sun 12/01/2025

New Music Reviews

Campo Sancho 2016

Barney Harsent

“Ooooh, it’s gorgeous!” exclaimed my wife-to-be as we arrived at what had been described as “an oasis in Hertfordshire.” They weren’t kidding, either. The site for the inaugural festival organised by Notting Hill Carnival stalwarts Sancho Panza couldn’t have been more different from West London if it tried. In place of terraced houses there were wall-to-wall trees, the only flyover was the sound of planes headed for Luton across an open sky.

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Standon Calling: Suede/Jess Glynne/Anna Calvi

Katie Colombus

For anyone who suffers from FIFOMO (festival-induced-fear-of-missing-out), Standon Calling is ideal. It’s like a pocket-sized version of Latitude, borrowing the Big Top and the mix of modern music with nostalgic pop acts, or Wilderness, borrowing the purple domed stage, the need for hot tubs and gastronimical treats. It has the feel of an epic house party, being set in the grounds of a 16th-century manor house 30 miles north of London.

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Camp Bestival 2016

Thomas H Green

Camp Bestival, curated by DJ Rob da Bank, has taken place at Lulworth Castle in Dorset since 2008. It’s now an institution of sorts, rammed to the gills with ageing ravers pulling around colourfully decorated trollies and paying over the odds for “reimagined Eritrean street food” and the like. It is, as I’ve written many times before, the Waitrose of festivals but that’s no bad thing.

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WOMAD 2016, Charlton Park

Peter Culshaw

Nestling amid the area in the woods where they have the gong baths and the kora-makers and back massages was an art installation by Graeme Miller - basically, you lay back on a trolley while an intern/elf pushed you through the woods while you ponder the underside of leaves and the sky. WOMAD does give you a different perspective anyway - a welcome respite from post-Brexit, pre-Trump xenophobia - and as a live celebration of global musical treasures it remains unmatched.

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The Impossible Gentlemen, Pizza Express Jazz Club

Sebastian Scotney

"Jazz,” said Keith Jarrett once, “is there and gone. It happens. You have to be present for it. That simple." For an audience, it produces a never-to-be repeated event: yes, you were there, and you didn’t miss it. One of the pleasures of seeing a group at the peak of contemporary jazz like The Impossible Gentlemen is to witness that joyous, open-minded and defiant spirit.

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Reissue CDs Weekly: Simple Minds

Kieron Tyler

As the album featuring Simple Minds’ first Top Twenty single, “Promised You a Miracle”, 1982’s New Gold Dream (81-82-83-84) was aptly titled. After the success of the next single “Glittering Prize”, it hit number three in the album charts. Five albums in and three years after their first single, Simple Minds were indeed touching gold.

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Prom 19: David Bowie Prom

Jasper Rees

“I’m here, I’m here, I’m here,” sang John Cale in the droning voice of Major Tom. Whether the spirit of David Bowie was indeed hovering over the Albert Hall for this impromptu memorial late-night Prom is not easily answered. The shape-shifting Bowie who stayed ahead of the game was honoured in a set lasting nearly two hours and covering 47 years of music-making from 1969 to 2016.

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Detroit: Techno City, Institute of Contemporary Arts

joe Muggs

Detroit techno music is important. Any student of the club music of the modern age knows this. The sound that fermented among the majority black population of the decaying industrial city in the late 1970s and early 1980s, as disco's last remnants fused with the avant-garde experiments of Europeans who were first getting their hands on synthesisers and drum machines, went on to change the world.

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FEWS, Prince Albert, Brighton

Thomas H Green

The indie scene isn’t currently enjoying a peak period but FEWS’ debut album, Means, which came out a couple of months back, makes as close a case for tight, post-punk guitar songs played by skinny guys as anything released this year. Part of this is undoubtedly down to producer Dan Carey, whose work with multiple acts, from Bat For Lashes to Kate Tempest to Bloc Party, shows he knows how to capture the best of an artist.

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theartsdesk on Vinyl: Volume 19 - Sisters of Mercy, Peter Gabriel, Solomun and more

Thomas H Green

This month we’re just going to get straight into it. It’s summer, the sun's out, no time for waffle, just slap a disc on the turntables and wallow in the richness of the sound. Below 42 vinyl releases are reviewed, with no genre boundaries maintained. There should be something there for everyone. Dig in.

Eerie Eerie (Tee Pee)

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