mon 05/05/2025

New Music Reviews

Wayne Shorter Quartet, Barbican

Peter Culshaw

Wayne Shorter's current band do strange things with time - it seems to stretch and bend like in some subatomic experiment featuring rogue neutrinos. Their nifty time signatures would fuse any computer. The nature of the music itself seems outside time, both echoing that modern jazz annus mirabilis 1959 and being futuristic at the same time.

Read more...

Snoop Dogg, O2 Arena

ASH Smyth

In the 19 years of his million-selling gangsta-bragging pimp-shizzling hip-hop-rapping career, the man born Calvin Cordozar Broadus, Jr has gone to some lengths to inform us that his name is, in fact, Snoop Dogg.

Read more...

Nerina Pallot, Shepherds Bush Empire

Russ Coffey

It’s been a long-standing source of surprise to me how Nerina Pallot continues to operate a whisker under the radar. From the get-go, 10 years back, she’s had the voice, songs and looks to be a star. Maybe a decade ago was the wrong time for her. But now, with her musical style residing somewhere between Laura Marling and Adele, surely she’s perfect for today’s market. The critics sure think so.

Read more...

Frost, The Lexington

Thomas H Green

The Lexington on Pentonville Road is a pub with an easy-going Deep South style. The main bar looks like the sort of place where cattle barons might relax with basque-clad floozies after a hard week kicking homesteaders off their land. Instead, however, the place has a smattering of people, mostly in their twenties, a number with large sideburns and Stooges T-shirts, listening to a New Zealander called Delaney Davidson playing solo blues.

Read more...

Tony Bennett, London Palladium

Thomas H Green

Tony Bennett receives a standing ovation just for walking on stage. His band arrive first, then Bennett in loose black suit, white shirt, black tie (not bow), and red handkerchief in breast pocket. He saunters into a spotlight stage right. It’s enough. He laps it up. There’s a real sense of occasion. The worry is that, at 85, he will not be able to deliver, that his voice will be a feeble shadow of its former self.

Read more...

Imperial Tiger Orchestra, Boston Dome

howard Male

There’s more than one way to reinterpret or simply embrace the extraordinary wealth of Ethiopian music that Francis Falceto has given us with the still growing Ethiopiques CD series of 1970s Ethio-jazz (as the style has been inadequately labelled). For example, Dub Colossus were seduced by the dissimulating aspect of the music that they felt it shared with dub reggae. And the Heliocentrics embraced its “otherness” over which they imposed their own art-school sensibility.

Read more...

Ecstatic Journey, Barbican

Peter Culshaw

The final night of the Barbican’s adventurous if slightly awkwardly named Transcender season was a Sufi safari, with a tapas selection of four very different artists from assorted Islamic countries giving a taste of their music.

Read more...

Rock of Ages the Musical, Shaftesbury Theatre

Kieron Tyler

A long time ago in a galaxy far, far away, all women were dressed by Frederick's of Hollywood and all men were a cross between David Lee Roth and Jon Bon Jovi. The Eighties-set Rock of Ages is so outlandish, it might as well be set on another planet. Instead, the all-singing, all-dancing action centres on a bar along LA’s Sunset Boulevard.

Read more...

The Good The Bad/ The Cut Outs/ Peter Parker's Rock'n'Roll Club, Madame JoJo's

ASH Smyth

There can't be many excuses for a back-up band at a triple bill, but back it up they did at last night's The Good The Bad album launch at Madame Jojo's. Way up.

Read more...

Le Mystère des Voix Bulgares, Barbican

Peter Culshaw

Some countries have a particular talent for choral music. Georgia, for example, has wonderful choirs, as does South Africa and, it seems, Bulgaria. Unfortunately, due to the expense of touring, we hardly get to see them. So when Le Mystère de Voix Bulgares, the female choir who embody the strange and powerful music of their homeland, came to town last night, lovers of global choral music were out in force.

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

First Person: young cellist Zlatomir Fung on operatic fantas...

My new album, Fantasies, recorded with pianist Richard Fu, is the culmination of my years-long fascination with the wonderful genre of...

Malpractice, ITV1, Series 2 review - fear and loathing in th...

Following on from the first series of Malpractice in 2023, this second season again probes into issues of medical malfeasance and...

Romeo and Juliet, Shakespeare's Globe - swagger and viv...

Holsters, Stetsons and bluegrass music bring a distinctive flavour to this...

Two to One review - bank heist with a big catch

The Ealing-like comedy heist caper Two to One is Natja Brunckhorst’s second...

Album: Arcade Fire - Pink Elephant

20 years on from their first appearance on record, the seventh long-player from...

Fake, ITV1 review - be careful what you wish for

The art of the conman is persuading their victim to fool themselves, which is the premise that lies at the core of this Australian drama series....

theartsdesk Q&A: film director Déa Kulumbegashvili on he...

One of the most exciting new voices in Eastern European film, Déa Kulumbegashvili is not concerned with conventional shot lengths. She has been...

Music Reissues Weekly: John McKay - Sixes and Sevens

Sixes and Sevens is a surprise. A big one. Since leaving Siouxsie and the Banshees in September 1979, John McKay has...

Pimpinone, Royal Opera in the Linbury Theatre review - farce...

Full marks to the Royal Opera for good planning: one first night knocking us all sideways with the darkest German operatic tragedy followed by...