wed 30/07/2025

New Music Reviews

Camille, Hackney Empire

howard Male

It’s a rare but delightful thing when a venue and an artist prove perfect partners for each other, as was the case last night with young French singer Camille and old English music-hall theatre the Hackney Empire.

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Toumani Diabaté, St George's Bristol

mark Kidel

Toumani Diabaté is the world’s greatest and best-known kora player. Plugged in deep to a musical tradition that goes back over seven centuries, this griot or jali takes his custodial role very seriously, but he is also an adventurer who has stretched the repertoire of his ancient strings by listening avidly to music from an astonishingly wide range of sources.

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Anna Calvi, Shepherds Bush Empire

David Cheal

It’s guitar rock, but not as we know it.

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Arctic Monkeys, O2 Arena

Bruce Dessau

Boy, do Arctic Monkeys move fast. There were 21 songs in their set at the O2 Arena last night and at one point they were racing through them at such a breathtaking lick I thought I would be on my way home within the hour. In the end their performance clocked in at around the length of a football match thanks to some pauses to swap guitars. Plus a break for Alex Turner to stand by the drums and ostentatiously comb his elaborate quiff.

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Britney Spears, O2 Arena

David Cheal

It’s a long time since I laughed during a show as much as I did in this one. And not, I hasten to add, in a snarky, narky, sarky way, but simply because it was fun. In another illustration of just how deeply competitive the business of the arena pop show has become, Britney Spears’s Femme Fatale tour is a formidable song-and-dance spectacle, with a full complement of dancers and hydraulics and epic visuals, and one that also features some damn fine music.

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An Audience With Barry Manilow, ITV1

Kieron Tyler

This wasn’t going to offer any surprises. Bernadette Nolan, Lulu and Stacey Solomon would deliver the questions they’d rehearsed. Manilow would respond, then deliver the relevant song. He’s a charmer, and you’d have to be made of lead not to be lifted by some of his songs. But he didn’t need this audience and format. The interaction added nothing. His fantasticness doesn't need restating.

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Noel Gallagher's High Flying Birds, Usher Hall, Edinburgh

graeme Thomson

Noel Gallagher is hardly renowned for his willingness to stand on the precipice and leap into the unknown. A songwriter happy to work well within his own limitations, he has embarked upon his solo career (don’t be fooled by the “High Flying Birds” shtick; this is a star-plus-hired-hands job) with due caution.

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Tinariwen, Koko

David Cheal

An aura of mystique surrounds Tinariwen. The members of this group’s shifting line-up are from the Tuareg people, nomadic Berbers of the North African desert regions, and several have taken part in armed Tuareg rebellions in the past.

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WHY?, Duke of York's Picture House, Brighton

Thomas H Green

Ah, the Duke of York’s Picture House, the oldest consistently operating purpose-built cinema in the country. It’s a beautiful venue, just over a century old, and almost too comfortable. It’s been jazzed up a few times over the decades and, tonight, bathed in red light, wears its history with lazy insouciance, merging it with the current interior design’s burlesque Art Deco spin.

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George Michael, Royal Albert Hall

Bruce Dessau

With the scheduled start time of last night's gig long gone and George Michael nowhere in sight, scurrilous jokes, gossip and unfounded rumours were floating around the Royal Albert Hall. We won't reprint them here but, needless to say, funny ciggies and Hampstead Heath were being mentioned.

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