mon 02/06/2025

New Music Reviews

Reissue CDs Weekly: Jon Savage's 1967

Kieron Tyler

As 1967 ended, The Beatles’ “Hello Goodbye” sat at the top of the British singles chart and Billboard’s Hot 100 in America. Musically trite – “blandly catchy”, declared the writer Ian MacDonald – the single’s banal lyrics pitched opposites against each other: yes, no; stop, go; goodbye, hello. Although Paul McCartney was saying little with the song, he was playing a game with inversion.

Read more...

Mulatu Astatke, Jazz Café

Peter Culshaw

Mulatu Astatke has carved out a particular niche within music. He is a one-off purveyor of what Brian Eno called “jazz from another planet”, smoky, mysterious and playful. He’s about the only artist you could describe as both transcendent and sleazy.

Read more...

Black Honey, Concorde 2, Brighton

Javi Fedrick

The first thing that hits me as I walk into Concorde 2 is the age and energy of the audience, dominated by excitable booze-fuelled teenagers. Black Honey themselves are pretty young for a band capable of quickly selling out a 600-capacity venue, with the singer noting that “it feels like just yesterday we played here and couldn’t sell two tickets”.

Read more...

Radio 2 Folk Awards, Royal Albert Hall

Liz Thomson

One thing was very clear at Wednesday night’s BBC Radio 2 Folk Awards, held at the Royal Albert Hall – at the moment at least, Scotland has something of a monopoly when it comes to folk music talent.

Read more...

John Mayall, Ronnie Scott's

Liz Thomson

It’s a while since John Mayall last played Ronnie Scott’s, and the six shows this week didn’t begin to accommodate his many fans. The line to get in on Tuesday started a long while before show-time, and those who turned up hoping for returns will be pleased to know the British blues legend will be heading back to Britain in the autumn.

Read more...

The Jesus & Mary Chain, Institute, Birmingham

Guy Oddy

After a career that initially came to an abrupt end amid sibling fisticuffs on a stage in Canada during the dying embers of the Twentieth Century, the Jesus & Mary Chain have taken some time to ease themselves back into being a real going concern. Reforming a decade ago to tour their old material, it has taken until now for them to take the plunge and release Damage & Joy, their first new album in 19 years.

Read more...

Reissue CDs Weekly: Gerry & The Holograms

Kieron Tyler

It’s been suggested that New Order’s “Blue Monday” borrowed from Gerry & The Holograms’ eponymous 1979 A-side.

Read more...

Olly Murs, 02

Katie Colombus

Olly Murs seems to have monopolised the market on teenage girls and their middle-aged mums - the ultimate X-Factor audience that's followed his journey from the show eight years ago.

Read more...

theartsdesk on Vinyl 26: George Harrison, Vitalic, Scott Bradlee and more

Thomas H Green

Record shops are now doing good business in the UK. Just five years ago, who’d have thought that could happen? So does the current fetishisation of vinyl mark a growing desire to be back to physical formats, rather than disembodied technologies?

Read more...

Car Seat Headrest, Electric Ballroom

Javi Fedrick

Seattle-based rockers Car Seat Headrest finally burst their cult bubble with their 13th album, last year’s Teens of Denial, which found veteran songwriter Will Toledo combining Nineties indie, post-punk nihilism and ...

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

La Straniera, Chelsea Opera Group, Barlow, Cadogan Hall revi...

Chelsea Opera Group has made its own luck in winning the devotion of two great bel canto exponents: Nelly Miricioiu between 1998 and 2010...

Dept. Q, Netflix review - Danish crime thriller finds a new...

Netflix’s new detective-noir is a somewhat cosmopolitan beast. It’s written and directed by an American, Scott Frank, derived from a novel, ...

The Queen of Spades, Garsington Opera review - sonorous glid...

Recent events have prompted the assertion – understandable in Ukraine – that the idea of the Russian soul is a nationalist myth. This production...

Blu-ray: Eclipse

What constitutes a “lost classic”? I guess we can’t say it’s an oxymoron, since we readily accept the concept of “instant classic”? Either way,...

The Ballad of Wallis Island review - the healing power of th...

I think The Ballad of Wallis Island is the best...

Music Reissues Weekly: Pete Shelley - Homosapien, XL-1

Pete Shelley’s departure from Buzzcocks felt abrupt. When he left the...

The Salt Path review - the transformative power of nature

“I can’t move my arms or legs, but apart from that I’m good to go.” Moth (Jason Isaacs) has to be pulled out of the tent in his sleeping bag by...

Elephant, Menier Chocolate Factory review - subtle, humorous...

This charmingly eloquent semi-autobiographical show – which first played at the Bush Theatre in 2022 – tells the story of a girl whose...