sat 23/08/2025

New Music Reviews

Kraftwerk: The Man Machine, Tate Modern

Kieron Tyler

A giant arm sweeps across the rapt audience. The newly anointed onlookers all wear the same, white-framed, glasses. A chant is heard:“We are the robots.” Those congregating in the over-sized shoebox of Tate Modern’s Turbine Hall could be at a cult meeting. In gathering to pay respect, the audience share more than a passion for Kraftwerk. They also all wear the same 3D glasses.

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Reissue CDs Weekly: Conny Plank, Pied Piper, Jean-Luc Ponty, Cliff Richard

Kieron Tyler

 

Who’s That Man A Tribute to Conny PlankVarious Artists: Who’s That Man – A Tribute to Conny Plank

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When Albums Ruled the World, BBC Four

Adam Sweeting

The BBC has suddenly noticed that there used to be these really brilliant things called "albums", and now they're going out of style and out of date. Hence they're holding an Albums Season in all media (Danny Baker's Great Album Showdown, Steve Wright's Album Factoids, Johnny Walker's Long Players and many, many more). 

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Rolf Harris, Royal Festival Hall

Bruce Dessau

Two very different Antipodeans are performing in London over the weekend. Having seen Nick Cave more times than you can shake a didgeridoo at, the time has come for this reviewer to scrutinise Rolf Harris – pop star, painter of the Queen, sentimental presenter of cuddly animal shows.

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Kraftwerk: Radio-Activity, Tate Modern

Chris Mugan

“Tschernobyl… Harrisburg... Sellafield… Fukushima” reads the display above the four figures standing impassively below like toys, suddenly turning these harbingers of the computer age into proselytisers for an anti-nuclear energy policy.

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Kraftwerk: Autobahn, Tate Modern

Chris Mugan

Childlike wonder is a rare emotion at a gig, so gasps of delight are doubly jolting as the first images appear to float out of the mammoth screen behind the stage and float over our heads. These are notes of musical notation that cascade from a car radio at the moment when the dial shifts in "Autobahn", the track where Kraftwerk’s concepts first properly coalesced and that gave their breakthrough album its title.

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Reissue CDs Weekly: Marcos Valle, Five Star, Julian Cope, Carlos Núñez

Kieron Tyler

 

Marcos Valle Marcos ValleMarcos Valle: Marcos Valle/Garra/Vento Sul/Previsão do Tempo

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Jane Birkin, Cadogan Hall

Kieron Tyler

The notice saying “table reserved for Lord Chelsea” in Cadogan Hall’s foyer bar instantly signalled this show was likely to be more rarefied than your normal pop concert. It was in keeping with the grandeur of this early 20th century, Byzantine-style former church a minute from Sloane Square. The tone was further elevated by this being a rare, small-venue British outing for Jane Birkin, an actual, proper star.

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CD: Wayne Shorter Quartet - Without A Net

peter Quinn

Truly an ensemble cast, the Wayne Shorter Quartet's playing on Without A Net - marking Shorter's return to Blue Note Records after 43 years - fuses disparate elements into something transcendent and utterly original. From the slow burn of “Myrrh” to the searching, high-velocity romanticism of “Starry Night”, two of six new Shorter compositions featured, the album takes small group music-making to another dimension.

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Aimee Mann, Royal Festival Hall

Bruce Dessau

Aimee Mann must surely be one of the most unstarry of stars. While most of her fans were still in the bar thinking about what they might have as a pre-gig aperitif, she strolled onstage to join support act Ted Leo for a couple of new songs they have written together. No grand diva entrance here, she just strapped on a bass guitar and stood next to the Costello-ish Leo pulling at those strings. Moral? Never ignore the support act, it might feature the person you've paid to see.

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