classical and major international arts festivals for good measure. Read more... |
theartsdesk in Fes: The World Sacred Music FestivalMonday, 28 June 2010
The interior world of Morocco seems a magical place where music and words have more power than in the disenchanted, cold light of the North. On the plane on my first trip to Fes I met a businessman, in import-export, wearing a Burton suit. The strangeness of Morocco revealed itself when he started telling me of his current problem, that his daughter has been put under a spell by a djinn (he translated the word as “devil”) residing in a frog. His mother was a member of the Hamdashas... Read more... |
Dinner with Caetano VelosoWednesday, 16 June 2010
You forget how fast the night descends in the tropics, in half an hour the light goes, the sun disappearing with a grand melodramatic finality. You understand the Mexican tribe who believe without their prayers it will never rise again. But it leaves behind a warmth in the enveloping womblike darkness. With the breeze against our faces in the Bahian night, Brazil’s most celebrated pop star is showing me his domain, a fabulous clifftop house in Salvador de Bahia in the state in the North-East... Read more... |
All Das Jazz: the Berlin Phil swing with Wynton MarsalisTuesday, 15 June 2010
"It was only on Monday afternoon that the final scores of three of the movements were put into my hands," says Sir Simon Rattle, chuckling at the memory and casting a mock glance of disapproval at the composer and trumpeter Wynton Marsalis who is sitting next to him looking rather sheepish. "It makes us realise that composers are human beings just like we are," the conductor adds. "I'm just praying I get all my tempos right by tonight." Read more... |
Nigel Kennedy's Polish AdventureMonday, 14 June 2010
Brilliant though it was to be shooting an Imagine film for BBC One, we did experience the occasional tremor of foreboding about making a programme with Nigel Kennedy. We (that's me and director Frank Hanly) had a bit of previous with Nigel - I'd done several print interviews with him, and we'd shot a couple of short films with him for EMI. Read more... |
Pages
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 10,000 pieces, we're asking for £3.95 per month or £30 per year. We feel it's a very good deal, and hope you do too.
To take an annual subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
latest in today
CD: Sum 41 - Order In Decline
Sum 41 were one of those light-weight punk-ish bands in unfeasibly large pairs of shorts that washed up in the wake of Green Day’s early success...
Elbow and New Order, Lucca Summer Festival review – a meetin...
Thirty-three years ago, at the Festival of the...
Django Bates Belovèd Trio, Evan Parker, Wigmore Hall review...
"Genius" is a word to be used sparingly, but Django Bates surely is one. “A musical polymath and prodigiously gifted composer” went the citation...
Don Giovanni, Longborough Festival Opera review - Mozart in...
One of the features of the converted barn that forms the theatre at Longborough is a trio of statues that tops the front pediment of the building...
Bob Dylan and Neil Young, BST Hyde Park review - flat-out br...
It was billed as a moment of musical history: two of the great icons of rock'n'roll sharing a double-headline. A dream ticket. Except, of course,...
Robin Ince, Soho Theatre review - fun among the chaos
How to describe a show that by Robin Ince’s own admission doesn’t have a narrative strand, and for which he has written several pages of notes...
Florence + the Machine, BST Hyde Park review - mastering the...
It’s a rare thing that musicians sound better live than they do on Spotify. But Florence Welch sings a note perfect set – even when jumping up and...
CD: Sabaton – The Great War
It’s been 20 years since Sabaton’s formation in 1999, and the Swedish power...
Gina Apostol: Insurrecto review – a treacherous archipelago...
As in other countries born out of 19th-century uprisings against imperial power, the literary roots of the Philippines run deep. Executed by the...
theartsdesk Q&A: Lia Williams on the challenges of theat...
Lia Williams is not an actor who looks for easy options. Twice she has played two characters in the same production, switching between them for...