mon 23/12/2024

New Music Reviews

Eliza Carthy and The Restitution, Barbican review - folk at its finest

India Lewis

Eliza Carthy has been busy, as she always has. Recording various albums with various artists during the pandemic, her show with her band, The Restitution (and many others), at the Barbican on Saturday, was well stuffed with music, musicians, laughter, familial connections and celebrations. 

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Music Reissues Weekly: The Senders - All Killer No Filler

Kieron Tyler

The New York Dolls, The Ramones, Suicide, Television, Blondie, The Dictators, The Heartbreakers, The Shirts, Richard Hell and the Voidoids. From 1974 onwards, New York buzzed with bands. There were also Tuff Darts, The Fast, Pure Hell, Von Lmo and others who didn’t quite grab the brass ring. Out of towners like The Dead Boys, Pere Ubu, Devo and The Real Kids jostled for attention too.

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Northern Winter Beat 2023 review - Panda Bear, Sonic Boom and Širom amongst the highlights in Denmark’s north

Kieron Tyler

It’s the sound of the sun. Panda Bear – born Noah Lennox – is singing in a voice with the purity and warmth of Brian Wilson. Beside him, Sonic Boom – Pete Kember – has more of a growl, a timbre which might make announcements in a railway station. The contrast works well. Sweet and slightly sour.

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Album: Robert Forster - The Candle and the Flame

Kieron Tyler

Reflections on how the past relates to now suffuse The Candle and the Flame. The album’s closing track is “When I Was a Young Man.” When he was 21, sings Robert Forster, “I wrote songs, I was unsung, unheralded and undone”. His figurative brothers David and Lou showed him the way. Now in his mid-Sixties, he has a considerable artistic inventory to look back on. Including The Go-Betweens, solo albums, his writing. Messrs Bowie and Reed would be proud of what they helped initiate.

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Music Reissues Weekly: Padang Moonrise - The Birth of the Modern Indonesian Recording Industry

Kieron Tyler

“Ka Huma” by Ivo Nilakreshna sounds as if a jazz band was taking on rock ’n’ roll. There’s a swing and sway, busy rhythm guitar and a lead female voice singing a yearning melody. An instrument which seems to vibes is in there. But there’s more than the familiar elements. Most of the influences are unrecognisable.

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Celtic Connections: Juliette Lemoine, Orchestral Qawwali Project review - fusion of myriad musical traditions

Miranda Heggie

In full force again for 2023, Scotland’s premier folk music festival Celtic Connections is back with its signature strand of blending and sharing musical traditions. On Saturday, emerging Scottish folk cellist Juliette Lemoine gave a superb early evening recital in Glasgow City Hall’s intimate recital room for what was the official launch of her debut album Soaring.

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'Time Out of Mind' Revisited - a deep focus take on classic Dylan

Tim Cumming

The 1997 release of Time Out of Mind was the resurrection of an artist who appeared to have wandered off the reservation some years before, lost in transit on his Never Ending Tour, trailed by an army of "Bobcats" who followed him for show after grinding show. “How can you stand it?” he once asked of a woman who told him she’d seen dozens of NET gigs.

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Callum Au and Claire Martin, Cadogan Hall review - 'Songs and Stories' live at last

peter Quinn

Recorded in 2019, released in 2020, and winner of Album of the Year at the 2021 Parliamentary Jazz Awards, it was a delight to finally witness the launch of Callum Au and Claire Martin’s spectacular album of jazz standards and American Songbook classics, Songs and Stories, albeit three years later than planned.

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DVD: Oscar Peterson - Black + White

Sebastian Scotney

I can’t help enjoying the continuing elevation of the jazz pianist Oscar Peterson (1925-2007) to national monument status in Canada. A park or a square here (Montreal), a boulevard there (Mississauga), a school, a concert hall, a statue, a commemorative one-dollar coin. Now Barry Avrich’s 2021 documentary Oscar Peterson: Black + White, which is being released on DVD.

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Music Reissues Weekly: Bob Stanley / Pete Wiggs Present Winter of Discontent

Kieron Tyler

At some point in 1979 a duo called The Door and the Window are playing a London Musician’s Collective show in a large brick building along the road from Cecil Sharp House in Camden. One of them has a synthesiser, probably a WASP. The other has tape recorders and a guitar. The inscrutable noise made features clanks, grinding and drones.

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