New Music Reviews
Album: Personal Trainer - Still WillingMonday, 29 July 2024
Still Willing opens with “Upper Ferntree Gully,” a seven and three-quarter minute workout twice as long as most of the other nine tracks on Personal Trainer’s second album. A portmanteau piece, its most direct sections have the chug of vintage Pavement, some stabbing early Tame Impala guitar and chunks of Sonic Youth-like squall. Yo La Tengo also aren’t far. Read more... |
Music Reissues Weekly: Tomorrow's Fashions - Library Electronica 1972-1987Sunday, 28 July 2024
The conundrum central to library music is that it was not meant to be listened to in any normal way. Yet, in time, this is what happened. What ended up on the albums pressed by companies like Bruton, Chappell, De Wolfe and others was heard by subscribers – the records did not end up for sale in shops or on the record players sitting in the nation’s homes. Read more... |
Madeleine Peyroux, Barbican review - a transport of delightTuesday, 23 July 2024
You can take the woman out of the Left Bank, but you can’t take the Left Bank out of the woman. Madeleine Peyroux would be perfectly at home in a boîte in the Latin Quarter, or perhaps Montparnasse. Alas, we were in the sadly unromantic surrounds of London’s Barbican, where the lighting crew had done a good job of creating a smoky vibe before curtain-up. Read more... |
Album: Kevin Fowley - À Feu DouxMonday, 22 July 2024
“Ne pleure pas, Jeannette” is a version of the 15th-century French song "La pernette se lève." It tells the story of Jeannette, whose parents want her to marry into the gentry or royalty. She, however, is in love with Pierre. He is in prison. She vows to be hanged at the same time he is. In France, “Ne pleure pas, Jeannette” is a nursery rhyme. Versions have been recorded by Les Compagnons De La Chanson and French children’s TV favourite Dorothée. Read more... |
Music Reissues Weekly: Barry Ryan - The Albums 1969-1979Sunday, 21 July 2024
In April 1985, The Damned’s Dave Vanian was speaking with Janice Long on her BBC Radio 1 show. He said “Barry Ryan and Paul Ryan have been sadly forgotten. Everyone waxes lyrical about Scott Walker which is marvellous but this is absolutely superb. There’s a tension in there, it starts off pretty but it grabs you after a while.” Read more... |
Music Reissues Weekly: Atlanta - Hotbed of 70s SoulSunday, 14 July 2024
Michael Thevis made his money from pornography. In the Seventies, his Atlanta warehouses were stuffed with most of America’s porn. Nationally, Thevis was the main distributor. Looking for something less edgy to fund with his profits, he turned to the music business and bankrolled the GRC label and its sister imprints Aware and Hotlanta. In time, they became three of America's most lauded soul labels. In parallel, Thevis sealed his reputation as a notorious criminal. Read more... |
Album: Chris Cohen - Paint a RoomSaturday, 13 July 2024
Paint a Room is idiosyncratic, but it is an absolute joy. Accessible too. Permeated with a summery vibe, its 10 songs glisten like the surface of lake catching the setting sun’s rays. There’s a lightness, a buoyancy which instantly fascinates. Read more... |
Music Reissues Weekly: Angelic Upstarts - Teenage WarningSunday, 07 July 2024
NME’s Paul Morley reviewed Angelic Upstarts’ debut album, the newly reissued Teenage Warning, in August 1979. He pointed out that they were “seen as the successors to Sham 69.” Read more... |
Paul Alexander: Bitter Crop - The Heartache and Triumph of Billie Holiday's Last Year review - setting the record straightSaturday, 06 July 2024
It’s often said that nobody mythologised Billie Holiday like Billie Holiday. I’m not so sure. Read more... |
Album: Kiiōtō - As Dust we RiseSaturday, 06 July 2024
As Dust we Rise ends with “Quilt,” a percussion-driven lamentation bringing to mind the New Orleans stylings of Dr. John. The album begins with “Hem,” where stabbing piano and strings interweave with a pulsing, wordless chorale. After a while, a muted trumpet and pattering wood blocks fill it out. Read more... |
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