sun 22/09/2024

New Music Reviews

Unamplifire Festival, The Master Shipwright's Palace, Deptford

Tim Cumming

Set in the grounds and rooms of the Master Shipwright’s Palace on the Thames at Deptford, Unamplifire brought together more than 30 artists over eight hours, with new and ancient folk and world music stirring from the riverside wing of the building – a stripped-to-the-plaster-and-floorboards palace, one you might find yourself in after a revolution.

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Reissue CDs Weekly: Close to the Noise Floor

Kieron Tyler

The immediate reaction to Close to the Noise Floor is “Why hasn’t anyone done this before?” This new four-disc set’s subtitle captures its objective in a nutshell: to collect Formative UK Electronica 1975–1984 – excursions in proto-synth pop, DIY techno and ambient exploration.

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Manu Dibango & the Soul Makossa Gang, Ronnie Scott's

Matthew Wright

It’s a nice dilemma. Cameroonian saxophonist and band leader Manu Dibango, who has a Ronnie’s residency ending tonight, helped create the disco sound with his 1972 single “Soul Makossa”. Since then he has ranged over the extended Afro-soul-funk-jazz family of genres with insouciant ease, his showbusinesslike gift for a glitzy riff leading his influence into pop, too. So how to consolidate this influence?

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Jeff Lynne's ELO, O2 Arena

Russ Coffey

It was one of those bright spring days when it seemed every other radio station was playing “Mr Blue Sky”. It certainly didn’t feel like 30 years since ELO toured. But the fans at the O2, last night, knew exactly how long it’d been. Some may even have been counting the years. And the anticipation of whether Jeff Lynne could still cut it, was palpable.

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Xavier Rudd, The Electric Ballroom

Katie Colombus

The last time I spent hours on end listening to Xavier Rudd I was giving birth to my daughter. Weirdly, the anaesthetist had seen him perform in Australia a few weeks previously (this was a few years ago when Rudd wasn’t as heard of as he is now) and we bro’d about the magical coincidence pretty hard, in between contractions.

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Reissue CDs Weekly: Sandy Denny

Kieron Tyler

Is there anything left to say about Sandy Denny? Sadly, she cannot say anything herself, as she died in 1978. So it’s left to what she released during her lifetime, posthumous appraisals and reappraisals, and packages and repackages to do the talking.

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Kathryn Williams, Sydenham St Bartholemew's Church

joe Muggs

Kathryn Williams has a lot to live up to. The last time I saw the Liverpudlian singer-songwriter play live was a completely unamplified gig in the Tricycle Theatre some nine years ago, and its intimacy and intensity remain seared in my memory as one of the most powerful performances I've ever experienced.

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The KVB, Ramsgate Music Hall

Barney Harsent

Without wishing to repeat myself, small venues almost always work best. The intimacy they offer heightens emotion and increases impact while breaking down the barrier between artist and audience. There's a mathematical consideration, too – fewer people means fewer antisocial arseholes no matter which way you divide it. And so I find myself back in East Kent’s best venue, among some of Ramsgate's most upstanding, to see the swirling, melodic storm of Berlin/London duo The KVB.

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Basia Bulat, Hoxton Square Bar & Kitchen

Kieron Tyler

The cape is not an everyday item of clothing. Worn by magicians, it brings an air of the extraordinary. It billows in the path of superheroes. The cloak of invisibility confirms the cape’s singularity. Basia Bulat was first seen in a sparkly gold cape on the sleeve of her recent Good Advice album and last night it was integral to the renewed vigour of her music and stage persona.

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Eliane Elias, Ronnie Scott's

peter Quinn

Masterly improvising, outstanding compositions, a complete understanding between the musicians. On every count this was an exceptional set, as emotionally engaging as it was lovingly delivered.

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