New Music Reviews
The Buzzcocks, Concorde 2, BrightonFriday, 17 October 2014
Apologies, I missed nearly half the concert. I turned up at 9.00 when I’d been told the gig began but they started half an hour early. Apparently it was a last minute decision. There we go. When I crushed into the back of the Concorde 2, a space jammed mostly with men between 35 and 55, Buzzcocks guitarist Steve Diggle, clad in a polka dot shirt, was singing “Sick City Sometimes” from their eponymous 2003 album. It’s no classic but Diggle was throwing his every ounce of zest at it. Read more... |
Björk: Biophilia LiveWednesday, 15 October 2014
From David Attenborough’s spoken introduction to the blonde, robed backing singers, Biophilia Live sees Björk in full experimental flow. Sometimes the film seems almost as if documenting the ceremonial workings of a science-based cult rather than covering an avant-garde pop show. Musically it is reverent, the atmosphere is cerebral, and, above all, Björk’s persona is shamanistic. Read more... |
Reissue CDs Weekly: The Bevis FrondSunday, 12 October 2014
|
Caro Emerald, Brighton CentreFriday, 10 October 2014
Towards the end of her set Caro Emerald performs “History Repeating”, a hit song from 1997 that revived Shirley Bassey’s cool quota when she sang it with successful big beat duo, the Propellerheads. It’s perfect for Emerald, just the right ratio of hip electronic touches and classic showbiz pizzazz. This is where she lives, musically, dipped in swing-era vintage, but lathered in modernist sonic frolics. Read more... |
Bebel Gilberto, BarbicanWednesday, 08 October 2014
Bebel Gilberto seemed very tentative when she first appeared onstage; dressed in semi-Goth black, she kept saying how nervous she was. “Calm down, Bebel. It’s only the Barbican,” she muttered and we did get a sense of the terror and exhilaration of performing live to a big crowd. Her shambolic approach is in some ways, though, preferable to some slick operators who have their stage patter timed to the second. There’s a problem with a wire, she goes off-stage. Read more... |
Stacey Kent, Ronnie Scott's - 'sublime miniaturism'Tuesday, 07 October 2014
“Were we leaving Rio, or were we in New York?” Stacey Kent sings in “The Changing Lights”, the title song of her latest album, before moving on seamlessly to “Les Invalides, or Trafalgar Square”. The prosperous, wistful ennui that some of her recorded songs exude, propelled by her impeccable enunciation and glistening tone, is cosmopolitan with a slightly laminated, departure-lounge sameness. It can feel a little bit like a global franchise in polite enervation. Read more... |
Reissue CDs Weekly: OasisSunday, 05 October 2014
|
Goat, Concorde 2, BrightonWednesday, 01 October 2014
This is what Goat look like: There are seven of them, five band members and two front-women, the latter constantly whirling about the stage like dervishes. One of the guitarists and the bassist are clad in dark attire with black cowls over their heads akin to those worn by nomadic Arabic riders in the Sahara – but also a little like hangmen. Read more... |
Transgressive Records 10th Anniversary Concert, BarbicanWednesday, 01 October 2014
Transgressive is a bold statement for a record label's tin and, on their 10th anniversary celebration last night, there appeared instead a Caucasian calm to the events. From optimistic William Blake lyric loops in the foyer, to the persistent professions of love from the audience for anyone under the limelight. Read more... |
Andrea Motis / Joan Chamorro Quintet, Pizza Express Jazz ClubWednesday, 01 October 2014
Amy Winehouse, Esperanza Spalding, and Roberto Fonseca were the names tossed and bandied after a London debut of extraordinary charm and maturity from the 19-year-old Spanish singer and multi-instrumentalist Andrea Motis. While a modest Soho crowd was dwarfed by the audience at the Barcelona Jazz Festival where she became, in 2012, the youngest performer to headline, there was a communal tingle of recognition, that we’d witnessed the start of something big. Read more... |
The Bevis Frond: Miasma
Oasis: (What’s the Story) Morning Glory?Pages
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
latest in today
'We are bowled over!' Thank you for your messages...
