New Music Reviews
Let’s Wrestle, Tigercats, Omi Palone, The LexingtonWednesday, 28 November 2012
Twenty-first century rock bands have a problem, and it’s a problem that they’ve had for decades: how to stay focused on the rebel oomph of distorted guitars, rudimentary drumming, sorting-out-the-bottom-end bass guitar and – let’s face it – self-pitying, woefully inadequate but raggedly functional vocals without sounding like a relic from a bygone age? Read more... |
The Human League, Royal Albert HallTuesday, 27 November 2012
Seasonal appearances by The Human League have an air of Christmas panto about them, with halls packed with coach parties of devoted fans who all seem to know each other, but the group have quietly solidified into a great British success story. They made the jump from experimental beginnings to become darlings of early-Eighties electropop, but more remarkable still is their ability to produce modestly credible new music 30 years later. Read more... |
Rodriguez, Usher Hall, EdinburghMonday, 26 November 2012
We surely all know the story of Sixto Rodriguez by now. The Detroit-born singer-songwriter made two fine albums in the early 1970s, Cold Fact and Coming from Reality, before swiftly vanishing. Read more... |
The Story of Charlie Is My DarlingMonday, 26 November 2012
There’s a shot of the six of them running across a railway line in Belfast, running for their lives, Brian Jones at the rear, "Satisfaction" at the top of the charts, and there he is, the one who set light to the whole thing, between Mick and Keith. Read more... |
Reissue CDs Weekly: 10cc, Eric Clapton, Marc Almond, Johnny Thunders & the HeartbreakersSunday, 25 November 2012
Kieron Tyler Read more... |
CD: Alicia Keys - Girl On FireSaturday, 24 November 2012
14 Grammy Awards, over 30 million albums sold, immortalised in song by Bob Dylan. It's hard to believe that Girl On Fire is only Alicia Keys's fifth studio album, such is the extent of her success. The singer-songwriter's previous release, The Element of Freedom, successfully mined the juxtaposition of powerful beats and understated vocals. Read more... |
Robbie Williams, O2 ArenaFriday, 23 November 2012
Frustratingly, the ramshackle rail service from Brighton deposits me at the crammed O2 20 minutes into Robbie Williams's set. After the eerie quiet of the airport-like walkways around the perimeters, the torrid atmosphere inside the gigantic arena is a shocker. It's packed to the rafters with women shrieking and waving their arms in the air while their men sit beside them, sheepishly mouthing lyrics. Read more... |
Squeeze, The Dome, BrightonThursday, 22 November 2012
Any gig is partly defined by its audience. Brighton audiences, particularly Brighton Dome audiences, are usually a lively bunch but tonight’s crowd, at least until beyond halfway through, are still as dummies in their seats, quiet as mice. Looking around is uncanny, like observing a theatre watching a Strindberg play or some such. True, they’re mostly in their fifties but that’s a poor excuse. The last time I saw the Dome this dead was when Ultravox played a couple of years back. Read more... |
Band of Horses, Hammersmith ApolloWednesday, 21 November 2012
Even their name, Band of Horses, conjures up something exotic. The Carolina five-piece’s lyrics may occasionally veer towards the angsty but their sound is firmly anchored in their sumptuous sweeping Americana. It earned their last album, Infinite Arms, a Grammy nomination. This year’s Mirage Rock takes that formula and shakes it up with a handful of grit. Read more... |
Shuggie Otis, Jazz CafeWednesday, 21 November 2012
A decade ago I was wearing a T-shirt branded with the cover to Shuggie Otis’s Inspiration / Information album when an American woman approached me, loudly declaring “Shuggie Otis! His wife used to be my best friend! Read more... |
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