New Music Reviews
theartsdesk on Vinyl 80: Nanci Griffith, Scuba, Dope Lemon, Aerosmith, Bob Marley, Pharoah Sanders and moreTuesday, 14 November 2023
VINYL OF THE MONTH Being Dead When Horses Would Run (Bayonet) Read more... |
Jambinai & Leenalchi, Southbank Centre review - contrasting faces of contemporary Korean musicMonday, 13 November 2023
Friday’s double-header at the Queen Elizabeth Hall on the Southbank was not only one of the final gigs in this year’s K-Music Festival – entering its tenth year with an eclectic range of Korean artists and bands performing across London and beyond – but also one of the launch gigs for this year’s EFG London Jazz Festival, now entering its 31st year. Read more... |
Music Reissues Weekly: Incident at a Free FestivalSunday, 12 November 2023
“We got to play Stonehenge Festival when it was like just a field, a generator and stage. No rip-off burger joints. No packaged new age culture. Just good British hippiedom. A bunch of scruffy, dirty, bean-burger-eating, spliff-making hippies, and in the middle, a bunch of Hell’s Angels.” Read more... |
Korea On Stage, OVO Arena Wembley review - a symphony of lights, beats and empowermentFriday, 10 November 2023
Choruses rocked, choreo popped, and thousands of light sticks danced in unison, as an incredible lineup of nine acts lit up this fourth edition of Korea On Stage, celebrating 140 years of UK-Korea relations. Read more... |
Album: Bas Jan - Back to the SwampThursday, 09 November 2023
Margaret Calvert's creations are never far. She set the rules for the design of Britain’s road signs, as well as drafting typography and graphics for national, regional and local rail signage. Back to the Swamp’s fifth track “Margaret Calvert Drives Out” features the lyrics “maximum information conveyed by minimum means, triangles for warning, circles for limits, blue for instructions, green for directions.” Read more... |
The Chemical Brothers, Utilita Arena, Birmingham review - rave veterans play a blinderMonday, 06 November 2023
Since first coming together in 1989, The Chemical Brothers have done more than enough to earn their place in the Pantheon of Rave Legends. They may not have been there at the birth of Acid House, but six number one albums, 13 top 20 singles and six Grammy awards is nothing to be sniffed at – especially for a couple of nerdy blokes who basically push buttons on boxes of electronic gadgets. Read more... |
Music Reissues Weekly: When the Alarm Clock Rings - A Compendium of British Psychedelia 1966-1969Sunday, 05 November 2023
“How psychedelic is your pop? This is the demanding question posed to many groups today, struggling for acceptance. It's no longer any good to say: ‘Well, mate, we can play Wilson Pickett, James Brown and all that gear,’ to anybody contemplating booking a band. One has to explain whether one is likely to set fire to the auditorium, or batter the audience’s senses with flame, light and fiendish noises.” Read more... |
Young Fathers, Usher Hall, Edinburgh review - powerful set from a band who keep pushing boundariesFriday, 03 November 2023
Fresh from winning this year’s Scottish Album of the Year Award – for the third time no less! – Young Fathers gave a spectacular performance on Tuesday night on their home turf, at Edinburgh’s Usher Hall. Sure, it seems odd that a competition that’s only been running ten years has been won three times by a band who’ve released four albums. Read more... |
10 Questions for the avant-pop icons StereolabThursday, 02 November 2023
Just over 30 years ago, avant-pop icons Stereolab released their debut album Peng! establishing the early hallmarks of the English-French band’s sound; 1960s pop harmonies, chorus-laden guitar riffs and a borderless world of analog electrics. Read more... |
Brian Eno, Baltic Sea Philharmonic, Kristjan Järvi, RFH review - electronica brilliantly re-visioned for orchestraWednesday, 01 November 2023
There is a great deal of sense in transposing electronic music to a symphony orchestra. However beautifully crafted, imaginatively constructed, and creatively programmed, the sounds that come out of synthesisers and other digital tools lack the knife-edge fallibility of music that is produced with the hand or the human breath. Read more... |
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