thu 16/05/2024

New Music Reviews

Music Reissues Weekly: The Sound - The Statik Records Years

Kieron Tyler

“There's a richness and a true depth here that places Jeopardy alongside (U2’s debut album) Boy as early Eighties tonics for ailing mainstream-rock. The Sound are on to a winner. There isn't one track here that isn't thoroughly compulsive. Overall it's a vastly impressive sound, with as much energy as I've heard on any record all year…the result is a form of sheer power-rock that doesn't make you blush or grimace.”

Read more...

Glastonbury Festival 2023: Down to the Paradise City

Caspar Gomez

TUESDAY 27TH JUNE 2023

I wake up around 11.00, get outta bed around 12.00.

Read more...

Theatre at Glastonbury Festival 2023 - so big and wild a hallucination, you're always left wanting more

Anya Ryan

And that’s it again for another year. Oh Glastonbury. A fever dream where the time of reality stops as you hop on a ride to a land of magic.

Read more...

Music Reissues Weekly: Blossom Dearie - Discover Who I Am

Kieron Tyler

Had Blossom Dearie overtly embraced pop, her vocal style could be characterised as along the lines of Priscilla Paris, Jane Birkin or Saint Etienne’s Sarah Cracknell – intimate, a little breathy, oxygenated. However, jazz was her bag and June Christy, Peggy Lee and Norway’s Karin Krog are the closest reference points.

Read more...

Peter Gabriel, OVO Hydro, Glasgow review - beaming with optimism and creativity

Jonathan Geddes

Even when Peter Gabriel is bleak, he has reasons to be cheerful. Early on in his set he opined that soon enough “none of us will have jobs anymore”, referring to the ongoing rise of artificial intelligence, although this was followed by him stressing the positives that can be found in such new technology. It seemed fitting, because Gabriel himself, now 73, showed on this evening that optimistic possibilities of the future occupy his thoughts as much as ever.

Read more...

Album: Brigid Mae Power - Dream From The Deep Well

Kieron Tyler

The cover versions on Dream From The Deep Well include “I Know Who is Sick,” most familiar from the Clancy Brothers and Tommy Maken interpretation, and “Down by the Glenside,” which The Dubliners incorporated into their repertoire. The first opens the album, the second closes it. Between, amongst the original compositions, there is also an adaptation of Tim Buckley’s “I Must Have Been Blind.”

Read more...

Siouxsie, The Halls, Wolverhampton review - former Banshee brings the house down

Guy Oddy

When the Queen of the Goths comes down from her castle to tour the UK, given that she hasn’t played here at all in the last 10 years, people take notice.

Read more...

The War On Drugs, OVO Hydro, Glasgow review - impressive musicianship but a lack of excitement

Jonathan Geddes

War might be good for absolutely nothing, but it does provide bands with some easy names. Before the War on Drugs headline set, Warpaint took to the stage, and despite a muted reaction to the quartet they were on enjoyable form. They’re unlikely to ever be topping the bill in arenas in their own right, but maybe that’s a good thing, and the funky closing double header of “New Song” and “Disco//Very” whipped by with pace and verve.

Read more...

Pete Fij / Terry Bickers, Worthing Festival 2023 review - lyricism, amusing anecdotes and gorgeous guitar playing

Thomas H Green

Pete Fij and Terry Bickers are bathed in muted red light. They are sat side-by-side, Fij with an acoustic guitar, Bickers with a vintage 1970s CMI hollow-bodied electric. Behind them, oil wheel lighting gloops and bubbles gently, bespattered with glowing green circles cast by the stationary disco ball hanging high above them. “It’s surprising to see how much life you can fit into the back of a van,” sings Fij, dolefully, then adds, “It only took two trips.”

Read more...

Arctic Monkeys, Arsenal Emirates Stadium review - the masters of indie pop excel

Kathryn Reilly

“I hope they do Mardy Bum,” a small boy squeaks longingly to his mother. She was probably his age when Whatever People Say I Am, That's What I’m Not came out almost two decades ago. This is very much a multi-generational affair incorporating those of us who were too old to like them when they started, their peers now also in their mid-30s, and lots and lots of kids.

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

latest in today

Dunedin Consort, Mulroy, Wigmore Hall review - songs of love...

The sixteen voices of the Dunedin Consort raided the large store of music inspired by the Song of Songs and the sonnets of Petrarch in a sensual...

People, Places and Things, Trafalgar Theatre review - a scin...

It’s unusual for a play to be revived with its original director and star, let alone a decade after they premiered the piece. But here we are,...

Withnail and I, Birmingham Rep review - Bruce Robinson’s 198...

Let’s put our cards firmly on the table here. I am a big fan of Bruce Robinson’s cinematic masterpiece about two out-of-work actors who live in...

Jack Doherty, Soho Theatre review - warm and witty childhood...

For fans of a certain age the name Jack Docherty will always be associated with a very good run of chat shows on Channel 5; he was also the star...

Album: Jack Savoretti - Miss Italia

It’s a long way to the middle. Jack Savoretti has worked hard to get there. He’s grafted. His first album, 2007’s Between the Minds,...

Two Tickets to Greece review - the highs and lows of a holid...

Two women were best friends at school but they haven’t...

Hoard review - not any old rubbish

A visually dazzling, fiercely acted psychological drama with a manic comic edge, Hoard channels an 18-year-old South Londoner’s quest to...

Hidden Door 10th Birthday Party, St James Quarter, Edinburgh...

It’s hard to imagine that The Arches – a string of stylish glass-fronted units in prime city centre location, housing boutique bars,...

Blu-ray: Chocolat

Claire Denis’ 1988 debut is a sensual madeleine to her Cameroonian childhood, with its taste of termites on butter, sound of birdsong and insect...

Coote, LSO, Tilson Thomas, Barbican review - the triumph of...

Programme notes for Mahler’s monumental symphonies will often...