New Music Reviews
The Wasp Factory, Linbury Studio TheatreThursday, 03 October 2013
A baby's brain is polished off by a throbbing welter of maggots. A field of sheep are on fire. A screaming child whose hands have been tied to a kite is flying out over the North Sea. How do you make an opera out of any of this? The answer of course is you don’t. You leave this kind of thing to cinema or the novel. Opera is - contrary to popular belief - extremely bad at spectacle, especially if the aim is to terrify. Horror has never had much of a look-in as a genre in the art form. Read more... |
Shlomo: Human Geekbox, Corn Exchange, BrightonMonday, 30 September 2013
At the end of his hour and 20 minute long performance Shlomo gives us an encore, a percussive tune wherein his amazing noise-making abilities are piled on top of each other with a piece of sampling kit called a Loop Station. This multi-layered nugget is propulsive but the seated audience is unsure, as it has been throughout, whether the evening's ambience should be rowdily interactive or quietly appreciative, as if watching a play. Read more... |
Reissue CDs Weekly: Dino Valenti, Monterey FestivalSunday, 29 September 2013
|
Fleetwood Mac, O2 ArenaWednesday, 25 September 2013
We all know the backstory of the Mighty Mac, the breakups, the betrayals, the addictions and now, finally, the reunion. These days they're more like the Mellow Mac with the emotional hatchets buried, lingering hugs on stage, and tender tales of their time as struggling Seventies hippies. Few other bands, not even Abba, have mined their private lives for inspiration to the same extent. Read more... |
Manic Street Preachers, Shepherd's Bush EmpireWednesday, 25 September 2013
A fortnight after its release, fans now know the Manics’ latest album Rewind the Film to be a rich, contemplative affair. The musical dynamics are intimate and seemingly best suited to small venues, like the one that features in the video for the single “Show Me the Wonder”. As I made my way across London last night, I wondered if this new sound was why the band had chosen to downsize from last year's O2 to the cosy surroundings of Shepherd’s Bush Empire. Read more... |
Darbar Festival, Southbank CentreWednesday, 25 September 2013
Darbar Festival, now in its eighth year, encompasses four days of talks, yoga, food, and music – swathes of it, morning, afternoon, and night, with each concert featuring two main sets.This year’s focus was on female musicians, and included a talk featuring the great Carnatic singer Sudha Ragunathan discussing her own experiences and the role of women in Indian music. Read more... |
Live_Transmission: Joy Division Reworked, Royal Festival HallSunday, 22 September 2013
From no visible source, the instantly recognisable voice of Joy Division’s Ian Curtis croons the words of “Love Will Tear Us Apart”. But the lyrics aren’t in their familiar setting. Alone, he’s stripped from the band, naked and vulnerable. He’s been dead for 33 years, but this was as close as he could possibly be. Read more... |
Reissue CDs Weekly: NirvanaSunday, 22 September 2013
|
Kings Place FestivalTuesday, 17 September 2013
Hungarian composer Bela Bartók’s analytical rigour and folk-inspired voice have established his position as one of the most original voices of the twentieth century, but he still represented a bold choice for the opening event of the 2013 Kings Place Festival. Read more... |
John Etheridge and the Soft Machine Legacy with Keith Tippett, Pizza ExpressSunday, 15 September 2013
Some people have all the luck. Listening to John Etheridge’s self-deprecating description of how his career has progressed (in interviews such as Radio 3‘s Jazz Library, or at a gig, when he is a disarmingly open host), you would think he had stumbled upon Stephane Grapelli and Nigel Kennedy (to name merely the most famous of his many stellar collaborators) while out for a pint of milk. Read more... |
Dino Valente: Dino Valente
Nirvana: In UteroPages
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
latest in today
'We are bowled over!' Thank you for your messages...
