New Music Reviews
Tampere Nights: Lost in Music Festival 2012Friday, 26 October 2012
Nightclub Tähti is on the seventh floor of an anonymous-looking building along Tampere’s main shopping street, Hämeenkatu. Black-suited security wave you into a lift which zips straight up there. After surrendering your coat at the cloakroom – obligatory in Finland - a walk around the bar reveals the dance floor. The couples occupying it are doing the Finnish tango, a measured, understated version of the dance. Read more... |
Grizzly Bear, O2 Academy BrixtonTuesday, 23 October 2012
If Grizzly Bear’s name is unfamiliar to you, you’ll certainly know some of the indie-folk bands they’ve influenced. These include Bon Iver and Fleet Foxes, two of music’s more unlikely recent successes. Brooklyn’s Grizzly Bear never seemed to want that mass appeal. This autumn they followed 2009’s melodic Vecktamist with the rather more difficult Shields, whose songs suggested they might sound better live. Read more... |
Hello QuoMonday, 22 October 2012
We currently seem to be awash with rockumentaries. The Rolling Stones have yet another retrospective out, while Friday night on BBC Four would not be complete without dusting off the back catalogue of some mid-table band once adored by some nice middle-aged folk unable to find a babysitter. Read more... |
Chilly Gonzales, BBCSO, Barbican HallSunday, 21 October 2012
Chilly Gonzales is a self-mythologising huckster, a throwback to a vaudevillian tradition of entertainer. He’s had enormous success producing the likes of Feist, is in the Guinness Book of Records for the longest solo piano concert (over 27 hours), and starred in the "existential sports movie" Ivory Tower as the inventor of “jazz chess”. Read more... |
Reissue CDs Weekly: Peter Gabriel, Stackridge, Ray Charles, Caro EmeraldSunday, 21 October 2012
Russ Coffey Read more... |
Ian Hunter, Shepherds Bush EmpireSaturday, 20 October 2012
Can a septuagenarian wear skinny trousers? It is not a question that I ask myself very often, but it was my first thought on seeing the frighteningly fit 73-year-old Ian Hunter stroll onstage at the Shepherds Bush Empire last night. Life in America clearly suits the Shropshire-born former frontman of Mott the Hoople, as he led a band young enough to be his children through a storming, age-defying 110-minute set. Read more... |
The Gaslight Anthem, O2 Academy, GlasgowSaturday, 20 October 2012
The Gaslight Anthem’s star has been in the ascendant for some time now - arguably since the release of their 2008 breakthrough record, The ’59 Sound. But nowhere has that change been more dramatic than in the evolution of their live shows. The Gaslight Anthem that commanded the stage in Glasgow last night was an altogether more confident, self-assured beast than the band that played the same venue in the summer of 2010. Read more... |
CD: The Bad Plus - Made PossibleThursday, 18 October 2012
Possessing one of the most recognisable sounds in jazz, US trio The Bad Plus don’t so much subvert genre as wrap it up in a little parcel and put an incendiary device under it. Jazz, rock, pop, country and classical all get thrown into their inimitable blender, as typified by album opener “Pound for Pound”, which traces a musical journey from Satie-like simplicity to an all-out rhapsodic assault on the senses. Read more... |
Suzanne Vega, Barbican HallWednesday, 17 October 2012
This year it’s been all about 50th anniversaries. If 1962 was a cultural foundation stone, it’s unlikely that 1987 will inspire quite so much in the way of plaques and bunting. It is, however, 25 years since Suzanne Vega released her definitive second album, the platinum-selling Solitude Standing, and last night at the Barbican she completed a short series of concerts – the others were in Boston and two in her native New York – to mark its birthday. Read more... |
Imagine: Freddie Mercury - The Great Pretender, BBC OneWednesday, 17 October 2012
This film, promised Imagine's host Alan Yentob, would be "the nearest we'll get to the real Freddie Mercury, a shy man in search of love and a driven artist living behind the protection of his stage persona". Probably true, but the shyness and the protective persona, coupled with vigorous policing by the Queen organisation, meant that film-maker Rhys Thomas couldn't add a great deal to what's already known about Mercury. Read more... |
Peter Gabriel: So Pages
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