fri 27/06/2025

New Music Reviews

Sahara Soul, Barbican

Heidi Goldsmith

Exoticisation, at an event named "Sahara Soul", was perhaps inevitable. With Tuareg jewellery and souvenirs in the foyer, there was a touristic expectation last night that these genuine desert-dwellers would bring the burning spirit of the Saharan blues along with their glinting necklaces. Indeed the first set was the diamond display of an all-star ensemble, brought together exclusively for this performance as part of the Barbican’s Transcender Festival.

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Kylie, iTunes Festival, Roundhouse

Fisun Güner

Does Kylie exist without spectacle? Take away the 6ft headgear, the sparkly hotpants, the spangly corsets, the team of super-fit dancers dressed like futuristic liquorice allsorts, and what’s left? If you find whatever it is, please let me know. 

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Carthy Hardy Farrell Young + Newton, Cecil Sharp House

Tim Cumming

Each of them is a solo, duo or group artist of high renown, but together, something special happens. On record it’s called Laylam; on stage, Eliza Carthy, Bella Hardy, Lucy Farrell and Kate Young are the best girl group in Britain.

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Reissue CDs Weekly: Black Widow

Kieron Tyler

 

Black Widow: SacrificeBlack Widow: Sacrifice

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Mary J Blige, iTunes Festival, Roundhouse

Adam Sweeting

Trailing a string of Grammys and multi-platinum albums, and now a successful actress and purveyor of her own "My Life" perfume for good measure, you wouldn't think R&B legend Blige had much left to prove. However, she evidently sees it differently, and she ripped through this compressed and streamlined Roundhouse set as if lives were at stake.

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Angel Olsen, Electric Ballroom

Katherine McLaughlin

“You don’t always get what you want in life,” said Angel Olsen to a group of fans haranguing her at the front last night at the Electric Ballroom. She rarely uttered a word between songs but this was a defiant end to the evening. Though her powerful Orbison-like warbling travelled clearly across the smoky stage to the denizens  a much needed intimacy was absent over the course of her fourteen-song set.

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The Pierces, Shepherd's Bush Empire

Matthew Wright

The Pierces were on stage for little more than an hour, singing an enjoyable but quite predictable medley of their last three albums. Their sugar-glazed, glistening sound is filtered through all manner of electronic stabilisation and filtration devices which guarantee harmony and stability through their adrenaline-driven swoops and musical handbrake turns. So in some ways, you’re not getting much new content or musical insight by hearing them live.

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Reissue CDs Weekly: Sun Ra

Kieron Tyler

 

Sun Ra and his Arkestra: In the Orbit of RaSun Ra and his Arkestra: In the Orbit of Ra

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Sarah Jane Morris, Union Chapel

peter Quinn

Recorded in the UK, Johannesburg, Paris and Tel Aviv, Sarah Jane Morris's latest album, Bloody Rain, is undoubtedly a labour of love. Hearing it performed live last night in the Union Chapel, in front of an adoring audience, confirmed that it is also her masterpiece.

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Joan Baez, Royal Festival Hall

Heidi Goldsmith

The next revolution of civil disobedience is unlikely to be a ticketed event, with a sedentary congregation of grey-haired, nostalgic former hippies. And the Royal Festival Hall (even at full capacity) is a mere campfire compared to Joan Baez's public of 30,000 protesters of Washington DC in 1967. But politics, where the drum stick is eschewed for the brush, were still the unspoken substance of her first London performance of four.

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