thu 24/07/2025

New Music Reviews

CD: Gregory Porter - Liquid Spirit

peter Quinn

Gregory Porter's Blue Note debut provides one of the biggest sugar rushes of auditory pleasure you'll hear this year. Grounded in jazz but heavily seasoned with the blues, gospel and soul, it's a superbly paced album, ranging from the poetic tableaux of ballad “When Love Was King” to the unstoppable, hand clapping moto perpetuo of the title track.

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Reissue CDs Weekly: The Beach Boys

Kieron Tyler

 

The Beach Boys Made in CaliforniaThe Beach Boys: Made in California

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Youssou N'Dour: Voice of Africa, BBC Four

Mark Hudson

You either get Youssou N’Dour, or you don’t. For millions on his home turf, the Senegalese singer is a major cultural figure: the street urchin-turned-superstar who almost became president. For large numbers of Western fellow travellers he’s the sexiest, most charismatic figure to emerge from the whole world music phenomenon.

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Prom 62: A Celebration of Charlie Parker

Matthew Wright

Pianist, composer, and band leader Django Bates was so inspired by Charlie Parker as a teenager that he used to whistle his tunes on the train. This led not to abuse, but the acquaintance (at Brixton station) of saxophonist Steve Buckley. Returning to the Proms this week for the first time since his 1987 debut with Loose Tubes, Bates paid homage with a set of mainly Parker adaptations, performed by his trio, Beloved, in a new collaboration with the Swedish Norrbotten Big Band.

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Reissue CDs Weekly: Sly Stone

Kieron Tyler

 

Sly & the Family Stone Higher!Sly & the Family Stone: Higher!

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Sun Ra Arkestra, Café Oto

Serena Kutchinsky

Dalston was the place on Friday night, as the Sun Ra Arkestra put on a trademark display of Afro-jazz excellence in the intimate surrounds of Café Oto. Jazz pioneer Sun Ra might have been dead since 1993, but his influential big band is very much alive and capable of puffing their way through marathon sets.

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How To Be A World Music Star, BBC Four

Peter Culshaw

This was a somewhat nostalgic look at the rise of “World Music” as a genre, starting in the Eighties when the term was first used, essentially as a marketing tool. As the ever ebullient Andy Kershaw put it, the problem was where in record stores “you could put a choir of Bulgarian tractor drivers next to some hot shot guitar slinger from Guinea-Bissau".

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Prom 54: World Routes

Peter Culshaw

Why are the Malians always punching way above their weight in music? There may be some historical reasons. The French always were more welcoming to the culture of their empire than the Brits (and more used to foreign-language music), while Paris became a great centre of West African music, from where it was disseminated over Europe.

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Julia Holter, Cecil Sharp House

Kieron Tyler

Imagine an aural swoon of a song like a mermaid’s sigh preceding one which introduces Saint-Saëns’s The Carnival of the Animals to free-jazz skronk. After that, Laurie Anderson pops along to take on the soft soul of the early Seventies Isley Brothers. An evening with Julia Holter encompasses all of that, yet knits it all together gracefully to make a whole like nothing else.

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Reissue CDs Weekly: R Stevie Moore, Foxy R&B, Looking Good, A Certain Ratio

Kieron Tyler

 

R Stevie Moore Personal AppealR Stevie Moore: Personal Appeal

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