New Music Reviews
Elbow, RoundhouseSaturday, 13 September 2014
Punctually, following a tension-building countdown, Elbow entered the blue-lit stage at London’s legendary Roundhouse, beers in hand, and gestured the 1500-strong audience into a mass toast. With his slight stoop, soft Manchester accent and wayward estate-agent appearance Guy Garvey’s frontman persona takes more from familiar folk Daddies like Loudon Wainwright III than from the styled superstars also headlining at the iTunes Festival. Read more... |
Prom 74: Wainwright, Voigt, Britten Sinfonia, DebusFriday, 12 September 2014
Swathes of this year’s final Late Night Prom were so invertebrate, amateurish even, that I was tempted to go home and throw out my Want One and Want Two CDs. I won’t, of course: Canadian American singer-songwriter Rufus Wainwright has written some fabulous songs, and developed a unique vocal style to deliver them. Read more... |
Art Garfunkel, Royal Festival HallFriday, 12 September 2014
The voice no longer soars with easeful power, nor does it possess that tingling, honey-coated purity that gave hits such as “Bridge Over Troubled Water” such emotional force. This should hardly come as a surprise, since Art Garfunkel is now 72. Away from Paul Simon, from whom he split in 1970, Garfunkel has had a long, stop-and-start solo career, occasionally writing and recording his own songs but mainly singing other people’s, including those unforgettable Simon hits. Read more... |
theartsdesk at Bestival 2014: Full Biochemist's ReportThursday, 11 September 2014
Sometimes you don’t escape. Even for those of us with a sturdy frame and a good track record, every now and then, enjoying the ride means taking the pummelling. Read more... |
Prom 71: Time for Three, BBC Concert Orchestra, LockhartWednesday, 10 September 2014
Aaron Copland was an unlikely musical portraitist of the American plains and prairies. Son of Jewish immigrants from Brooklyn and student of modernism with Nadia Boulanger in Paris, he nonetheless created the quintessential American orchestral sound with a series of popular (“vernacular” was his phrase) works in 1930s and 1940s. Last night three of his most popular pieces were paired with two new pieces inspired by jazz, that other great American twentieth-century music. Read more... |
Reissue CDs Weekly: Calypso CrazeSunday, 07 September 2014
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Kasabian, RoundhouseSaturday, 06 September 2014
The genteel north London of the Roundhouse isn’t the obvious venue for a ladtronica and bloke rock band. Especially one that’s recently come from headlining Glastonbury and is used to open horizons, and sound systems more dangerously ramped-up than Primrose Hill house prices. By giving a performance that wowed an audience of mainly young couples, Kasabian showed a character and identity that’s more nuanced than the standard hairy bloke depiction allows. Read more... |
Tony Bennett, Royal Festival HallFriday, 05 September 2014
There’ll be no Lady Gaga tonight. Tony Bennett’s most public performances over the last 20 years have been in duets with such lesser talents, or in Glastonbury’s borderline ironic old-timers’ slot. The crackly recording of Sinatra calling him “the greatest singer in the world” which precedes him has introduced the 88-year-old for decades now, as if he still needed the recommendation of the long-gone Chairman of the Board. But these days, Tony Bennett stands alone. Read more... |
Reissue CDs Weekly: The 13th Floor ElevatorsSunday, 31 August 2014
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Kate Bush, Eventim Apollo, HammersmithSaturday, 30 August 2014
Ms Bush walked on in a black, tasselled tunic with the slight air of an aging hippy. Her feet were bare and her tousled hair was half tied-back. And that – for anyone who had managed to avoid the papers all week – answered the first question: what she would look like. That just left us to see for ourselves what she would sing and do. Read more... |
Various Artists: Calypso Craze
The 13th Floor Elevators: Live Evolution LostPages
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