New Music Reviews
Peter Doherty, O2 Forum Kentish TownThursday, 08 December 2016
Now the celebrity-drug-addict phase of Pete Doherty's career seems to be over the question remains as to what sort of artist he really is. After all, Doherty's best material always appeared to be inextricably woven into his chaotic lifestyle. The new album, Hamburg Demonstrations, on the other hand, was apparently recorded entirely drug-free. It's given fans pause for thought about where Doherty-the-phenomenon ends and Doherty-the-talent begins. ... Read more... |
Reissue CDs Weekly: The MicrocosmSunday, 04 December 2016
Pictured above is Sweden’s Ralph Lundsten. He might look like a guru or mystic but is actually a multi-disciplinary artist most well-known on his home turf for his pioneering electronic music. His first album, 1966’s Elektronmusikstudion Dokumentation 1 (made with Leo Nilson), was issued by national Swedish radio’s own label and recorded at the station’s electronic music studio. Read more... |
Reissue CDs Weekly: Mose Allison, Georgie FameSunday, 27 November 2016
In 1970, The Who opened their Live at Leeds album with “Young Man Blues”, a hefty version of a song its composer Mose Allison recorded as “Blues” in 1957. Back then, it was the only vocal track on Back Country Suite, an otherwise instrumental blues-jazz album, the Mississippi-born pianist's debut long player. Allison had moved to New York in 1956 and a string of releases followed. Read more... |
Autechre, Royal Festival HallSaturday, 26 November 2016
At the Royal Festival Hall the cliché seemed complete. Milling around were white men, white men and more white men – all in their late thirties and older, most looking a little bohemian and a lot geeky, with a few of them a little more hardcore in black bomber jackets, black jeans, black trainers and black baseball caps. Read more... |
The Damned, Brighton Dome, 2016Friday, 25 November 2016
The Damned peak early tonight. They never really top a tribalistic crowd sing-along to the song “Ignite” about two-thirds of the way through the evening. Dressed, as ever, like a cool rockabilly undertaker, in aviators with a black glove clutching the Shire Classic-style microphone, frontman Dave Vanian, his face painted cabaret zombie skeletal, prowls the stage, watching the crowd with a wry smile. Read more... |
Wayne Shorter Quartet, BarbicanTuesday, 22 November 2016
At 83, and with 60-odd years on the road, Wayne Shorter could be forgiven for, in a musical sense, getting the slippers and pipe out and knocking out comfortable versions of his hits, the classic tunes he wrote for Miles Davis among them, like “Footprints” and “Sanctuary”. Read more... |
Reissue CDs Weekly: Super Furry AnimalsSunday, 20 November 2016
In 1996, the NME ranked Super Furry Animals’ debut album Fuzzy Logic as the year’s fourth best. It sat between Orbital’s In Sides (number three) and DJ Shadow’s Entroducing. Beck’s Odelay took the top spot and Manic Street Preachers’ Everything Must Go was at two. Fuzzy Logic was on Creation Records and the Oasis-bolstered label’s only other album in the run down-was The Boo Radleys’ C’Mon Kids (15). Read more... |
Crystal Castles, Concorde 2, BrightonSaturday, 19 November 2016
Behind and beside Canadian electronic noisies Crystal Castles are lines of strobes which they use relentlessly from the moment they arrive onstage. It’s hard to even look, such is the visual barrage, and when I do, for as long as my retinas can stand, I only see a manic silhouette, flinging itself around, long hair whipping about like a dervish having a fit. As opening song “Concrete” draws to a close, this proves to be pink-maned frontwoman Edith Frances who now, and throughout the whole... Read more... |
Rava / Herbert / Guidi + Murgia, Kings PlaceSaturday, 19 November 2016
There was an Italian flavour to the EFG London Jazz Festival programme at Kings Place on Thursday night. Enrico Rava is an eminent statesman of European jazz, who emerged in the 1960s as a disciple of Miles Davis. He was collaborating with young pianist Giovanni Guidi, also recorded on ECM, though best known for diaphanous soundscapes rather than free jazz at its most raw and bloody. |
Jim Rattigan's Pavillon, Seven Arts, LeedsSaturday, 19 November 2016
French horn players active in jazz are thin on the ground: there’s the long-deceased John Graas, and composer and polymath Gunther Schuller’s career took in collaborations with Miles Davis and Dizzy Gillespie. Unlike most brass instruments, the horn’s bell faces backwards, potentially creating balance and coordination problems. Read more... |
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