New Music Reviews
theartsdesk at Sónar festival, BarcelonaMonday, 21 June 2010
In retrospect, deciding on a quick in-and-out trip to the Sónar festival was a slightly silly idea. Not because there was any problem with the event, or with getting there, or because I had any difficulty chucking an all-nighter then making it to my plane at 11am, though. Quite the opposite: it was a silly idea because a small taster of one of the best-organised music festivals I have ever been to could only make me deeply hacked off that I wasn't going to be there for the whole thing. Read more...
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Richard Thompson and Loudon Wainwright III, Royal Festival HallSunday, 20 June 2010
It takes quite something to be able to hold the attention of a packed Royal Festival Hall with nothing but an acoustic guitar, a piano, and a bunch of songs. Read more... |
Richard Thompson, One Thousand Years, Royal Festival HallSaturday, 19 June 2010
Richard Thompson’s appointment as curator of Meltdown 2010 split opinion at theartsdesk. I was one of those who hoped the hoary old maverick would exhilarate with daring new acts. Others feared it would just be a folk-in. In the end the program contained Iranian punk, some folk and a whole lot of Thompson himself. He's offered film scores, a new show, and a collaboration. Read more... |
Ed Harcourt, Wilton's Music HallSaturday, 19 June 2010
If the audience at Wilton's charmingly archaic music hall were feeling depressed by the bleak comedy of the England "performance" against Algeria, a whirl around the musical block in the company of Ed Harcourt was the perfect antidote. Critics feel compelled to categorise everything, and Harcourt has been compared to all and sundry, from Brian Wilson to Harry Nilsson to Tom Waits. But... Read more... |
Steve Winwood: English Soul, BBC FourFriday, 18 June 2010
Almost like an inverted echo of Stevie Wonder over in Detroit, Little Stevie Winwood was a Brummie teen prodigy who scored an early dose of stardom with the Spencer Davis Group at age 15. Raved over for his amazing soulful vocals and effortless instrumental skills, he went on to form Traffic before joining “supergroup” Blind Faith with Eric Clapton. Read more... |
The Duckworth Lewis Method, Queen Elizabeth HallFriday, 18 June 2010
There cannot be many famous rock songs that mention cricket. Roy Harper's poetic "When an Old Cricketer Leaves the Crease" springs immediately to mind. And 10cc's "Dreadlock Holiday". And then the trail goes fairly cold. Until 2009, when The Divine Comedy’s Neil Hannon and Tommy Walsh of Pugwash collaborated on their inspired Duckworth Lewis Method concept album. Read more... |
BeauSoleil, Queen Elizabeth HallThursday, 17 June 2010
Our story begins in the early 1970s, when a young fiddler from Louisiana named Michael Doucet was making rock music. Then one day he heard a song by Fairport Convention: “Cajun Woman” (from the band’s Unhalfbricking album). He was shocked and delighted that an English group should be taking an interest in a strand of music that seemed to be fading into obscurity. In a sort of Proustian moment, he inhaled the fragrance of “Cajun Woman”, his interest in the music of his native region was... Read more... |
Willie Nelson & Family, The Playhouse, EdinburghThursday, 10 June 2010
A few years ago I wrote a book about Willie Nelson. Keith Richards supplied the introduction – a Kafkaesque saga which deserves a book in itself - during which he opined that Willie had a severe case of “white line fever”. This (for once) had nothing to do with exotic Peruvian powders and everything to do with the odd compulsion that keeps a man in his late seventies on the road for nine months of each year, rattling around the world in a bus while his wife and kids make hay in Hawaii. Read more... |
The Miserable Rich, St Giles in the FieldsThursday, 03 June 2010
If you thought Chamber Pop was dead, think again. The Divine Comedy are back with a new album, Rufus Wainwright is playing Meltdown, and The Leisure Society are gradually building up a cabinet of awards. Read more... |
The Unthanks, Union ChapelTuesday, 01 June 2010
Geordies love music. From Brian Johnson’s cap to Jimmy Nail’s crocodile shoes, they have melody in their blood. And they love a good story. All of which makes it little wonder that North-Eastern sisters Rachel and Becky Unthank are able to mine such a deep seam of Northumbrian folk music. What’s more remarkable is how they sing material so traditional, in accents so broad, and still sound so contemporary. It makes them different; it’s possibly what makes them so loved. Read more... |
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