wed 28/05/2025

New Music Reviews

Nile Rodgers: How to Make It in the Music Business, BBC Four review - good times had by all

Jasper Rees

One New Year’s Eve in the 1970s, hot young session musicians Nile Rodgers and Bernard Edwards were assured by Grace Jones that they could penetrate the inner sanctum of Studio 54 by dropping her name at the door. A doorman thought otherwise and invited them to "fuck off".

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Reissue CDs Weekly: PP Arnold

Kieron Tyler

Anyone who finds Eric Clapton and The Bee Gees’ Barry Gibb stepping up to offer their services as their producer is obviously special. It’s a view reinforced by knowing Rolling Stones’ manager Andrew Loog Oldham and Small Faces were already their champions. Only one person fits this unique bill.

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Tunes of the Munster Pipers review - wondrous collection confounds expectations

peter Quinn

With their contrasting yet entirely complementary timbres and their ability to create textural palettes ranging from lonesome single notes to fulsome chords rich with harmonics, the combination of pipes and fiddle is surely one of the most potent in traditional Irish music.

That was certainly the case at this...

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Dua Lipa, Brighton Dome review - tomorrow's star today

Thomas H Green

High hopes are riding on Dua Lipa. Tonight is the first date of her Self-Titled Tour, but it ends next April. In between, it will travel all over the world, culminating in a series of British stadium dates, the last one at the Alexandra Palace. Such confidence is born of a string of hits across Europe, culminating in this summer’s UK chart-topper, “New Rules”. When she kicks off her show at the Brighton Dome, the near-capacity audience is buzzing, and sing along to one of her bigger...

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Reissue CDs Weekly: Motörhead

Kieron Tyler

Immediately before recording their first album in 1977, Motörhead were on their last legs. They went into the studio after playing what was initially conceived as their farewell show. Appropriately, no one then could have predicted that the band formed by Hawkwind’s former bass player in 1975 would become integral to rock’s rich tapestry. It wasn’t even their first attempt to make an album: one begun in 1975 had been shelved.

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Sparks, O2 Shepherd’s Bush Empire review - age does not wither them

Liz Thomson

It’s more than 40 years since Sparks appeared on Top of the Pops with “This Town Ain’t Big Enough for Both of Us”, one of a handful of hits from the brothers Mael, Ron and Russell, who grew up in 1950s and ‘60s LA detesting...

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Norah Jones, Ronnie Scott's review - heartfelt music that transcends bland

Peter Culshaw

When we were at peak Norah a decade ago, she looked rather intimidated by the large crowds at venues like the Forum. Having been suddenly catapulted into the limelight she looked nervous, lacked any real stage charisma and her so-so band looked like the kind of musicians you’d find in an average bar in Brooklyn, competent rather than anything remarkable.

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theartsdesk on Vinyl 32: OMD, Twin Peaks, Bicep, Sisters of Mercy and more

Thomas H Green

September and October see a deluge of new releases. Everybody and their aunt puts out an album as autumn hits, so theartsdesk on Vinyl appears this month (and next) in a slightly expanded edition. As ever, the fare on offer is as diverse as possible, from black metal to Afro-funk via film and TV soundtracks. All musical life is here, ripe and waiting.

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Reissue CDs Weekly: Ducks Deluxe

Kieron Tyler

That this year is the 40th anniversary of 1977, the year punk rock went mainstream, shouldn’t obscure the pub rock foundations underpinning much of what was supposedly new. The Clash’s Joe Strummer had fronted pub circuit regulars The 101’ers. In 1976, the Sex Pistols regularly played West London pub The Nashville Rooms.

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Neil Sedaka, Royal Albert Hall review - sparkly veteran defies the decades

Liz Thomson

As pretty much everything but a plague of locusts is visited upon this grim old world, an evening in the company of Neil Sedaka is the greatest of pick-me-ups. At the Royal Albert Hall on Monday, as his UK tour drew to a close, the capacity audience clearly felt uplifted, borne aloft on a raft of enduring songs and the evident enjoyment of the man who wrote them.

Sixty years ago...

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