New Music Reviews
Reissue CDs Weekly: The Move, The YardbirdsSunday, 01 May 2016
The figures are approximate, but the Yardbirds’ first studio album has been issued on CD at least 12 separate times. With The Move, their debut album and its follow-up Shazam have each had a comparatively paltry eight outings on CD. As for vinyl editions, setting aside the UK originals in mono and stereo and contemporaneous worldwide pressings, similar quantities of reissues of the three albums have hit shops from the mid-Seventies onwards. Read more... |
theartsdesk on Vinyl: Volume 16 - Santana, Yeasayer and loads moreThursday, 28 April 2016
The recent Alien Day was a contrived event designed to sell as much tat related to the Alien film franchise as possible. However, it had one intriguing side effect. Seventy-five copies of the soundtrack to the second film, Aliens, appeared on liquid-filled vinyl, created by New York artist Curtis Godino. These strange artefacts are pictured above. Read more... |
The Fall, The GarageWednesday, 27 April 2016
It's the first night of The Fall's four-night residency at The Garage in Highbury, north London, a suitably small venue to get the full visceral rub of the current group – Elena Poulou on keyboards, guitarist Peter Greenaway, drummer Keiron Melling, and bassist Dave Spurr. Read more... |
Unamplifire Festival, The Master Shipwright's Palace, DeptfordMonday, 25 April 2016
Set in the grounds and rooms of the Master Shipwright’s Palace on the Thames at Deptford, Unamplifire brought together more than 30 artists over eight hours, with new and ancient folk and world music stirring from the riverside wing of the building – a stripped-to-the-plaster-and-floorboards palace, one you might find yourself in after a revolution. Read more... |
Reissue CDs Weekly: Close to the Noise FloorSunday, 24 April 2016
The immediate reaction to Close to the Noise Floor is “Why hasn’t anyone done this before?” This new four-disc set’s subtitle captures its objective in a nutshell: to collect Formative UK Electronica 1975–1984 – excursions in proto-synth pop, DIY techno and ambient exploration. Read more... |
Manu Dibango & the Soul Makossa Gang, Ronnie Scott'sSaturday, 23 April 2016
It’s a nice dilemma. Cameroonian saxophonist and band leader Manu Dibango, who has a Ronnie’s residency ending tonight, helped create the disco sound with his 1972 single “Soul Makossa”. Since then he has ranged over the extended Afro-soul-funk-jazz family of genres with insouciant ease, his showbusinesslike gift for a glitzy riff leading his influence into pop, too. So how to consolidate this influence? Read more... |
Jeff Lynne's ELO, O2 ArenaThursday, 21 April 2016
It was one of those bright spring days when it seemed every other radio station was playing “Mr Blue Sky”. It certainly didn’t feel like 30 years since ELO toured. But the fans at the O2, last night, knew exactly how long it’d been. Some may even have been counting the years. And the anticipation of whether Jeff Lynne could still cut it, was palpable. Read more... |
Xavier Rudd, The Electric BallroomMonday, 18 April 2016
The last time I spent hours on end listening to Xavier Rudd I was giving birth to my daughter. Weirdly, the anaesthetist had seen him perform in Australia a few weeks previously (this was a few years ago when Rudd wasn’t as heard of as he is now) and we bro’d about the magical coincidence pretty hard, in between contractions. Read more... |
Reissue CDs Weekly: Sandy DennySunday, 17 April 2016
Is there anything left to say about Sandy Denny? Sadly, she cannot say anything herself, as she died in 1978. So it’s left to what she released during her lifetime, posthumous appraisals and reappraisals, and packages and repackages to do the talking. Read more... |
Kathryn Williams, Sydenham St Bartholemew's ChurchSunday, 17 April 2016
Kathryn Williams has a lot to live up to. The last time I saw the Liverpudlian singer-songwriter play live was a completely unamplified gig in the Tricycle Theatre some nine years ago, and its intimacy and intensity remain seared in my memory as one of the most powerful performances I've ever experienced. Read more... |
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