sat 28/06/2025

New Music Reviews

Calling Festival, Clapham Common

Russ Coffey

First there was Hyde Park Calling, then it was Hard Rock Calling and now, re-located in Clapham, it’s just the Calling Festival (presumably the organisers thought Clapham Common Calling carried too many connotations). The venue may have changed but last weekend was, pretty much, business as usual - a couple of stages, watery beer and a two-day smorgasboard of pop and rock. This year, though, all the pop was on day two.

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theartsdesk at the 2014 Glasgow Jazz Festival

Nick Hasted

Saturday commuters sprinting for the 17.33 to Ardrossan find themselves dodging an obstacle course of swing-dancing young couples, soundtracked by a pensionable trad jazz band. A shifting crowd of about 100 pause in their journeys at Glasgow Central station to enjoy Penman’s Jazzmen, skilful Scottish veterans comfortable with each other and the demands of this century-old New Orleans music.

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Bobby Womack: It's All Over Now

Jasper Rees

It’s presumably just a freak of scheduling that on the night the Rolling Stones threw up the bunting across town, an artist to whom they owe a whole heap of thanks was hosting a party of his own. Bobby Womack was the songsmith who co-supplied the scruffy young covers band with their first number one. “It’s All Over Now” was released by the Stones in July 1964 only a month after The Valentinos’ original version.

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Reissue CDs Weekly: The United States of America

Kieron Tyler

 

The United States of AmericaThe United States of America: The United States of America – The Columbia Recordings

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Reissue CDs Weekly: C86, The Motown 7s Box

Kieron Tyler

 

C86Various Artists: NME C86, The Motown 7s Box – Rare and Unreleased Vinyl Volume 2

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Melanie De Biasio, Purcell Room

Kieron Tyler

It’s statement of intent to open your first British headlining show with a 15-minute version of an album track which lasts a minute and three-quarters – from an album which itself lasts barely more than 30 minutes. And then to riff on it, incorporating elements from a debut album which barely anyone beyond your native country has heard.

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Reissue CDs Weekly: Dead Moon

Kieron Tyler

 

Dead Moon In the GraveyardDead Moon: In the Graveyard, Unknown Passage, Defiance

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Pat Metheny Unity Group, Eventim Apollo

Matthew Wright

The Eventim (Hammersmith) Apollo, where Pat Metheny’s Unity Group last night gave a spellbinding, if sometimes baffling, performance, has hosted a goodly range of gigs in its time. Few of these can have offered such diversity within a single evening. Piece after piece left last night’s audience whooping with exhilaration, though Metheny’s fondness for mechanical innovation briefly threatened the audience’s otherwise adoring reception.

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Field Day, Victoria Park

Katherine McLaughlin

Decidedly diverse in its musical offerings as ever, this year’s Field Day, which for the first time was spread over two days with the Pixies as a fitting finale, was gifted with glorious sunshine and a chipper ambience. Fresh ferocious voices breaking out and established names reaching back to their roots made for a harmonious mix of boldness and greatness.

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Reissue CDs Weekly: Too Slow to Disco

Kieron Tyler

 

Too Slow to DiscoVarious Artists: Too Slow to Disco

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