New Music Reviews
WHY?, Duke of York's Picture House, BrightonWednesday, 26 October 2011
Ah, the Duke of York’s Picture House, the oldest consistently operating purpose-built cinema in the country. It’s a beautiful venue, just over a century old, and almost too comfortable. It’s been jazzed up a few times over the decades and, tonight, bathed in red light, wears its history with lazy insouciance, merging it with the current interior design’s burlesque Art Deco spin. Read more... |
George Michael, Royal Albert HallWednesday, 26 October 2011
With the scheduled start time of last night's gig long gone and George Michael nowhere in sight, scurrilous jokes, gossip and unfounded rumours were floating around the Royal Albert Hall. We won't reprint them here but, needless to say, funny ciggies and Hampstead Heath were being mentioned. Read more... |
Bon Iver, Hammersmith ApolloMonday, 24 October 2011
Not only could Bon Iver’s Justin Vernon not have planned the success of his first album; if he’d known he probably wouldn’t have wanted it. The fragile bucolic sound he produced in his Wisconsin cabin became so iconic it must have been impossible to know where to go. After the next record came out some complained that it sounded just like the first album only played on a Casio keyboard. Read more... |
Glen Campbell, Royal Festival HallSunday, 23 October 2011
The anticipation of Glen Campbell’s valedictory concerts has gone far beyond the goodbye to his music. It’s involved a reflection on his entire life. The sugar-throated cowboy with film-star looks and ballads as epic as daybreak in Arkansas has lived life like a great American novel. One of 12 children of a sharecropper, he went on to play the guitar with The Beach Boys, act with John Wayne, marry four times, and count Ronald Reagan as his friend. Read more... |
Feist, London PalladiumTuesday, 18 October 2011
A good measure of the passion felt for an act is how much of their crowd dresses like them. And though Leslie Feist is hardly Lady Gaga in the image stakes, it's gratifying that even in a rush to get to our seats I'm able to count at least five “Feist fringes” on audience members that I pass. It's a subtle tribute to a subtle artist, one who has come to major success without fanfare or grandstanding and attracts a discerning and knowledgeable fanbase. Read more... |
Fatoumata Diawara, Jazz CaféFriday, 14 October 2011
When I first saw this Malian singer-songwriter a few months ago at a showcase gig in a grimly carpeted basement bar in Clerkenwell it was hard to imagine a less appropriate space for such a regally beautiful woman to be found in. Yet within a couple of mantra-like songs she had conjured her own ambience, causing the tardy space to become irrelevant, at least until the last notes died away. Read more... |
Björk, Harpa, ReykjavíkThursday, 13 October 2011
Björk’s Biophilia is a five-headed organism: the album (itself issued in five different editions), the app, the documentary, the live show and the website. Here in Harpa, Reykjavík’s spanking-new concert hall, Björk is in her home town, delivering the live show, performing the music. She’s playing residencies rather than touring. Instruments have been specially made. Read more... |
Spiritualized, Royal Albert HallWednesday, 12 October 2011
Two years ago, Spiritualized reprised their bestselling (one might say "only major") 1997 album, Ladies and Gentlemen We Are Floating in Space, in the curiously titled concert series, Don't Look Back. Since then, their frontman (one might say "only notable band member") Jason "Spaceman" Pierce has been constantly promising new material, along with persistent assurances that the band's (would-be) seventh album will hearken back to the g Read more... |
Backbeat, Duke of York's TheatreTuesday, 11 October 2011
It’s obviously a coincidence. Backbeat, the story of The Beatles’ Hamburg days, their ill-fated bassist and John Lennon's art-school mate Stuart Sutcliffe hits the West End the same week that Martin Scorsese's George Harrison documentary Living in the Material World comes out. Even ignoring comparisons between the two, Backbeat is an incoherent mess. Read more... |
Wayne Shorter Quartet, BarbicanSunday, 09 October 2011
Wayne Shorter's current band do strange things with time - it seems to stretch and bend like in some subatomic experiment featuring rogue neutrinos. Their nifty time signatures would fuse any computer. The nature of the music itself seems outside time, both echoing that modern jazz annus mirabilis 1959 and being futuristic at the same time. Read more... |
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