New Music Reviews
The Low Anthem, RoundhouseThursday, 17 November 2011![]()
This show was memorable almost as much for the audience as it was for the music. Read more...
|
Soul Rebels Brass Band, London Jazz Festival, QEHThursday, 17 November 2011![]()
Funkier than a James Brown bridge, the mighty Soul Rebels Brass Band swung back into town last night and flattened all before them. Possessing that rare combination of serious chops, impeccable stagecraft and down-home soul, they confirmed their position as one of the most explosive live acts on the scene. Read more... |
The Damned, The East Wing, BrightonMonday, 14 November 2011![]()
“Whose idea was it to do the gig in this shithole?” asks Captain Sensible towards the end of the night. He’s right. The East Wing is truly an atmosphere-free venue, a carpeted, low-ceilinged conference room that’s part of the much larger Brighton Centre complex. It’s easy to imagine it filled with municipal administrators milling about, the stink of coffee and the rustle of paperwork. Read more... |
Susheela Raman, Islington Assembly HallSunday, 13 November 2011![]()
Over the past decade I’ve always been more an admirer than a fan of Susheela Raman, wanting to like her music more than I did. But her latest album Vel has changed all that. It’s an uncompromisingly dark and powerful statement that makes no concessions to what one might call “world music” tastefulness. Read more... |
Jazz Voice, London Jazz Festival, BarbicanSaturday, 12 November 2011![]()
It would be difficult to imagine a more impressive curtain-raiser to the London Jazz Festival than Jazz Voice, and this year's vintage was the finest yet. One sensed from the very opening bars of Gregory Porter and Ian Shaw's a cappella duet, “Feelin' Good”, that something remarkable was about to unfold, and so it proved. Read more... |
Ane Brun, ScalaSaturday, 12 November 2011![]()
She grew up in Norway, lives in Sweden and has been recording since 2003. Her new album, It All Starts with One, is her most assured, her most vital. But Ane Brun’s recent work with Peter Gabriel has attracted attention outside Scandinavia. Her vocal contribution to his remake of “Don’t Give Up” claimed it as her own. Last night erased Gabriel from her CV. This fabulous show was a new beginning. Read more... |
The Good, The Bad & The Queen, The CoronetFriday, 11 November 2011![]()
Some successful rock stars accumulate wives, others accumulate houses, cars or drug habits. Damon Albarn seems to accumulate bands. As well as his on-off relationship with Blur, there is the semi-regular Gorillaz. And he has been seeing even more musicians on the side, too. Read more... |
Amy LaVere, Voodoo Rooms, EdinburghThursday, 10 November 2011![]()
From Bill Haley’s frantic clock-rocking to Sting’s po-faced plucking, the double bass has written itself a pretty meaty book in the rock‘n‘roll bible. It’s strictly Old Testament, though, far more closely identified with the composers of rock’s creation story than to those tasked with mapping out its future. But hang on. Louisiana-born, Memphis-based singer-songwriter Amy LaVere might just be changing all that. Read more... |
Imagine: Simon and Garfunkel - The Harmony Game, BBC OneWednesday, 09 November 2011![]()
“It’s very deep, very private and full of love,” said Art Garfunkel of his relationship with Paul Simon. So private that for this examination of their swansong 1970 album Bridge Over Troubled Water the pair were interviewed apart, despite both being credited as executive producers. Whatever the nature of the love, 40-plus years on, bridges weren’t being built. Read more... |
Mara Carlyle, Green NoteWednesday, 09 November 2011![]()
It’s commonly accepted that a song’s true worth can be tested by stripping it down to its bare bones: if it still has wings when played on just an acoustic guitar, then you’re in business. Read more... |
Pages
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
latest in today

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...

The art of the conman is persuading their victim to fool themselves, which is the premise that lies at the core of this Australian drama series....

Sixes and Sevens is a surprise. A big one. Since leaving Siouxsie and the Banshees in September 1979, John McKay has...

Full marks to the Royal Opera for good planning: one first night knocking us all sideways with the darkest German operatic tragedy followed by...

In the Stygian darkness of a bare room, a table on a low platform with a light hanging overhead starts to emerge. Then a door briefly...

The success of Netflix’s Drive to Survive not only provoked a viewer-stampede towards the world’s most expensive sport, but also...

A traditional Korean house has appeared at Tate Modern....

Wagner’s universe, in the second of his Ring operas which brings semi-humans on board to challenge the gods, matches exaltation and misery, terror...

Does it spark joy? Yes, definitely...and maybe we music critics should ask the Marie Kondo question more often. London-based vocalist/lyricist...