sun 18/05/2025

New Music Reviews

Rime of the Ancient Mariner, Queen Elizabeth Hall

Tom Birchenough

It’s hard to imagine much upstaging Martyn Jacques, the indomitable falsetto frontman of the Tiger Lillies. The gaping mouth of an enormous mythical fish that seems to have swum straight from the canvases of Hieronymus Bosch, projected right across the stage in their new show Rime of the the Ancient Mariner, comes close.

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Josienne Clarke & Ben Walker, Green Note, Camden

Tim Cumming

The Green Note had put up a Sold Out sign on Monday night when Josienne Clarke and Ben Walker stepped in to play a sometimes mesmerising set on the little stage by the door.

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Agnes Obel, St Pancras Old Church

Kieron Tyler

In the half light of a small medieval church tucked behind London's St Pancras Station, a figure in white plays melancholy songs at a grand piano to the accompaniment of a cellist and violinist. This chamber ensemble had an audience of 84. The atmosphere of this special concert contrasted starkly with the close, humid and overhot day which led up to it.

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Electro Anthro Visceral Intensity, The Amersham Arms

joe Muggs

It's always nice when musical events of an overtly academic bent are taken away from the academy: when high-falutin' or exploratory music is made to stand on its own. All right, this show demonstrating new technical innovations by musicians affiliated with the Goldsmiths College Computer Music courses hadn't come that far, being some couple of hundred yards along the road from the college, but the Amersham Arms backroom is more used to rock gigs and raves.

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Björk, Alexandra Palace

Serena Kutchinsky

While Lady Gaga’s conceptual antics left the crowd cold in Camden last Sunday, Björk’s Ally Pally spectacular last night showcased the musical artistry that sets her so far above other female pop pretenders. While Gaga’s affected oddities have always jarred with the mainstream sensibilities of her music, Björk’s strangeness perfectly fits and feeds her sound.

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CD: Gregory Porter - Liquid Spirit

peter Quinn

Gregory Porter's Blue Note debut provides one of the biggest sugar rushes of auditory pleasure you'll hear this year. Grounded in jazz but heavily seasoned with the blues, gospel and soul, it's a superbly paced album, ranging from the poetic tableaux of ballad “When Love Was King” to the unstoppable, hand clapping moto perpetuo of the title track.

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Reissue CDs Weekly: The Beach Boys

Kieron Tyler

 

The Beach Boys Made in CaliforniaThe Beach Boys: Made in California

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Youssou N'Dour: Voice of Africa, BBC Four

Mark Hudson

You either get Youssou N’Dour, or you don’t. For millions on his home turf, the Senegalese singer is a major cultural figure: the street urchin-turned-superstar who almost became president. For large numbers of Western fellow travellers he’s the sexiest, most charismatic figure to emerge from the whole world music phenomenon.

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Prom 62: A Celebration of Charlie Parker

Matthew Wright

Pianist, composer, and band leader Django Bates was so inspired by Charlie Parker as a teenager that he used to whistle his tunes on the train. This led not to abuse, but the acquaintance (at Brixton station) of saxophonist Steve Buckley. Returning to the Proms this week for the first time since his 1987 debut with Loose Tubes, Bates paid homage with a set of mainly Parker adaptations, performed by his trio, Beloved, in a new collaboration with the Swedish Norrbotten Big Band.

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Reissue CDs Weekly: Sly Stone

Kieron Tyler

 

Sly & the Family Stone Higher!Sly & the Family Stone: Higher!

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