thu 08/05/2025

New Music Reviews

WOMAD 2014, Charlton Park

Peter Culshaw

If I had to pick the highlight of this sun-drenched WOMAD it would have to be the fresh, emotionally charged set of Ukrainian band Dakha Brakha. I can’t recall seeing such a unanimously positive response for a relatively unknown band at the Festival. It wasn’t as if the music was obviously crowd-friendly, and parts were quite challenging, mixing soulfully sung Ukrainian folk tunes with other influences – Nigerian drumming, Bulgarian singing and Japanese koto.

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Reissue CDs Weekly: Troubadours - Folk and the Roots of American Music

Kieron Tyler


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Reissue CDs Weekly: Ruthann Friedman

Kieron Tyler

 

Ruthann Friedman The Complete Constant Companion SessionsRuthann Friedman: The Complete Constant Companion Sessions

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Reissue CDs Weekly: Lewis

Kieron Tyler

 

Lewis L'AmourLewis: L'Amour

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Reissue CDs Weekly: Crosby, Stills, Nash & Young

Kieron Tyler

 

Crosby, Stills, Nash & Young CSNY 1974Crosby, Stills, Nash & Young: CSNY 1974

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Jazz at Lincoln Center Orchestra, Barbican

Matthew Wright

If, like Wynton Marsalis, you’re a gatekeeper of the jazz tradition, there’s little you’ll defend more staunchly than the Blue Note back catalogue. With the Jazz at Lincoln Center Orchestra, in London on a short tour, he presented a glossy and intriguing selection of Blue Note repertoire before an ecstatic audience in last night’s Barbican concert. Technically, this was a tour de force.

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theartsdesk at Glastonbury Festival 2014

Caspar Gomez

Prologue

On Thursday 26 June I arrive at a cloudy but warm Glastonbury Festival, set up camp, eat sausages, chase after DJ Richie Hawtin for an interview that never happens, then acclimatise, settle, let this hedonist Mecca do its work on me…

Friday 27 June

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Maria Gadu, Barbican

Peter Culshaw

Admired by Brazilian musical royalty like Milton Nascimento and Caetano Veloso, Maria Gadú, at the age of 27, already has four platinum albums to her credit, not to mention a couple of Latin Grammys. Her music blends the urban chaotic modernity of her hometown São Paulo with the grassroots sounds of the North East and Rio. Born Mayra Correa Aygadoux in 1986 Gadú was something of a child prodigy, and began writing songs and recording them onto cassette at the age of 10.

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Calling Festival, Clapham Common

Russ Coffey

First there was Hyde Park Calling, then it was Hard Rock Calling and now, re-located in Clapham, it’s just the Calling Festival (presumably the organisers thought Clapham Common Calling carried too many connotations). The venue may have changed but last weekend was, pretty much, business as usual - a couple of stages, watery beer and a two-day smorgasboard of pop and rock. This year, though, all the pop was on day two.

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theartsdesk at the 2014 Glasgow Jazz Festival

Nick Hasted

Saturday commuters sprinting for the 17.33 to Ardrossan find themselves dodging an obstacle course of swing-dancing young couples, soundtracked by a pensionable trad jazz band. A shifting crowd of about 100 pause in their journeys at Glasgow Central station to enjoy Penman’s Jazzmen, skilful Scottish veterans comfortable with each other and the demands of this century-old New Orleans music.

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